| Hart’s War 01a.mp3 | 39.76 MB | ||
| Hart’s War 01b.mp3 | 39.41 MB | ||
| Hart’s War 02a.mp3 | 37.92 MB | ||
| Hart’s War 02b.mp3 | 37.02 MB | ||
| Hart’s War 03a.mp3 | 39.56 MB | ||
| Hart’s War 03b.mp3 | 36.61 MB | ||
| Hart’s War 04a.mp3 | 35.67 MB | ||
| Hart’s War 04b.mp3 | 35.45 MB | ||
| Hart’s War 05a.mp3 | 39.9 MB | ||
| Hart’s War 05b.mp3 | 38.29 MB | ||
| Hart’s War 06a.mp3 | 38.39 MB | ||
| Hart’s War 06b.mp3 | 36.39 MB | ||
| Hart’s War 07a.mp3 | 38.07 MB | ||
| Hart’s War 07b.mp3 | 37.69 MB | ||
| Hart’s War 08a.mp3 | 40.59 MB | ||
| Hart’s War 08b.mp3 | 39.05 MB | ||
| Hart’s War 09a.mp3 | 37.24 MB | ||
| Hart’s War 09b.mp3 | 35.04 MB | ||
| Hart’s War 10a.mp3 | 41.16 MB | ||
| Hart’s War 10b.mp3 | 40.65 MB | ||
| Hart’s War 11a.mp3 | 41.43 MB | ||
| Hart’s War 11b.mp3 | 41.7 MB | ||
| Hart’s War 12a.mp3 | 41.39 MB | ||
| Hart’s War 12b.mp3 | 41.23 MB | ||
| Hart’s War 13a.mp3 | 40.44 MB | ||
| Hart’s War 13b.mp3 | 40.45 MB | ||
| Hart’s War 14a.mp3 | 41.99 MB | ||
| Hart’s War 14b.mp3 | 42.14 MB | ||
| folder.jpg?042148 | 359.57 KB | ||
| ▲ 29 total files | |||
Category: General Fiction
Language: EnglishKeywords: Frank Muller Hart's War John Katzenbach
Written by John Katzenbach
Read by Frank Muller
Format: MP3
Bitrate: 128 Kbps
13 in Bavaria.
Then routine comes to a halt with the arrival of a new prisoner: First Lieutenant Lincoln Scott, an African American Tuskegee airman who instantly becomes the target of contempt from his fellow soldiers. When a prisoner is brutally murdered, and all the blood-soaked evidence points to Scott, Hart is tapped to defend the soldier. In a trial rife with racial tension and raw conflict, where the lines between ally and enemy blur, there are those with their own secret motives, and a burning passion for a rush to judgment, no matter what the cost.
Digitally Enhanced in order to fix audio recording Speed/Pitch/Tone as much as possible so that the recording sounds like the late legend, Frank Muller himself. He had many variations on his voice depending on what he was reading, so I had to try and fix the recording to match the type he was using for that book, ie fast and upbeat or low and measured, (like the difference between his reading of John Grisham legal thrillers and Stephen King and cop thrillers with mafia voices and Silence of the Lambs or Anne Rice Vampire Chronicles) and the year, as he sounded different in the early 80s than he did in late 80s and 90s and 2000s. Many recordings out there have severe audio issues which stem from the digital source which likely stems from a bad cassette transfer, which I have endeavored to fix so that Frank can be heard as he actually was. Noise, Bass/Treble etc have also been tuned, along with Audio level being normalized to -3db top end max with a maximum boost of +2.5db for lower volume areas. Audio encode frequency is 44.1KHz at 128Kbps Stereo for best quality with no compression artifacts (unless source was low quality to begin with and noise couldnt be completely removed). Many of these were very bad and I have done the best I can over 12 years working on these to restore them once I discovered Frank Muller in 2010, 2 years after he passed away. Long Live THE LEGEND
13 in Bavaria.
Then routine comes to a halt with the arrival of a new prisoner: First Lieutenant Lincoln Scott, an African American Tuskegee airman who instantly becomes the target of contempt from his fellow soldiers. When a prisoner is brutally murdered, and all the blood-soaked evidence points to Scott, Hart is tapped to defend the soldier. In a trial rife with racial tension and raw conflict, where the lines between ally and enemy blur, there are those with their own secret motives, and a burning passion for a rush to judgment, no matter what the cost.
Digitally Enhanced in order to fix audio recording Speed/Pitch/Tone as much as possible so that the recording sounds like the late legend, Frank Muller himself. He had many variations on his voice depending on what he was reading, so I had to try and fix the recording to match the type he was using for that book, ie fast and upbeat or low and measured, (like the difference between his reading of John Grisham legal thrillers and Stephen King and cop thrillers with mafia voices and Silence of the Lambs or Anne Rice Vampire Chronicles) and the year, as he sounded different in the early 80s than he did in late 80s and 90s and 2000s. Many recordings out there have severe audio issues which stem from the digital source which likely stems from a bad cassette transfer, which I have endeavored to fix so that Frank can be heard as he actually was. Noise, Bass/Treble etc have also been tuned, along with Audio level being normalized to -3db top end max with a maximum boost of +2.5db for lower volume areas. Audio encode frequency is 44.1KHz at 128Kbps Stereo for best quality with no compression artifacts (unless source was low quality to begin with and noise couldnt be completely removed). Many of these were very bad and I have done the best I can over 12 years working on these to restore them once I discovered Frank Muller in 2010, 2 years after he passed away. Long Live THE LEGEND
Digitally Enhanced in order to fix audio recording Speed/Pitch/Tone as much as possible so that the recording sounds like the late legend, Frank Muller himself. He had many variations on his voice depending on what he was reading, so I had to try and fix the recording to match the type he was using for that book, ie fast and upbeat or low and measured, (like the difference between his reading of John Grisham legal thrillers and Stephen King and cop thrillers with mafia voices and Silence of the Lambs or Anne Rice Vampire Chronicles) and the year, as he sounded different in the early 80s than he did in late 80s and 90s and 2000s. Many recordings out there have severe audio issues which stem from the digital source which likely stems from a bad cassette transfer, which I have endeavored to fix so that Frank can be heard as he actually was. Noise, Bass/Treble etc have also been tuned, along with Audio level being normalized to -3db top end max with a maximum boost of +2.5db for lower volume areas. Audio encode frequency is 44.1KHz at 128Kbps Stereo for best quality with no compression artifacts (unless source was low quality to begin with and noise couldnt be completely removed). Many of these were very bad and I have done the best I can over 12 years working on these to restore them once I discovered Frank Muller in 2010, 2 years after he passed away. Long Live THE LEGEND
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