Charles Mingus - Pithecanthropus Erectus - 1956, FLAC (tracks+.cue), lossless

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Charles Mingus - Pithecanthropus Erectus

Жанр: Avant-Garde, Post-Bop
Дата записи: on January 30, 1956, at Audio-Video Studios, New York
CD Mastering: Stephen Innocenzi, Atlantic Studios
Дата переиздания: 1981
Производитель диска, страна: Atlantic Jazz, Germany, 7567-81456-2

Аудио кодек: FLAC
Тип рипа: (tracks + .cue)
Битрейт аудио: lossless
Включает: Full artwork
Продолжительность: 36:33.027 (96712476 samples)
Источник: коллекция Л.Рендера
Риппер: Мой рип

Трэклист:
1. PITHECANTHROPUS ERECTUS (Charles Mingus) - 10:33
2. A FOGGY DAY (George & Ira Gershwin)- 7:47
3. PROFILE OF JACKIE (Charles Mingus) - 3:07
4. LOVE CHANT (Charles Mingus) - 14:56

Об альбоме:
http://rateyourmusic.com/release/album/charles_mingus/pithecanthropus_erectus/
http://allmusic.com/cg/amg.dll?p=amg&sql=10:gxfyxqwgldte

Состав:
Charles Mingus - bass
Jackie McLean - alto sax
J. R. Monterose - tenor sax
Mal Waldron - piano
Willie Jones - drums

Рейтинги и премии:
RYM Rating 4.15 from 709 ratings

Издания:
1956 [120 gram], [33 rpm] United States Vinyl LP Atlantic 1237
1990 [Alternate Cover] CD Atlantic 7567-81456-2
1990 [Alternate Cover] CD Atlantic/WEA 8809
1995 CD Accord 556562
1998 [Atlantic Original Sound] [Digipak], [Remastered] CD Atlantic 8122-75357-2
2000 CD Musicdisc 556562
2000 CD Wea International 75357
2002 CD Warner Jazz 8122736162
2002 [Atlantic Masters] [Digipak], [Remastered] Europe CD Atlantic 81227 3616-2
[Reissue] United States Vinyl LP Atlantic 1237
[Alternate Cover], [Reissue] France Vinyl LP Atlantic 940.045
2007 CD WEA 25143
2008 CD WEA Japan 75351
[spoiler="Несколько слов на английском - NAT HENTOFF"]
I remember the satisfaction in Mingus's voice when he read me, on the phone back then, that section of his notes below dealing with this album's title composition. He had taken a rather huge theme, on which he had been brooding extramusically for a long time, and had not only transformed it into music but had also brought his colleagues into a sharing of his bold, grim vision. As Mingus explains in his notes, he could not have done that by simply setting score paper in front of his musicians. They had to "learn" it by hearing it from Mingus and then finding their own routes, within his design, to understanding the rise and fall of Pithecanthropus Erectus.
On the other tracks here, and in all of Mingus's collective discoveries that were to come, his musicians were similarly compelled to dig into themselves. As one Mingus alumnus told me recently, "He would yell at you in the middle of a solo: 'Stop playing licks and get into yourself.'' Christ, he had more confidence in what we were capable of than we did."
Here, for instance, you can hear the stretching of Jackie McLean, J. R. Monterose, Mai Waldron, and Willie Jones. And of Mingus himself, of course. In its joy and rage and remembrance of loves past, in its celebration of the life force - Mingus's was serious music. To paraphrase the English writer on jazz, Valerie Wilmer, it was as serious as his life. As Mingus himself said: "In my music, I'm trying to play the truth of what I am. The reason it's difficult is because I'm changing all the time."
Yet, certain themes, certain preoccupations, concerned - and sometimes consumed - Mingus all his life. He often spoke, for instance, of Pithecanthropus Erectus because he often thought of the future of the species. At times he felt, and his music reflected this, that we might yet learn - before it's too late to learn anything - how shatteringly destructive the false security of the enslaver can be.
On the other hand, there was an afternoon, toward the end of his life, when we were speaking about the racism he had fought all his years. "It's not only a question of color anymore," Mingus said. "It's getting deeper than that. I mean it's getting more and more difficult for a man and a woman to just love. People are getting fragmented, and part of that is that fewer and fewer people are making a real effort anymore to find out exactly who they are and to build on that knowledge. Most people are forced to do things they don't want to most of the time, and so they get to the point where they feel they no longer have any choice about anything important, including who they are. We create our own slavery."
The continuing powerful presence of Mingus's music is valuable in many ways, but perhaps no more vitally than in its illumination, as in this album, of this one man's unbendingly free spirit
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[spoiler="CD scan"]

