Dalva - Jim Harrison

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Dalva - Jim Harrison (Size: 794.45 MB)
  Dalva 01a.mp3 41.49 MB
  Dalva 01b.mp3 39.51 MB
  Dalva 02a.mp3 39.98 MB
  Dalva 02b.mp3 39.73 MB
  Dalva 03a.mp3 41.13 MB
  Dalva 03b.mp3 40.94 MB
  Dalva 04a.mp3 40.21 MB
  Dalva 04b.mp3 37.1 MB
  Dalva 05a.mp3 41 MB
  Dalva 05b.mp3 37.74 MB
  Dalva 06a.mp3 39.59 MB
  Dalva 06b.mp3 36.79 MB
  Dalva 07a.mp3 41.28 MB
  Dalva 07b.mp3 38.59 MB
  Dalva 08a.mp3 39.86 MB
  Dalva 08b.mp3 40.04 MB
  Dalva 09a.mp3 40.86 MB
  Dalva 09b.mp3 40.32 MB
  Dalva 10a.mp3 39.92 MB
  Dalva 10b.mp3 38.32 MB
  folder.jpg?042148 52.83 KB
  ▲ 21 total files

Description


Category: General Fiction
Language: EnglishKeywords: Alyssa Bresnahan Dalva Frank Muller Jim Harrison
Written by Jim Harrison
Read by Alyssa Bresnahan, Frank Muller
Format: MP3
Bitrate: 128 Kbps
From the New York Times–bestselling author of Legends of the Fall: a beautifully crafted story of one woman’s journey to find her son.
From her home on the California coast, Dalva hears the broad silence of the Nebraska prairie where she was born and longs for the son she gave up for adoption years before. Beautiful, fearless, tormented, at forty-five she has lived a life of lovers and adventures. Now, Dalva begins a journey that will take her back to the bosom of her family, to the half-Sioux lover of her youth, and to a pioneering great-grandfather whose journals recount the bloody annihilation of the Plains Indians. On the way, she discovers a story that stretches from East to West, from
Digitally Enhanced in order to fix audio recording Speed/Pitch/Tone as much as possible so that the recording sounds like the late legend, Frank Muller himself. He had many variations on his voice depending on what he was reading, so I had to try and fix the recording to match the type he was using for that book, ie fast and upbeat or low and measured, (like the difference between his reading of John Grisham legal thrillers and Stephen King and cop thrillers with mafia voices and Silence of the Lambs or Anne Rice Vampire Chronicles) and the year, as he sounded different in the early 80s than he did in late 80s and 90s and 2000s. Many recordings out there have severe audio issues which stem from the digital source which likely stems from a bad cassette transfer, which I have endeavored to fix so that Frank can be heard as he actually was. Noise, Bass/Treble etc have also been tuned, along with Audio level being normalized to -3db top end max with a maximum boost of +2.5db for lower volume areas. Audio encode frequency is 44.1KHz at 128Kbps Stereo for best quality with no compression artifacts (unless source was low quality to begin with and noise couldnt be completely removed). Many of these were very bad and I have done the best I can over 12 years working on these to restore them once I discovered Frank Muller in 2010, 2 years after he passed away. Long Live THE LEGEND
From the New York Times–bestselling author of Legends of the Fall: a beautifully crafted story of one woman’s journey to find her son.

From her home on the California coast, Dalva hears the broad silence of the Nebraska prairie where she was born and longs for the son she gave up for adoption years before. Beautiful, fearless, tormented, at forty-five she has lived a life of lovers and adventures. Now, Dalva begins a journey that will take her back to the bosom of her family, to the half-Sioux lover of her youth, and to a pioneering great-grandfather whose journals recount the bloody annihilation of the Plains Indians. On the way, she discovers a story that stretches from East to West, from

Digitally Enhanced in order to fix audio recording Speed/Pitch/Tone as much as possible so that the recording sounds like the late legend, Frank Muller himself. He had many variations on his voice depending on what he was reading, so I had to try and fix the recording to match the type he was using for that book, ie fast and upbeat or low and measured, (like the difference between his reading of John Grisham legal thrillers and Stephen King and cop thrillers with mafia voices and Silence of the Lambs or Anne Rice Vampire Chronicles) and the year, as he sounded different in the early 80s than he did in late 80s and 90s and 2000s. Many recordings out there have severe audio issues which stem from the digital source which likely stems from a bad cassette transfer, which I have endeavored to fix so that Frank can be heard as he actually was. Noise, Bass/Treble etc have also been tuned, along with Audio level being normalized to -3db top end max with a maximum boost of +2.5db for lower volume areas. Audio encode frequency is 44.1KHz at 128Kbps Stereo for best quality with no compression artifacts (unless source was low quality to begin with and noise couldnt be completely removed). Many of these were very bad and I have done the best I can over 12 years working on these to restore them once I discovered Frank Muller in 2010, 2 years after he passed away. Long Live THE LEGEND

Digitally Enhanced in order to fix audio recording Speed/Pitch/Tone as much as possible so that the recording sounds like the late legend, Frank Muller himself. He had many variations on his voice depending on what he was reading, so I had to try and fix the recording to match the type he was using for that book, ie fast and upbeat or low and measured, (like the difference between his reading of John Grisham legal thrillers and Stephen King and cop thrillers with mafia voices and Silence of the Lambs or Anne Rice Vampire Chronicles) and the year, as he sounded different in the early 80s than he did in late 80s and 90s and 2000s. Many recordings out there have severe audio issues which stem from the digital source which likely stems from a bad cassette transfer, which I have endeavored to fix so that Frank can be heard as he actually was. Noise, Bass/Treble etc have also been tuned, along with Audio level being normalized to -3db top end max with a maximum boost of +2.5db for lower volume areas. Audio encode frequency is 44.1KHz at 128Kbps Stereo for best quality with no compression artifacts (unless source was low quality to begin with and noise couldnt be completely removed). Many of these were very bad and I have done the best I can over 12 years working on these to restore them once I discovered Frank Muller in 2010, 2 years after he passed away. Long Live THE LEGEND
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