Dou Wei 窦唯 - Discography 35 albums - 1994-2011, MP3, 128-320 kbps

Музыка » Фольклор, Народная и Этническая музыка » Этническая музыка Сибири, Средней и Восточной Азии (lossy)

Dou Wei 窦唯 / Дискография 35 альбомов

Жанр: Chinese new age, ambient, neofolk, meditative
Страна: Китай
Год издания: 1994-2011
Аудиокодек: MP3
Битрейт аудио: 128-320 kbps
Треклист:
[spoiler="Solo Albums"]
[spoiler="1994 Black Dream 黑梦, 47:23, VBR241-260"]
1. Longer Tomorrow (明天更漫长)
2. Black Dream (黑色梦中)
3. And you ... (还有你)
4. Happy phone call (开心电话)
5. Predestined (从命)
6. Time of sensuality (感觉时刻)
7. A dream of misery (悲伤的梦)
8. Be good, Boy! (噢!乖)
9. The higher being (高级动物)
10. God blesses me (上帝保佑)
[/spoiler]
[spoiler="1995 Sunny Days 艳阳天, 42:56, VBR219-261"]
1. Prelude (引子)
2. Setting Out (出发)
3. Outside the window (窗外)
4. Spring shall return (春去春来)
5. Him (他)
6. Cloudy (阴)
7. Sunny Days (艳阳天)
8. Unexpressible Feelings (说不出的感觉)
9. Evening glows (晚霞)
10. Dusk (黄昏)
11. Unknown (未知)
[/spoiler]
[spoiler="1998 Mountain River 山河水, 41:38, VBR228-252"]
1. 山河水
2. 美丽的期待
3. 风景
4. 三月春天
5. 熔化
6. 哪儿的事儿
7. 拆
8. 消失的影像
9. 竹叶青
10. 出游
11. 晚霞
[/spoiler]
[spoiler="2004 Eight Fragments 八段锦, 34:31, 192 kbps"]
1. 安早光阳
2. 半苑草
3. 十一庆1995
4. 六一儿1995
5. 五一游1995
6. 八一队正步1995
7. 照灯语录
8. 念
9. 阳光早安
[/spoiler]
[spoiler="2006 Pilgrimage to the East 东游记, 01:02:50, 320 kbps"]
1. 上
2. 下
[/spoiler]
[/spoiler]
[spoiler="Dou Wei & Indefinite band 窦唯与不一定乐队"]
[spoiler="2003 One stone two birds 一举两得, 192 kbps"]

[spoiler="CD1 One stone 一举, 50:41"]
01. 宁静的小镇
02. 清爽雨空气记忆
03. 红旗
04. 阿拉伯的冬天
05. 没名字
06. 国地理杂志
07. 滑稽人物
08. 爱情三段曲记
09. 失
[/spoiler]
[spoiler="CD2 Two birds 两得, 01:02:16"]
01. 片头曲
02. 一对天使
03. 追车的男人
04. 幽
05. 加水
06. 恍惚的白昼
07. 往东向西奔北
08. 南飞鸟
09. 2000不一定
[/spoiler]
[/spoiler]
[spoiler="2004 Five Magpies Six Gooses 五鹊六雁, 192 kbps"]

[spoiler="CD2 Six Gooses 六雁, 36:16"]
01. 望天儿
02. 三合鹊
03. 西光鹊
04. 见光鹊
05. 扶桑鹊
06. 安拉鹊
07. 观鸟儿
[/spoiler]
[spoiler="CD2 Six Gooses 六雁, 36:16"]
01. 过山
02. 巡河
03. 下水
[/spoiler]
[/spoiler]
[spoiler="2004 Three States Four Scores 三国四记, 320 kbps"]