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[spoiler="Back scan"]

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[spoiler="EAC log"]
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 25. April 2009, 18:10

Charles Mingus / Pithecanthropus Erectus

Used drive : PIONEER DVD-RW DVR-112D Adapter: 0 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 10:36.22 | 0 | 47721
2 | 10:36.22 | 7:50.15 | 47722 | 82986
3 | 18:26.37 | 3:11.55 | 82987 | 97366
4 | 21:38.17 | 14:54.60 | 97367 | 164476

Track 1

Filename D:\music\rip\Charles Mingus - Pithecanthropus Erectus (1956) {1981, Atlantic Jazz}\01 - Pithecanthropus Erectus.wav

Pre-gap length 0:00:02.00

Peak level 96.7 %
Track quality 100.0 %
Test CRC 3D9785AC
Copy CRC 3D9785AC
Accurately ripped (confidence 5) [52CDFB3C]
Copy OK

Track 2

Filename D:\music\rip\Charles Mingus - Pithecanthropus Erectus (1956) {1981, Atlantic Jazz}\02 - A Foggy Day.wav

Pre-gap length 0:00:03.69

Peak level 53.6 %
Track quality 99.9 %
Test CRC D2F3DBF8
Copy CRC D2F3DBF8
Accurately ripped (confidence 5) [1E274587]
Copy OK

Track 3

Filename D:\music\rip\Charles Mingus - Pithecanthropus Erectus (1956) {1981, Atlantic Jazz}\03 - Profile Of Jackie.wav

Pre-gap length 0:00:04.82

Peak level 41.1 %
Track quality 100.0 %
Test CRC 2C608853
Copy CRC 2C608853
Accurately ripped (confidence 5) [C2F6A9E0]
Copy OK

Track 4

Filename D:\music\rip\Charles Mingus - Pithecanthropus Erectus (1956) {1981, Atlantic Jazz}\04 - Love Chant.wav

Pre-gap length 0:00:05.02

Peak level 47.5 %
Track quality 100.0 %
Test CRC FBB66299
Copy CRC FBB66299
Accurately ripped (confidence 5) [B79AF388]
Copy OK

All tracks accurately ripped

No errors occurred

End of status report
[/spoiler]
[spoiler="auCDtect"]
3427489094 112242188 01 - Pithecanthropus Erectus.wav
3272300483 82943324 02 - A Foggy Day.wav
1433409445 33821804 03 - Profile Of Jackie.wav
79279037 157842764 04 - Love Chant.wav

auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01 - Pithecanthropus Erectus.wav]

------------------------------------------------------------
This track looks like CDDA with probability 100%

------------------------------------------------------------
Processing file: [02 - A Foggy Day.wav]

------------------------------------------------------------
This track looks like CDDA with probability 100%

------------------------------------------------------------
Processing file: [03 - Profile Of Jackie.wav]

------------------------------------------------------------
This track looks like CDDA with probability 100%

------------------------------------------------------------
Processing file: [04 - Love Chant.wav]

------------------------------------------------------------
This track looks like CDDA with probability 99%

------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%
[/spoiler]
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