Eiffel’s Tower - Jill Jonnes

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Eiffel’s Tower - Jill Jonnes (Size: 542.2 MB)
  Eiffel Tower - Gallery
  Annie Oakley.jpg?042148 54.59 KB
  Buffalo Bill.jpg?042148 65.49 KB
  Building the Eiffel Tower - Various Phases.jpg?042148 132.99 KB
  Eiffel Tower - Landmark.jpg?042148 64.29 KB
  Eiffel Tower - circa 1887-89.jpg?042148 104.75 KB
  The Tower - 24 August 1944.jpg?042148 150.23 KB
  Thomas Edision - Cylinder Phonograph Player.jpg?042148 61.46 KB
  Ticket - Exposition Universelle.jpg?042148 168.69 KB
  Jill Jonnes - Eiffel's Tower - 01.mp3 49.29 MB
  Jill Jonnes - Eiffel's Tower - 02.mp3 48.82 MB
  Jill Jonnes - Eiffel's Tower - 03.mp3 48.15 MB
  Jill Jonnes - Eiffel's Tower - 04.mp3 49.03 MB
  Jill Jonnes - Eiffel's Tower - 05.mp3 49.12 MB
  Jill Jonnes - Eiffel's Tower - 06.mp3 49.56 MB
  Jill Jonnes - Eiffel's Tower - 07.mp3 48.81 MB
  Jill Jonnes - Eiffel's Tower - 08.mp3 48.05 MB
  Jill Jonnes - Eiffel's Tower - 09.mp3 49.72 MB
  Jill Jonnes - Eiffel's Tower - 10.mp3 51.34 MB
  Jill Jonnes - Eiffel's Tower - 11.mp3 49.44 MB
  Jill Jonnes - Eiffel's Tower.jpg?042148 87 KB
  Jill Jonnes - Eiffel's Tower.nfo 8.02 KB
  Torrent downloaded from Demonoid.me.txt 47 B

Description




Category: Education
Language: English
Keywords: Eiffel's Tower
Written by Jill Jonnes
Read by Paul Hecht
Format: MP3
Bitrate: 96 Kbps
Unabridged

And the World’s Fair Where Buffalo Bill Beguiled Paris, the Artists Quarreled, and Thomas Edison Became a Count

A colorful cast of characters descended on Paris for the 1889 World’s Fair, and Jonnes (Conquering Gotham) offers an atmospheric overview of the celebrities who made belle époque Paris their stage during the memorable event. Annie Oakley amazed crowds with her precisely executed shots. Thomas Edison, a master at promoting both himself and modern technology, chafed at the leisurely French way of life, delighted the masses with his phonograph and chatted with Louis Pasteur at his institute. Paul Gauguin was enthralled by a troupe of Javanese temple dancers and miffed that the Americans only intended to exhibit 17 of his 27 etchings, while James McNeill Whistler, who delighted in provocations and feuds, decamped to the British, who displayed even fewer of his works. The fair’s undisputed main attraction both at the fair and in Jonnes’s account, was the controversial wrought-iron tower of unprecedented height that, Jonnes says, appeals for both its technological genius and its aerial playfulness and charm. It perfectly embodies the triumph of the modern that Jonnes so well captures in her sprightly account.

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