[spoiler="CD1 Three States 三国, 25:02"]
01. 夜行灯火
02. 暗桃园
03. 布拉萨
04. 共和国卫队
05. 给我搜
[/spoiler]
[spoiler="CD2 Four Scores 四记, 46:01"]
01. 雨一
02. 独木桥
03. 酒眩
04. 吁
05. 雨又
06. 平行
07. 秋
08. 落黄昏
[/spoiler]
[/spoiler]
[spoiler="2005 Ba He 八和, 52:50, VBR183-205"]
01. 2′03″
02. 15′39″
03. 9′09″
04. 4′24″
05. 5′18″
06. 6′32″
07. 5′22″
08. 4′03″
[/spoiler]
[spoiler="2005 Jiu Sheng 九生, 51:09, VBR172-216"]
01. 2′47″
02. 4′22″
03. 5′28″
04. 13′19″
05. 8′02″
06. 6′45″
07. 6′42″
08. 3′31″
[/spoiler]
[spoiler="2005 Qi Guo Sheng Dan 期过圣诞 (Live at Shenzhen 2001), 01:00:35, 192 kbps"]
01. 9:45
02. 6:05
03. 5:44
04. 5:27
05. 18:37
06. 4:49
07. 7:27
08. 2:33
[/spoiler]
[spoiler="2006 Shui Xian Hou Gu Qing Feng Yue 水先后古清风乐, 01:01:41, VBR187-192"]
01. 季忧兰
02. 日照路车西湖
03. 夜山灯
04. 过水桥
05. 班诺阿达颂
06. 花啦啦
07. 好天儿
08. 神遛
09. 转
10. 不一定 2005
[/spoiler]
[spoiler="2007 35651, 11:07, 320 kbps"]
01. Track 1
02. Track 2
03. Track 3
04. Track 4
[/spoiler]
[spoiler="2007 Ah Song Zhu Ah Ji 松阿珠阿吉, 48:22, 192 kbps"]
01. Track 1
02. Track 2
03. Track 3
04. Track 4
05. Track 5
06. Track 6
07. Track 7
08. Track 8
09. Track 9
10. Track 10
11. Track 11
12. Track 12
[/spoiler]
[spoiler="2007 Live at 798 Art Zone 在798现场, 01:25:09, 320 kbps"]
1. 上
2. 下
[/spoiler]
[spoiler="2007 Zorro in China 佐罗在中国, 50:23, 320 kbps"]
01. Track 1
02. Track 2
03. Track 3
04. Track 4
05. Track 5
06. Track 6
07. Track 7
08. Track 8
09. Track 9
[/spoiler]
[/spoiler]
[spoiler="Dou Wei & Inequable band 窦唯与不一样乐队"]
[spoiler="2010 Spring morning umbrella 早春的雨伞, 37:48, 128 kbps"]
01. 1’58”
02. 3’36”
03. 4’38”
04. 0’58”
05. 6’30”
06. 4’35”
07. 5’28”
08. 2’20”
09. 3’06”
10. 4’18”
[/spoiler]
[spoiler="2010 Enter the autumn 入秋, 36:55, 192 kbps"]
1. 3’08”
2. 9’27”
3. 5’06”
4. 5’09”
5. 3’24”
6. 6’05”
7. 4’04”
[/spoiler]
[/spoiler]
[spoiler="2008 Five consonants 五音环乐, 256 kbps"]

