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Bomb The Bass - Back To Light (!K7251CD)- 2010, MP3 (tracks), 320 kbps

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Added 16 years ago by kass80 in Music  > MP3

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Bomb The Bass - Back To Light (!K7251CD)- 2010, MP3 (tracks), 320 kbps (Size: 117.05 MB)
  01. Boy Girl.mp3 9.87 MB
  02. X Ray Eyes.mp3 10.07 MB
  03. The Infinites.mp3 9.69 MB
  04. Price On Your Head.mp3 11.86 MB
  05. Blindspot.mp3 12.39 MB
  06. Start.mp3 13.17 MB
  07. Burn Less Brighter.mp3 14.16 MB
  08. Happy To Be Cold.mp3 13.96 MB
  09. Up The Mountain.mp3 10.99 MB
  10. Milakia.mp3 10.78 MB
  bombthebass_backtolight.jpg?042148 130.8 KB

Description


Электронная музыка » House, Techno, Hardcore, Hardstyle, Jumpstyle » House (lossy)

Bomb The Bass - Back To Light

Жанр: Techno, House, Leftfield, Synthpop
Год выпуска диска: 2010
Производитель диска: Germany (Studio !K7)
Аудио кодек: MP3
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 00:50:26
Трэклист:
01. Boy Girl (4:15)
02. X Rays Eyes ( Featuring - Kelley Polar) (4:21)
03. The Infinites (4:10)
04. Price On Your Head ( Featuring - Richard Davis) (5:07)
05. Blindspot (5:21)
06. Start ( Featuring - Kelley Polar) (5:42)
07. Burn Less Brighter (6:08)
08. Happy To Be Cold ( Featuring - Richard Davis) (6:02)
09. Up The Mountain (Featuring - Battle Of Land And Sea, The) (4:45)
10. Milakia ( Featuring - Martin Gore) (4:49)
Доп. информация:
[spoiler="информация"]
Bomb The Bass and Gui Boratto have come together to work on the former's new album.
It's been just over a year since Tim Simenon returned as Bomb The Bass to release his Future Chaos album, but he's already got a new one finished. Just as Future Chaos was going into production, Simenon heard Boratto's remix of his "Black River" track, and decided to approach him for a full-length collaboration. "It was a very comfortable environment, very easy going," Simenon explains. "Gui's got a small studio in his house, and I had the basic sketches drawn up a few months beforehand, so we could just work together on one computer, bouncing ideas back and forth."

Both the tropical environment and Gui's bright production style seem to have shaped the mood of the record, pitching clean melodies and grooves underneath vocal performances from Kelley Polar, occasional Swayzak collaborator Richard Davis and long-time Bomb The Bass affiliate Paul Conroy. Depeche Mode's Martin Gore even turns up on synths on final track "Milakia," with the recordings dating back to just after Simenon had produced the group's Ultra LP. "It's a track I've always loved, but could never find a home for, really," he says. "It seemed like a perfect closer for this particular album."
[/spoiler]

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