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Carl Ludwig Hubsch 2005 2: Is This Our Music?

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Carl Ludwig Hubsch 2005 2: Is This Our Music? (Size: 243.78 MB)
  01 - Fragment 3.flac 2.01 MB
  02 - NGC 2265.flac 64.89 MB
  03 - El Eterno.flac 18.23 MB
  04 - Fragment 1.flac 1.98 MB
  05 - Fragment 2.flac 1.85 MB
  06 - Fragment 5.flac 2.54 MB
  07 - Remembering.flac 1.88 MB
  08 - NGC 2270 Terrier.flac 59.38 MB
  09 - NGC 2274 Akkord.flac 46.46 MB
  10 - Fragment 4.flac 4.81 MB
  11 - Al Kaphra.flac 34.95 MB
  2- Is This Our Music.cue 2.3 KB
  Carl Ludwig Hubsch's Longrun Development Of The Universe - 2- Is This Our Music.m3u 250 B
  art
  Scan.jpg?042148 398.73 KB
  Scan0001.jpg?042148 759.83 KB
  Scan0002.jpg?042148 1.21 MB
  Scan0003.jpg?042148 703.66 KB
  Scan0004.jpg?042148 367.2 KB
  Scan0005.jpg?042148 704.51 KB
  Scan0006.jpg?042148 581.4 KB
  Scan0007.jpg?042148 122.31 KB
  aucdtect.log 2.77 KB
  foo_dr.txt 1.4 KB
  i.txt 8.54 KB
  ▲ 24 total files

Description


Carl Ludwig Hubsch's Longrun Development Of The Universe ~ 2: Is This Our Music? ~ 2005
Konnex Records KCD 5163.

http://i1.imageban.ru/out/2017/06/03/a8877586b61dfd5057d7520b9e7085b7.jpg?042148

1. Fragment 3 0:25
2. NGC 2265 18:48
3. El Eterno 4:21
4. Fragment 1 0:32
5. Fragment 2 0:28
6. Fragment 5 0:42
7. Remembering 0:43
8. NGC 2270 Terrier 13:59
9. NGC 2274 Akkord 12:18
10. Fragment 4 1:15
11. Al Kaphra 7:44

If Carl Ludwig Hübsch plays his tuba in the woods and there's no one to hear it, does it make a sound? One presumes that he can hear what he's playing, but one also concludes from his self-penned liner notes to the second CD by Longrun Development of the Universe that at least two more elements -- someone to share in the process of collaboration, and someone to listen -- are absolute prerequisites before those low notes issuing forth from the big horn's bell could be defined as "music." And so Hübsch and his collaborators -- Köln tenor saxophonist Matthias Schubert and Dutch trombonist Wolter Wierbos -- engage in stream-of-consciousness dialogues that seem to involve not only themselves but the listener as well: anyone involved in the conversation, or lack of conversation, can seemingly send the collective off on one tangent or another. These tangents range from the harmonically consonant to the ear-bendingly dissonant, from the wildly improvisational to the intricately scored, from the ultra-serious to the just plain goofy (the CD booklet photo is a tipoff that these guys are not exactly straight-laced academics), and from the densely constructed to the sparse and barely audible... - Dave Lynch, AMG

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