[spoiler="CD1 Shang Bu Nan Shan 上步南山, 38:27"]
01. Track 1
02. Track 2
03. Track 3
04. Track 4
05. Track 5
[/spoiler]
[spoiler="CD2 Hou Shang Hai 后上海, 29:56"]
01. Track 1
02. Track 2
03. Track 3
04. Track 4
05. Track 5
06. Track 6
[/spoiler]
[spoiler="CD3 Shi San Zhang 十三张, 42:12"]
01. Track 1
02. Track 2
03. Track 3
04. Track 4
[/spoiler]
[spoiler="CD4 Qi Dui Er 七对儿, 46:19"]
01. Track 1
02. Track 2
03. Track 3
04. Track 4
05. Track 5
06. Track 6
07. Track 7
08. Track 8
[/spoiler]
[/spoiler]
[spoiler="Dou Wei & E band 窦唯与译乐队"]
[spoiler="1999 Acousma 幻听, 42:21, 128 kbps"]
01. 序·玉楼春·雨·临江仙
02. 幻听
03. 旺天下
04. 哪呢
05. 丰收获
06. 荡空山
07. 觉是
08. 暮春秋色
09. 爱被爱
10. 漓江水
[/spoiler]
[spoiler="2000 Rainy Murmur 雨吁, 49:33, VBR168-202"]
1. 静安
2. 引
3. 禧晤
4. 乱战国
5. 语虚何以言知
6. 雨吁
7. 天水
8. 山秀谷
9. 郑公
10. 喜调
11. 乂安
12. 尾声再
[/spoiler]
[spoiler="2003 E-01, 51:59, 192 kbps"]
1. INTRO
2. 功夫
3. 过招
4. 地中海
5. 蒙古
6. 骇客在中国
7. 超级玛丽
8. 阿又朵
9. 果儿
10 .艳影
[/spoiler]
[spoiler="2011 Accent 口音, 01:00:32, VBR214-249"]
01. 1
02. 2
03. 3
04. 4
05. 5
06. 6
07. 7
08. 8
[/spoiler]
[/spoiler]
[spoiler="Dou Wei & FM3 窦唯·FM3"]
[spoiler="2004 The Story Between the Mirror and Flowers 镜花缘记, 40:38, 320 kbps"]
01. 流水
02. 落花
03. 行舞
04. 远
05. 赶路
06. 眠航
07. 伤逝
08. 怀
[/spoiler]
[spoiler="2006 Hou Guan Yin 后观音, 36:24, VBR167-224"]
01. Untitled 1
02. 乌
03. Untitled 2
04. Untitled 3
05. 无
06. Untitled 4
07. Untitled 5
08. Untitled 6
09. 吾
10. Untitled 7
11. 悟
[/spoiler]
[/spoiler]
[spoiler="Mu Liang Wen Wang 暮良文王"]
[spoiler="2003 Mu Liang Wen Wang 暮良文王, 48:49, VBR203-249"]
01.昊天鼓
02.京调
03.行板
04.八俏台
05.拔不断
06.怀竹
07.水亭红楼
08.苑空
09.上官菊
10.风水行
11.远中天
12.柳调
[/spoiler]
[spoiler="2004 Live On 相相生, 39:33, VBR182-200"]
01. 柳音
02. 贰 三五一
03. 门丈
04. 肆 相相生
05. 伍 西夕中东
06. 陆 摩磐兮
07. 柒 走不齐
08. 捌 夜炉香
09. 玖 暗流沙
10. 拾 稷
11. 秋 后冬来
[/spoiler]
[spoiler="2005 Ji Ran Pin Qi Guo 祭然品气国, 31:40, VBR132-175"]
01. 祭
02. 然
03. 品
04. 气
05. 国
[/spoiler]
[spoiler="2005 Shan Dou Ji Shi Ye 山豆几石页, 48:21, VBR142-188"]
01. 广聆散
02. 清竹下云图
03. 山豆几石页
04. 如岚
05. 人际
06. 和春
07. 北未神乐署
08. 尚夏
[/spoiler]
[/spoiler]
[spoiler="OST 电影原声(Саундтреки к фильмам)"]
[spoiler="1999 What A Snow Day 我最中意的雪天, 23:47, 192 kbps"]
01. ~
02. ~~
03. ~~~
04. ~~~~
05. ~~~~~
06. ~~~~~~
07. ~~~~~~~
08. ~~~~~~~~
09. ~~~~~~~~~
10. ~~~~~~~~~~
11. ~~~~~~~~~~~
12. ~~~~~~~~~~~~
13. ~~~~~~~~~~~~~
14. ~~~~~~~~~~~~~~
15. ~~~~~~~~~~~~~~~
16. ~~~~~~~~~~~~~~~~
[/spoiler]
[spoiler="2005 You And Me 我们俩, 29:11, 192 kbps"]
01. 序•冬
02. 租屋•搬家
03. 电话费
04. 电暖器
05. 交罚款•托狗
06. 还得过
07. 说亲•弟弟
08. 挂灯笼
09. 误会•气极了
10. 臭脾气
11. 过年
12. 教•漏
13. 聊天儿
14. 万贯挪移
15. 挂画儿
16. 交换
17. 小马哭
18. 说•秋
19. 日历
20. 做饭
21. 走了
22. 屋子空了
23. 尾声
[/spoiler]
[spoiler="2008 The Equation of Love And Death 李米的猜想"]
01. Main theme by Zhou Xun 电影主题曲 周迅
02-21. Tracks
[/spoiler]
[/spoiler]
Об исполнителе (группе):
Доу Вэй (窦唯, Dou Wei) – со-основатель одной из самых ранних китайских хард/хэви группы «Black Panther», мультинстументалист и вообще легендарная личность. С после выпуска группой первого альбома в начале 1990-х он ушел из рока и начал заниматься совершенно другой музыкой. В последующие 20 лет он выпустил более 30 альбомов и не останавливается на достигнутом. Сценический псевдоним "Доу Вэй" был найден в глубинах истории древнего Китая, в 7 веке это был крупный чиновник только что образованной Танской династии.
В своём творчестве Доу Вэй перепробовал множество музыкальных жанров: нью эйдж, реггей, прогрессив, фри-джаз, минимал, амбиент; он пишет музыку к художественным и документальным фильмам.
С 2001 года он сотрудничает с пекинским фри-джаз ансамблями «Не обязательно» (Indefinite band) и "Не одинаково" (Inequable band) и записал с ними уже около 17 альбомов, их сотрудничество эволюционировало со временем от фри-джаза в сторону чистого эмбиента. Помимо этого, вышло 4 альбома его эмбиент-проекта Mu Liang Wen Wang 暮良文王 и два альбома в сотрудничестве с с группой FM3, королями тишины на музыкальной сцене Китая. Ещё часть альбомов, с электронным уклоном записана с ним вместе с группой "Толкователь" (E band).
[spoiler="Биография на английском"]

