Detlef Keller - Different Faces - 2002, FLAC (image+.cue), lossless

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Detlef Keller - Different Faces

Жанр: Traditional Electronic, Berlin School
Страна-производитель диска: Германия
Год издания диска: 2002
Издатель (лейбл): Manikin
Номер по каталогу: MRCD 7064
Страна: Германия

Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 01:08:10
Источник (релизер): Remember The Old Sequence (by Key)
Наличие сканов в содержимом раздачи: да

Треклист:

01. Face Three .....................26:41
02. Face Four ......................13:00
03. Face Five ......................28:29
[spoiler="Лог создания рипа"]
Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 12. March 2011, 20:50

Detlef Keller / Different Faces

Used drive : HL-DT-STDVDRAM GT31N Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 103
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 26:40.58 | 0 | 120057
2 | 26:40.58 | 13:00.12 | 120058 | 178569
3 | 39:40.70 | 28:29.09 | 178570 | 306753

Range status and errors

Selected range

Filename C:\Remember The Old Sequence\Detlef Keller - Different Faces.wav

Peak level 98.4 %
Extraction speed 0.9 X
Range quality 99.9 %
Test CRC A3746D20
Copy CRC A3746D20
Copy OK

No errors occurred

AccurateRip summary

Track 1 not present in database
Track 2 not present in database
Track 3 not present in database

None of the tracks are present in the AccurateRip database

End of status report

==== Log checksum C506D0396BFE7B9DF5F48F15F13BEEACE3EB4540073648669BA19706F0FEC8D4 ====
[/spoiler]
[spoiler="Лог проверки качества"]
fooCDtect - foobar2000 + auCDtect, baralgin.

auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.

mode: 0

===========================================
Track: 01. Face Three

Processing file: [01. Face Three.aucdtect]
Detected average hi-boundary frequency: 2.020201e+004 Hz
Detected average lo-boundary frequency: 1.352259e+004 Hz
Detected average hi-cut frequency: 2.168543e+004 Hz
Detected average lo-cut frequency: 1.121013e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.282460e-001
First order smothness: 3.084878e-001
Second order smothness: 5.459246e-001

------------------------------------------------------------
This track looks like CDDA with probability 100%

===========================================
Track: 02. Face Four

Processing file: [02. Face Four.aucdtect]
Detected average hi-boundary frequency: 2.012007e+004 Hz
Detected average lo-boundary frequency: 1.401691e+004 Hz
Detected average hi-cut frequency: 2.170567e+004 Hz
Detected average lo-cut frequency: 9.210211e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 8.232294e-001
First order smothness: 3.696145e-001
Second order smothness: 5.100847e-001

------------------------------------------------------------
This track looks like CDDA with probability 100%

===========================================
Track: 03. Face Five

Processing file: [03. Face Five.aucdtect]
Detected average hi-boundary frequency: 2.025975e+004 Hz
Detected average lo-boundary frequency: 1.370995e+004 Hz
Detected average hi-cut frequency: 2.040572e+004 Hz
Detected average lo-cut frequency: 9.166722e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.745747e-001
First order smothness: 2.667138e-001
Second order smothness: 3.522443e-001

------------------------------------------------------------
This track looks like CDDA with probability 100%

===========================================
[/spoiler]
[spoiler="Об альбоме"]
This shouldn't be confused with the similarly sounding 'The Other Face'. That album contained Faces one and two. This one has faces three through to five. Its all new music. Dramatic but rather breathy pads get the third part of the series underway. Intense stabs of energy add some excitement but there is also a rather sad tenderness there. I suppose it has a certain epic, almost cinematic quality. The mood changes somewhat in the fifth minute as a rapid sequence starts up and the overall feel becomes rather retro. The sequence mutates over mellotron sounds. More pulsations are added to create an exciting bubbling brew. There is a strong melodic quality in the way the sequences develop and react to each other. 70's Tangerine Dream is the obvious reference but I also heard hints of Schmoelling and Schroeder. In the eighteenth minute the sequences start to wind down, lovely thick windy pads mixing with more mellotron sounds. The beauty is heightened still further with the introduction of a lonesome melancholy lead line.

Its a lovely track mixing emotional maturity with energetic exuberance. 'Face Four' begins with a high register melodic loop to which are added more windy pads and another slow melancholy lead line. An excellent deep sequence slowly builds in the background adding a growling menace to the sadness. The temptation is resisted for it to come surging to the surface instead its bass rumble is used to emphasise a feeling of darkness and loss. A similar mood continues through to 'Face Five'. This time however things take a decidedly 70s Schulzian turn. String pads, lead lines and then a slow sequence are deployed one after the other all typical from this period of his work. I can't get enough of this sort of music and as a result its my favourite track from the disc. It all becomes rather hypnotic, the pace being rather stately. Various leads are deployed sounding more mysterious than flashing.

A second sequence compliments the first and the Mellotron is again deployed at just the right moments. Things sound even more like Klaus Schulze than before. I close my eyes and can see him playing live cross legged on the floor. With just over ten minutes to go the sequences subside and we now float on thick pads, gentle lead lines meandering over the top. And that's how we finish Detlef's most retro sounding solo album to date.
[/spoiler]
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