Charlie Musselwhite - Stand Back! Here Comes Charley Musselwhite

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Added 13 years ago by dickspic in Music  > Lossless

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Charlie Musselwhite - Stand Back! Here Comes Charley Musselwhite (Size: 264.03 MB)
  Disc
  01 - Baby Will You Please Help Me.flac 19.25 MB
  02 - No More Lonely Nights.flac 30.27 MB
  03 - Cha Cha The Blues.flac 18.8 MB
  04 - Christo Redemptor.flac 17.05 MB
  05 - Help Me.flac 20.89 MB
  06 - Chicken Shack.flac 25.93 MB
  07 - Strange Land.flac 17.9 MB
  08 - 39th And Indiana.flac 22.69 MB
  09 - My Baby.flac 15.67 MB
  10 - Early In The Morning.flac 27.18 MB
  11 - 4 P.M..flac 19.2 MB
  12 - Sad Day.flac 26.69 MB
  Charley Musselwhite - Stand Back.log 5.69 KB
  Stand Back!.cue 1.82 KB
  Scans
  Cover Inside.jpg?042148 1.11 MB
  Cover Outside.jpg?042148 796.46 KB
  Disc.jpg?042148 283.14 KB
  Tray.jpg?042148 296.52 KB
  sbhccmssb.400.jpg?042148 52.67 KB

Description


Artist: Charlie Musselwhite
Release: Stand Back! Here Comes Charley Musselwhite's South Side Band
Discogs: 3512013
Released: 1967
Label: Vanguard
Catalog#: VRS-9232 / VMD 79232
Format: FLAC / Lossless / Log (100%) / Cue / CD
Country: US
Style: Blues, Rock, Electric Blues, Chicago Blues

Tracklisting:

01. Baby Will You Please Help Me (3:20)
02. No More Lonely Nights (5:15)
03. Cha Cha The Blues (3:16)
04. Christo Redemptor (3:14)
05. Help Me (3:31)
06. Chicken Shack (4:23)
07. Strange Land (3:04)
08. 39th And Indiana (4:13)
09. My Baby (2:43)
10. Early In The Morning (4:32)
11. 4 P.M. (3:17)
12. Sad Day (5:02)

Vanguard may have spelled his name wrong (he prefers Charlie or Charles), but the word was out as soon as this solo debut was released: here was a harpist every bit as authentic, as emotional, and in some ways as adventuresome, as Paul Butterfield. Similarly leading a Chicago band with a veteran black rhythm section (Fred Below on drums, Bob Anderson on bass) and rock-influenced soloists (keyboardist Barry Goldberg, guitarist Harvey Mandel), Musselwhite played with a depth that belied his age -- only 22 when this was cut! His gruff vocals were considerably more affected than they would become later (clearer, more relaxed), but his renditions of "Help Me," "Early in the Morning," and his own "Strange Land" stand the test of time. He let his harmonica speak even more authoritatively on instrumentals like "39th and Indiana" (essentially "It Hurts Me Too" sans lyrics) and "Cha Cha the Blues," and his version of jazz arranger Duke Pearson's gospel-tinged "Cristo Redemptor" has become his signature song -- associated with Musselwhite probably more so than with trumpeter Donald Byrd, who originally recorded the song for Blue Note. Goldberg is in fine form (particularly on organ), but Mandel's snakey, stuttering style really stands out -- notably on "Help Me," his quirky original "4 P.M.," and "Chicken Shack," where he truly makes you think your record is skipping.

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