Dolly Parton, Gender, and Country Music - Leigh H. Edwards

Category: Autobiography & Biographies, Misc. Non-fiction
Language: EnglishKeywords: Biography Country Music Dolly Parton Gender Nonfiction
Written by Leigh H. Edwards
Read by Lee Ann Howlett
Format: MP3
Bitrate: 64 Kbps
Unabridged
Dolly Parton is instantly recognizable for her iconic style and persona, but how did she create her enduring image? Dolly crafted her exaggerated appearance and stage personality by combining two opposing stereotypes - the innocent mountain girl and the voluptuous sex symbol. Emerging through her lyrics, personal stories, stage presence, and visual imagery, these wildly different gender tropes form a central part of Dolly’s media image and portrayal of herself as a star and celebrity. By developing a multilayered image and persona, Dolly both critiques representations of femininity in country music and attracts a diverse fan base ranging from country and pop music fans to feminists and gay rights advocates.
In Dolly Parton, Gender, and Country Music, Leigh H. Edwards explores Dolly’s roles as musician, actor, author, philanthropist, and entrepreneur to tell how Dolly’s gender subversion highlights the challenges that can be found even in the most seemingly traditional form of American popular music. As Dolly depicts herself as simultaneously “real” and “fake,” she offers new perspectives on country music’s claims of authenticity.
“Tremendous book…. Anyone who wants to understand Parton’s contributions, not just to country music, but to American culture in general, should read Dolly Parton, Gender, and Country Music.” (Kristine M. McCusker, author of Lonesome Cowgirls and Honky Tonk Angels)
“Compelling analysis…. A model of interdisciplinary scholarship. (Barry Shank, author of The Political Force of Musical Beauty)
Date of release: 2018
Length: 11 hours 30 minutes
Dolly Parton is instantly recognizable for her iconic style and persona, but how did she create her enduring image? Dolly crafted her exaggerated appearance and stage personality by combining two opposing stereotypes - the innocent mountain girl and the voluptuous sex symbol. Emerging through her lyrics, personal stories, stage presence, and visual imagery, these wildly different gender tropes form a central part of Dolly’s media image and portrayal of herself as a star and celebrity. By developing a multilayered image and persona, Dolly both critiques representations of femininity in country music and attracts a diverse fan base ranging from country and pop music fans to feminists and gay rights advocates.

In Dolly Parton, Gender, and Country Music, Leigh H. Edwards explores Dolly’s roles as musician, actor, author, philanthropist, and entrepreneur to tell how Dolly’s gender subversion highlights the challenges that can be found even in the most seemingly traditional form of American popular music. As Dolly depicts herself as simultaneously “real” and “fake,” she offers new perspectives on country music’s claims of authenticity.

“Tremendous book…. Anyone who wants to understand Parton’s contributions, not just to country music, but to American culture in general, should read Dolly Parton, Gender, and Country Music.” (Kristine M. McCusker, author of Lonesome Cowgirls and Honky Tonk Angels)

“Compelling analysis…. A model of interdisciplinary scholarship. (Barry Shank, author of The Political Force of Musical Beauty)

Date of release: 2018
Length: 11 hours 30 minutes