Alice’s Adventures in Wonderland {Bass and Sharp Highs fixed} - Lewis Carroll

Category: Adventure, Fantasy
Language: EnglishKeywords: Alice In Wonderland Celebrity Fantasy Lewis Carroll Movie Tie In Scarlett Johansson
Written by Lewis Carroll
Read by Scarlett Johansson
Format: MP3
Bitrate: 128 Kbps
Not sure how Audible didnt notice this, but the bass on this recording is too high and it is the weak floppy bass around 150-230Hz or so along with very very sharp Highs, making it hard to listen too. Both of these issues have been fixed, along with normalizing the audio volume level throughout.
In 1862 Charles Lutwidge Dodgson, a shy Oxford mathematician with a stammer, created a story about a little girl tumbling down a rabbit hole. Thus began the immortal adventures of Alice, perhaps the most popular heroine in English literature.
Countless scholars have tried to define the charm of the Alice books—with those wonderfully eccentric characters the Queen of Hearts, Tweedledum, and Tweedledee, the Cheshire Cat, Mock Turtle, the Mad Hatter et al.—by proclaiming that they really comprise a satire on language, a political allegory, a parody of Victorian children’s literature, even a reflection of contemporary ecclesiastical history.
Perhaps, as Dodgson might have said, Alice is no more than a dream, a fairy tale about the trials and tribulations of growing up—or down, or all turned round—as seen through the expert eyes of a child.
Not sure how Audible didnt notice this, but the bass on this recording is too high and it is the weak floppy bass around 150-230Hz or so along with very very sharp Highs, making it hard to listen too. Both of these issues have been fixed, along with normalizing the audio volume level throughout.

In 1862 Charles Lutwidge Dodgson, a shy Oxford mathematician with a stammer, created a story about a little girl tumbling down a rabbit hole. Thus began the immortal adventures of Alice, perhaps the most popular heroine in English literature.

Countless scholars have tried to define the charm of the Alice books—with those wonderfully eccentric characters the Queen of Hearts, Tweedledum, and Tweedledee, the Cheshire Cat, Mock Turtle, the Mad Hatter et al.—by proclaiming that they really comprise a satire on language, a political allegory, a parody of Victorian children’s literature, even a reflection of contemporary ecclesiastical history.

Perhaps, as Dodgson might have said, Alice is no more than a dream, a fairy tale about the trials and tribulations of growing up—or down, or all turned round—as seen through the expert eyes of a child.