Govt Mule - The Tel-Star Sessions (2016) FLAC Beolab1700

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Govt Mule - The Tel-Star Sessions (2016) FLAC Beolab1700 (Size: 428 MB)
  01. Blind Man In The Dark.flac 49.2 MB
  02. Rocking Horse.flac 32.8 MB
  03. Monkey Hill.flac 34 MB
  04. Mr. Big.flac 43.6 MB
  05. The Same Thing.flac 50.2 MB
  06. Mother Earth.flac 47.6 MB
  07. Just Got Paid.flac 29.9 MB
  08. Left Coast Groovies.flac 47.9 MB
  09. World Of Difference.flac 48.8 MB
  10. World Of Difference (Alternative Version).flac 44 MB
  Art.jpg?042148 52.2 KB
  Beolab1700 Torrents.txt 204.8 B
  Gov't Mule - The Tel-Star Sessions (2016).m3u 716.8 B
  Torrent downloaded from demonoid.ph.txt 0 B

Description


Govt Mule - The Tel-Star Sessions (2016) FLAC Beolab1700

ARTIST.....: Gov't Mule
TITLE......: The Tel-Star Sessions
GENRE......: Rock
RIP DATE...: 2016-08-04
RUNTIME....: 61:23
TRACKS.....: 10
Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20070917
Quality..............: Lossless, (avg. compression: 69 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment

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Tracklisting
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01. Blind Man In The Dark 06:49
02. Rocking Horse 04:31
03. Monkey Hill 04:31
04. Mr. Big 06:17
05. The Same Thing 07:13
06. Mother Earth 07:00
07. Just Got Paid 04:22
08. Left Coast Groovies 06:39
09. World Of Difference 07:18
10. World Of Difference (Alternative Version) 06:43

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MULE’S PREVIOUSLY UNRELEASED FIRST RECORDINGS FROM 1994! THE TEL-STAR SESSIONS ARE REMIXED & MASTERED

In early summer of 1994, while on break from Allman Brothers work, the original Mule line-up of Warren Haynes, Allen Woody, and Matt Abts assembled at Tel-Star Studios outside Sarasota, Florida, to lay down on tape their vision to exhume the rock power trio – their influences ranging from Cream and Jimi Hendrix Experience to ZZ Top.

Says Warren, “Allen Woody had plenty of ideas in that department -- starting with simultaneously bringing back the ‘rock bass’ sound. Along with our discussions about the ‘power trio’ being missing from the current musical landscape were the discussions of how the sound of the bass guitar had gotten progressively ‘cleaner’ since the ’80s (or late ’70s), and how that affected the overall feeling of the music. So, when we went in to the studio to do our first recording sessions, part of our mission was to capture an old familiar sound as well.”

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