Andrew Lloyd Webber - Requiem - Flac - Abrasax (Working)

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Andrew Lloyd Webber - Requiem - Flac - Abrasax (Working) (Size: 180.48 MB)
  01 Andrew Lloyd Webber - Requiem & Kyrie.flac 24.86 MB
  02 Andrew Lloyd Webber - Dies irae... Rex tremendae.flac 26.73 MB
  03 Andrew Lloyd Webber - Recordare.flac 12.72 MB
  04 Andrew Lloyd Webber - Ingemisco... Lacrymosa.flac 29.88 MB
  05 Andrew Lloyd Webber - Offertorium.flac 22.69 MB
  06 Andrew Lloyd Webber - Hosanna.flac 20.16 MB
  07 Andrew Lloyd Webber - Pie Jesu.flac 16.79 MB
  08 Andrew Lloyd Webber - Lux aeterna & Libera me.flac 26.62 MB
  Requiem.jpg?042148 26.51 KB
  tracked_by_h33t_com.txt 23 B

Description


Andrew Lloyd Webber - Requiem - Flac - Abrasax

CDrip:
Andrew Lloyd Webber-Requiem
RELEASED: 1985
LABEL:Decca
FORMAT: CD
PRODUCER:
BITRATE: Flac level 6

Tracks:

01. Requiem & Kyrie
02. Dies irae ... Rex tremendae
03. Recordare
04. Ingemisco ... Lacrymosa
05. Offertorium
06. Hosanna
07. Pie Jesu
08. Lux aeterna & Libera me

Andrew Lloyd Webber's Requiem is a requiem mass written in memory of the composer's father, William Lloyd Webber, who died in 1982. Many thought it a surprising turn for such a populist composer as Lloyd Webber to produce a piece of "serious" music, being his first and to date only full-blown classical work. The music mixes Lloyd Webber's melodic and pop-oriented style with more complex, sophisticated and (at times) even austere forms. Lloyd Webber himself called the Requiem "the most personal of all my compositions".
The work is scored for chorus, three soloists (tenor, soprano, treble) and a large orchestra that includes organ, drum kit, and synthesizer. It was written in 1984; its first performance featuring such major names Lorin Maazel, Plácido Domingo, Sarah Brightman (Lloyd Webber's wife at the time) and Paul Miles-Kingston. The piece earned a largely negative critical reaction, many citing its lack of true depth and musical unity as examples of the weakness of the work. It is rarely performed today.
The best-known part of the piece, the "Pie Jesu" segment, was a minor "hit" and has been recorded frequently outside of the parent Requiem, including by Sarah Brightman.
The work won the 1986 Grammy Award for Best Classical Contemporary Composition.

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