Feist - Metals [24 bit FLAC] vinyl

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Feist - Metals [24 bit FLAC] vinyl (Size: 1.01 GB)
  .DS_Store 6 KB
  01 The Bad in Each Other.flac 92.25 MB
  02 Graveyard.flac 81.72 MB
  03 Caught a Long Wind.flac 92.03 MB
  04 How Come You Never Go There.flac 64.48 MB
  05 A Commotion.flac 74.99 MB
  06 The Circle Married the Line.flac 63.53 MB
  07 Bittersweet Melodies.flac 74.28 MB
  08 Anti-Pioneer.flac 104.18 MB
  09 Undiscovered First.flac 98.15 MB
  10 Cidadas and Gulls.flac 60.15 MB
  11 Comfort Me.flac 77.45 MB
  12 Get It Wrong, Get It Right.flac 68.22 MB
  Artwork
  .DS_Store 6 KB
  01 Front Cover.jpg?042148 17.44 MB
  02 Rear Cover.jpg?042148 18.03 MB
  03 Poster 1.jpg?042148 10.1 MB
  04 Poster 2.jpg?042148 19.92 MB
  05 LP Label A.jpg?042148 6.3 MB
  06 LP Label B.jpg?042148 6.37 MB
  Digital Booklet.pdf 6.25 MB
  Cover.jpg?042148 456.24 KB
  Dynamic Range Report.txt 1.25 KB
  Rip Info.txt 1.38 KB
  info.txt 4.02 KB
  ▲ 25 total files

Description


Feist - Metals (2011) [24 bit FLAC] vinyl

Released: 2011
Genre: Pop/Rock
Style: Singer/Songwriter, Indie Rock
Codec: FLAC
Bit Rate: ~ 2,600 kbps
Bits Per Sample: 24
Sample Rate: 96,000 Hz

01. The Bad in Each Other
02. Graveyard
03. Caught a Long Wind
04. How Come You Never Go There?
05. A Commotion
06. The Circle Married the Line
07. Bittersweet Melodies
08. Anti-Pioneer
09. The Undiscovered First
10. Cicadas & Gulls
11. Comfort Me
12. Get It Wrong Get It Right

With Metals, Feist responds to the surprise success of 2007’s The Reminder with a whisper, not a bang. She treads lightly through a series of disjointed torch songs and smoky pop/rock numbers, singing most of the songs in a soft, gauzy alto, as though she’s afraid of waking some sort of slumbering beast. Whenever the tempo picks up, so does Feist’s desire to keep things weird, with songs like “A Commotion” pitting pizzicato strings against a half-chanted, half-shouted refrain performed by an army of male singers. But Metals does its best work at a slower speed, where Feist can stretch her vocals across fingerplucked guitar arpeggios and piano chords like cotton. “Cicadas and Gulls,” with its simple melodies and pastoral ambience, rides the same summer breeze as Iron & Wine, and “Anti-Pioneer” breaks down the blues into its sparsest parts, retaining little more than a sparse drumbeat and guitar until the second half, where strings briefly swoon into the picture like an Ennio Morricone movie soundtrack. They’re gone after 30 seconds, though, leaving things as quiet as they began. Like the rest of the subdued track list, “Anti-Pioneer” is unlikely to find itself featured in an iPod commercial, meaning Feist’s days as a provider of hip, trendy TV jingles may be over. Still, there’s a soft-spoken power to Metals, even if its songs are more liquid and atmospheric than the title suggests.

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