Among Chinese rock scene, the innovative artist Dou Wei is like a profound mental meditator. Self-indulgent, a little narcissistic, he harbours such poetic and delicate virtues, and he has an insightful perception in human nature, the essence of life, and sentiment. Dou Wei's talent in music is unreservedly and unpremeditatedly incarnated in his music esthetics. He has an amazing ability of crafting music, and he's never short of inspiration. His music has been improving all the way along with his life style and personal experiences. Perhaps making and playing music is a special way to pilgrimage towards a higher level of consciousness. To Dou Wei, from his early era being the leading vocalist of 'Black Panther' up till now, each period in between has been an individual and unique experience and process of music adventure. Listening to all of his albums, one can see the diverse aspects of Dou Wei's music, sometimes distressed and melancholy, sometimes bright and energetic, sometimes dreamy and psychedelic, sometimes mild and serene...

What remains the same in his music is that the poetic, delicate characteristic, and the appealing and empathetic power, and Dou Wei's enthusiasm on pondering, and that astonishing psychological and spiritual influence of his music. Undeniably Dou Wei's radiating talent in music is so noticeable even when he was with the Black Panther, by that time they released a self-titled debut album "Black Panther-I" (1991) which was rather pop-rock oriented. That was his hair band era. Each of Black Panther members wore long hair, and the way they acted on stage wais more or less showing-off. Probably fed up with the fickle attitude towards music, and especially when his ever-growing ambition to make experiments on music could no longer be contented, Dou Wei eventually left the Black Panther, all together with his by then ground-breaking fame and his fledging music career with the band.

Yet one can still enjoy Dou Wei's masterpieces such as Don't Break My Heart, Take Care from that era and sense his unique musical consciousness and experiences. Had his hair cut short, Dou Wei formed a goth band The Dreaming in 1992. This band was short-lived, released one memorable single, The Ray of Sun. From then on he spent nearly one year working on his debut solo album "Dark Dreams" (1994), which sounds dreamy and surreal. "Dark Dreams" is his first solo effort and was greeted with both critics acclaim and mass recognition. An album heavily influenced by Bauhaus, the Cure, even some Reggae, yet Dou Wei showcased his full musical skill. In this album Dou Wei conveyed his ambition to make experiments on various music styles and materials, and his meditation upon life and human relationship was incarnated into such alternative rock music, in a stream-of-consciousness way.

"Dark Dreams" is generally a gloomy, gothic album, as one can notice in tracks like "In The Dark Dream" and Higher Beings. Such murky music reveals Dou Wei's self-consciousness and his reflection on darker sides of human potential. "If we can't make it in reality, let's do it in dreams". Take another song "God Bless" for instance, a cello humming like a sad river flowing, and an acoustic guitar created a melancholy atmosphere, and Dou Wei's amazing ventriloquial drum sound is very original; while another funky, reggae-ish "Oh! Be Good" sounds bright seemingly, in fact it's about the problems of family education and rebellion against parents, but in the end, "Nothing matters at all".

