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Astor Piazzolla - Tango: Zero Hour - 1986/2010 (Nuevo Tango)

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Astor Piazzolla - Tango: Zero Hour - 1986/2010 (Nuevo Tango) (Size: 1.88 GB)
  Artwork
  Booklet 02-03.jpg?042148 531.13 KB
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  Booklet 06-07.jpg?042148 943.03 KB
  Booklet 08-09.jpg?042148 845.6 KB
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  Booklet 16-17.jpg?042148 1.32 MB
  Booklet 18-19.jpg?042148 1.25 MB
  Booklet 20-21.jpg?042148 1.25 MB
  Booklet 22-23.jpg?042148 1.22 MB
  Booklet 24-25.jpg?042148 1.2 MB
  Booklet 26-27.jpg?042148 1.27 MB
  Booklet 28-29.jpg?042148 926.79 KB
  Booklet 30-31.jpg?042148 1.26 MB
  Booklet 32-33.jpg?042148 1.09 MB
  Booklet 34-35.jpg?042148 1.19 MB
  Cover In.jpg?042148 2.37 MB
  Cover Out.jpg?042148 2.17 MB
  Disc.jpg?042148 430.65 KB
  Astor Piazzolla - Tango Zero Hour.md5 1.46 KB
  Astor Piazzolla - Tango Zero Hour.sfv 302 B
  Tango Zero Hour.iso 1.86 GB
  folder.jpg?042148 55.58 KB
  sacd_log.txt 2.24 KB
  thumb.jpg?042148 20.34 KB

Description


Hi-Res форматы, оцифровки » Hi-Res stereo и многоканальная музыка » Jazz, Swing, Gypsy, Bop, Mainstream, Cool, Fusion, Avant-Garde Jazz (Hi-Res)

Astor Piazzolla - Tango: Zero Hour (2010 Remaster)

Жанр: Nuevo Tango
Год выпуска альбома: 1986
Год выпуска диска: 2010
Производитель диска: Japan - American Clavé/Ewsac - 1013 (TGGS-167)
Аудио кодек: DSD 2.0
Тип рипа: image (ISO)
Битрейт аудио: 2,8224 MHz
Продолжительность: 46:07

Треклист:
1. Tanguedia III - 4:40
2. Milonga del Angel - 6:31
3. Concierto para Quinteto - 9:07
4. Milonga Loca - 3:12
5. Michelangelo ’70 - 2:51
6. Contrabajissimo - 10:19
7. Mumuki - 9:33

Описание:
Tango: Zero Hour (Nuevo Tango: Hora Zero in Spanish) is an album by Ástor Piazzolla. It was released in September 1986 on American Clavé, and re-released on Pangaea Records in 1988.
Piazzolla considers this his greatest album. Rolling Stone commented on the Pangaea reissue of the album, comparing Piazzolla’s fusion of form, improvisation, and dynamics to contemporary classical music, jazz, and rock & roll, respectively. Robert Christgau of The Village Voice also commented on Piazzolla’s fusion of classical and jazz music.

Considered by Piazzolla to be his best work, 1986′s Tango Zero Hour was the culmination of a career that began in Argentina in the 1930s. Piazzolla started out auspiciously enough working with one of the brightest lights of the classic tango era, singer Carlos Gardél. After Gardél’s tragic death in 1935 (by turning down an offer to tour with the singer at the age of 13, Piazzolla amazingly avoided the plane crash that killed Gardél), Piazzolla went on to perfect his bandoneón playing in various tango bands during the ’40s and ’50s, eventually studying with Nadia Boulanger in Paris. Like she did with so many other great talents like Aaron Copeland and Quincy Jones, Boulanger encouraged Piazzolla to find a new way of playing his county’s music. Piazzolla began experimenting and soon enough perfected what is now known as “nuevo tango.” Moving tango music into the more serious area of high-art composition, Piazzolla added eccentric and, at times, avant-garde touches to the traditional format; he gained the appreciation of adventurous music lovers worldwide while alienating tango purists back home. Tango Zero Hour is the fruition of his groundbreaking work and one of the most amazing albums released during the latter years of the 20th century. Joined by his Quinteto Tango Nuevo featuring violin, piano, guitar, and bass, Piazzolla offers up seven original tango gems that take in the noirish, “Zero Hour” world found between midnight and dawn. Essential for all music lovers. Цитата: ‘This is absolutely the greatest record I’ve made in my entire life.
We gave our souls to this record’.
~ Astor Piazzolla. Отзыв:
My wife and I attended an Astor Piazzolla concert in a small venue about the time of this original release (1986). It remains among the most emotional and compelling musical experiences that I have encountered. The audience was very eclectic — from bikers with chains hanging from their belts to well-dressed elderly Latino couples. Piazzolla brought many to tears more than once, including me.

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