1966 Byrds, The ‎– Fifth Dimension 24bit-192khz

This is an original vinyl rip at 24bit/192khz by Sidmal, Iuse audacity 1.2.6 for recording wav at 32/192,
then split it using Wavelab 6.11 and finally tag and convert to flac 24/192 using EZCD 2.01.
I have a rega rp1 prefomance pack phonograph (made in france I think) a Denon DRA700 AE analog reciever,
an Audiotrak Dr. DAC prime external soud card which is compatible with 24/192, and it all mainlines into my 3 years old
(works as brand new) w520 Think pad Which is very reliable and can be used 24/7/52 with it's cooler and never heats up.
please leave comments as to the quality, be they positive or negative.
Enjoy!!!!

Byrds, The ‎– Fifth Dimension
Label:
CBS ‎– CBS 32284
Format:
Vinyl, LP, Reissue

Country:
Europe
Released:

Genre:
Rock
Style:
Folk Rock, Psychedelic Rock, Classic Rock



Tracklist Hide Credits .


A1 5 D (Fifth Dimension)
Featuring – Van Dyke Parks 2:32
A2 Wild Mountain Thyme 2:29
A3 Mr. Spaceman 2:08
A4 I See You 2:32
A5 What's Happening?!?! 2:30
A6 I Come And Stand At Every Door 3:01
B1 Eight Miles High 3:35
B2 Hey Joe (Where You Gonna Go) 2:08
B3 Captain Soul 2:35
B4 John Riley 2:57
B5 2-4-2 Fox Trot (The Lear Jet Song) 2:08

Credits

Producer – Allen Stanton



allmusic.com:

almmusic rating: 9/10
user rating(428):9/10


Review by Richie Unterberger


Although the Byrds' Fifth Dimension was wildly uneven, its high points were as innovative as any rock music being recorded in 1966. Immaculate folk-rock was still present in their superb arrangements of the traditional songs "Wild Mountain Thyme" and "John Riley." For the originals, they devised some of the first and best psychedelic rock, often drawing from the influence of Indian raga in the guitar arrangements. "Eight Miles High," with its astral lyrics, pumping bassline, and fractured guitar solo, was a Top 20 hit, and one of the greatest singles of the '60s. The minor hit title track and the country-rock-tinged "Mr. Spaceman" are among their best songs; "I See You" has great 12-string psychedelic guitar solos; and "I Come and Stand at Every Door" is an unusual and moving update of a traditional rock tune, with new lyrics pleading for peace in the nuclear age. At the same time, the R&B instrumental "Captain Soul" was a throwaway, "Hey Joe" not nearly as good as the versions by the Leaves or Jimi Hendrix, and "What's Happening?!?!" the earliest example of David Crosby's disagreeably vapid hippie ethos. These weak spots keep Fifth Dimension from attaining truly classic status. [The CD reissue has six notable bonus tracks, including the single version of the early psychedelic cut "Why" (the B-side to "Eight Miles High"), a significantly different alternate take of "Eight Miles High," "I Know My Rider" (with some fine Roger McGuinn 12-string workouts), and a much jazzier, faster instrumental version of "John Riley."]

Release Date
July 18, 1966


Genre
Pop/Rock

Styles:
Folk-Rock
AM Pop
Psychedelic/Garage
Contemporary Pop/Rock


Recording Date

December 22, 1965 - July 28, 1966
Submit Corrections

Album Moods

Spacey Trippy Joyous Amiable/Good-Natured Autumnal Dreamy Earnest Eerie Literate Soothing Warm Atmospheric Bittersweet Complex Freewheeling Intimate Reflective Smooth Sophisticated Street-Smart Summery Whimsical


Themes

Autumn