Overall, "Dark Dreams" marks Dou Wei's post-punk-gothic era. The "Black Panther I" and "Dark Dreams" are most welcomed by teen-spirit adolescents of all generations, probably because the rhythm and melody in these two albums are quite catchy, and the explicit lyrics are easy to understand. Some radio-friendly songs such as "Don't Break My Heart", "And You" or "Pleasant Phone-Call" weave romantic dreams of young lovers. While in other post-punk songs, some underline messages reflect what they think from the bottom of their heart, to the teen-angst youngsters these songs are buddies and pals aligned to fight against the authority, their parents and teachers, and meet their childish determination of never succumbing to anything. After he did an opening act for Radiohead in Hong Kong (BTW. Radiohead LOVEs Dou Wei's music and once invited him to tour with them, but that didn't happen due to Dou's visa problems).

Dou Wei released his second solo album "Sunny Days" (1995), which is, to everyone's surprise, so much different from his first album. It seems that after dreary rainy days, the sun suddenly comes out of the dark clouds and shines so brightly in the sapphire blue sky. "Sunny Days" radiates such warm, brilliant light, the rhythm is much more upbeat, lots of oriental music materials mingled here and there in the melody, and from then on Dou Wei tried to adopt a little bit traditional Chinese opera singing style in his vocal, thus he invented the unique "Dou's Vocal". Another well-respected musician and producer Zhang Ya Dong (Zhang Ya Tung, who happens to be his brother-in-law, but no nepotism here), helped with guitars and keyboards as well as the Midi. All in all, this album is a refreshingly turning point, and hints that Dou Wei was getting more mature both in his music and in his personal life.

But Dou Wei is never predictable. Perhaps influenced by the European electro wave, his third solo studio effort, "Mountain River" (1998), sounds much less acoustic, instead with Zhang Ya Dong helping on MIDI effect, this album is full of lush electronic sounds, drum beats and bass echoing. As the album title suggests, Dou Wei tried to paint a picturesque scene with his music, with that lounging, psychedelic ambient-electronic rhythm and vertiginous yet enchanting melody; the lyrics, printed without interpunction, are like casual subconscious nonsense, some words even seem a little bit ludicrous: "Meddlesome Tom and Peter / are laughing at Arthur / and that ain't no good..." ("Not At All") While some lines are glistening poetic gems: "The disappearing vision is floating / above the vanishing wreck of the past..." ("The Disappearing Vision") Dou Wei uses his leisurely, jaunty humming to show you a beautiful, redolent watercolored Chinese landscape. And as a native Beijing, facing the unavoidable fate of old city, he wrote "Demolish" to express his sympathy on something lost on the juggernaut of the modernization of the once tranquil alleys of Beijing, along with the photo of a wall ready to be put down. (no one knows how many memories are recorded on that wall, and now, it will vanished like a flame).

In the following year, Dou Wei formed his latest band "E", with Ou Ge on guitar, Chen Jin on bass, Shan Xiao Fan on drums, the four together released their fascinating studio album "Hallucination" on October 1999. Perhaps due to Ou Ge's britpop influenced guitar, comparisons to Cocteau Twins or Bark Psychosis are frequently quoted in album reviews. It indeed contains the kindred musical aesthetic, and true is that Bark Psychosis is one of Dou Wei's fave, but take a close listen to this album and you can tell that any accuse of simulating would be ridiculous. In this collaborating masterpiece, each of the band members is a skillful and inspired musician; while Dou Wei still plays the leading role, he distills the quintes sence of western rock music and blends it perfectly into his sumptuous Chinese music context.

His traditional Chinese opera singing style has been weakened, instead Dou's vocal is rather dulcet and tender, especially in the title song "Hallucination? Words seem less important now (there's no lyrics printed in the album inlay, yet some die-hard fans still try their best to figure out what he was singing, actually some lyrics as well as the song titles are very beautiful, they can even remind you of those elegant ancient Chinese poems), instead Dou Wei emphasized much more on music. For most of the album, he just murmuring, producing a human sound to add another twist to the music. Due to the band's concordant endeavour, the song arrangement is wonderful; lots of limpid acoustic guitar sounds are layering, rippling and deliquescing, with subtle, exquisite keyboard sounds tinged here and there, the music is atmospheric, intoxicating and haunting through out. There are two fussy riff surging tracks, to remind you, that are almost grunge like, it seems the post-punk king is back.

