Bonobo - Migration (2017) [24 44 FLAC]

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Added 9 years ago by politux in Music  > Lossless

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Bonobo - Migration (2017) [24 44 FLAC] (Size: 704.55 MB)
  01_Migration_Bonobo.flac 56.89 MB
  02_Break Apart (feat. Rhye)_Bonobo.flac 46.81 MB
  03_Outlier_Bonobo.flac 82.17 MB
  04_Grains_Bonobo.flac 48.08 MB
  05_Second Sun_Bonobo.flac 37.92 MB
  06_Surface (feat. Nicole Miglis)_Bonobo.flac 48.32 MB
  07_Bambro Koyo Ganda (feat. Innov Gnawa)_Bonobo.flac 55.92 MB
  08_Kerala_Bonobo.flac 44.29 MB
  09_Ontario_Bonobo.flac 40.89 MB
  10_No Reason (feat. Nick Murphy)_Bonobo.flac 76.9 MB
  11_7th Sevens_Bonobo.flac 56.34 MB
  12_Figures_Bonobo.flac 62.66 MB
  13_Break Apart (instrumental)_Bonobo.flac 45.1 MB
  cover.png 2.26 MB

Description



Bonobo - Migration (2017) [24.44 FLAC]

Genre: Electronic
Style: Downtempo
Source: WEB
Codec: FLAC
Bit depth: 24
Bit rate: ~ 1,400 kbps
Sample rate: 44.1 kHz

01 Migration
02 Break Apart (feat. Rhye)
03 Outlier
04 Grains
05 Second Sun
06 Surface (feat. Nicole Miglis)
07 Bambro Koyo Ganda (feat. Innov Gnawa)
08 Kerala
09 Ontario
10 No Reason (feat. Nick Murphy)
11 7th Sevens
12 Figures

Bonus track:

13. Break Apart (Instrumental)

Following the release of his most successful album to date, 2013's The North Borders, as well as an even more triumphant world tour, British producer Bonobo (Simon Green) returned in 2017 with his sixth proper studio full-length, Migration. The album was partially inspired by his touring experiences, but also by the death of a relative. Green's family is spread out across the world, and they all reconvened in Brighton, England for the funeral. These types of experiences cause Green to question what identity means, and where a person is from if he or she is constantly moving. As with all Bonobo recordings, Green absorbs a multitude of cultural influences here, from the underground club sounds of London to American folk songs. Strangely enough, other than "Bambro Koyo Ganda," a collaboration with New York-based Moroccan group Innov Gnawa, the album somehow sounds less exotic than some of his other releases. This isn't meant as a complaint, though, as Green has always demonstrated a talent for blending disparate elements into a cohesive sound. As ever, he excels at incorporating acoustic instruments and drums in a manner that makes it difficult to tell if they're being played live or sampled and chopped up -- he devised an algorithm for the drum programming, yet it sounds human rather than computer generated

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