But that fusion guitar noise bombasting storm shall hush on the eventless horizon soon, everything would be overwhelmed beneath the hazy vapouring heaving ocean of Dou Wei's pacifying ethereal music. The art design of the album sleeve is also marvelous, a deep-blue colored waterscape in the rain, almost reminds the beautiful scenery of Gui Lin. In this transcendental and accomplished album you can see a well-rounded Dou Wei, mellowed both in his music and in his spirit; together with the three other band mates, they make four heroes for new music generations. As an ordinary fan, I can't tell whether Dou Wei gives a damn about his record selling or not, but in my humble concern, he is a gifted and serious musician who insists to create and perform music in his own way.

Every once in a while Dou Wei and his friends would hang out together in bars or clubs in Beijing, and when he's in the mood he'd do some groovy improvisational jam with other musicians. And this year the boys are quite active on stage, during the past months they did four gigs in Beijing, and on June 2nd they gave a live concert with other virtuosos in Xi'an. At the moment Dou Wei and his "E" colleagues are adding the finishing touch on their new album "Yu Xu" (Rainy Murmur). Dou Wei has always been obsessed with ancient Chinese poems, lately he's really into lots of poems from Yuan Dynasty, Song Dynasty, Tang Dynasty, etc. and in the up coming album the lyrics would convey inspirations from these poetries. All fans are eager to hear this intriguing album.

In the year 2001, Dou Wei has formed another band called "Not Sure Yet". It is more or less a one shot jamming band, no reluagr member, no reluagar music direction, no relugar schedule, just a few veterans who share the same musical taste get together and jam at will. The original members include: Wen Zhi Yong (trumpet), Chen Xiao Hu (bass), Dou Wei (drums), Deng Ou Ge (guitar), Shan Xiao Fan, Zhang Jian (keyboards), Chen Jin, Liu Xiao Song, Ma Pei, Ou Yang. They recorded a 2CD live album "One Stone, Two Birds" at Club Green in Beijing on June, 2001. It's an improvisational jazz-lounge recording. Every piece of instrument, including Dou Wei's voice, has it's own independent space to express itself. In the leaping notes, you could almost sense the unique loneliness, distance and cynicalness of being in a city. Midnight would be a good time to listen to this music, you can keep on doing your stuff, and the music would be a great background. Maybe you'll be distracted by it from time to time. When the veil of the evening falls, when the city calms down from the daytime bustle, or in a dusky bar - just let your body sway with the Not Sure Yet and your mood. (m.z.) "One Stone, Two Birds" was officially released through www.joyo.com on April 15th, 2003.

In 2002 Dou Wei has formed another new project called "Mu Liang Wen Wang" (Mu Liang stands for Dou Wei, Wen stands for trumpet player Wen Bin and Wang for dulcimer player and vocalist Wang Xiao Fang). This time Dou Wei has devoted to his new works that is similar to the neo-Chinese-folk. With dulcimer as the main instrument, added with some fragments of ambient music, a little bit experimental sound and noise, Chinese percussion segments, and jazz drums, MLWW has freed the dulcimer and flute and other Chinese folk instruments from the melody stereotypes, they even use the academic minimalism to create a layering, expansive atmosphere.

MLWW recorded a 2cd album "Live On, Gloriette by Water" on March 2002. As Dou Wei recalled the recording process was quite simple and fast, the three of them got together and talked for hours, mostly about things that has nothing to do with music. When their musical visions and feelings hit and kindled, they went into the studio and finished the first part of recording in a few hours, the second part took a little longer. "Live On, Gloriette by Water" is quite improvisational a recording, it might be the best effort of Chinese new music in the last few years, it is Dou Wei's new experiment with Oriental music, it conveys his music emotions and visions, it's a resplendent and difficult try. MLWW is a good new start for Dou Wei.
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