Irmin Schmidt & Innerspace (Can) - 1969 - Kamasutra (Soundtrack)

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Irmin Schmidt & Innerspace (Can) - 1969 - Kamasutra (Soundtrack) (Size: 278.59 MB)
  01 - Indisches Panorama I.flac 17.26 MB
  02 - I'm Hiding My Nightingale.flac 19.2 MB
  03 - There Was a Man.flac 6.58 MB
  04 - Im Tempel.flac 45.93 MB
  05 - In Kalkutta III.flac 13.05 MB
  06 - Indisches Panorama II.flac 12.37 MB
  07 - In Kalkutta I.flac 18.94 MB
  08 - Im Orient.flac 8.21 MB
  09 - Indisches Panorama III.flac 11.97 MB
  10 - Mundharmonika Beat.flac 31.64 MB
  11 - Indisches Panorama IV.flac 10.96 MB
  12 - Indisches Panorama V.flac 15.59 MB
  13 - Indisches Panorama VI.flac 9.2 MB
  14 - Indisches Liebesszene.flac 21.75 MB
  15 - In Kalkutta II.flac 14.33 MB
  16 - Im Orient II.flac 19.86 MB
  Kamasutra - Vollendung der Liebe.cue 2.65 KB
  Kamasutra - Vollendung der Liebe.log 6.41 KB
  Scans
  back.jpg?042148 147.74 KB
  booklet_01.jpg?042148 165.8 KB
  booklet_02.jpg?042148 76.14 KB
  booklet_03.jpg?042148 101.16 KB
  booklet_04.jpg?042148 65.24 KB
  booklet_05.jpg?042148 125.63 KB
  booklet_06.jpg?042148 119.33 KB
  booklet_07.jpg?042148 117 KB
  booklet_08.jpg?042148 91.04 KB
  booklet_09.jpg?042148 148.62 KB
  booklet_10.jpg?042148 144.31 KB
  booklet_11.jpg?042148 118.22 KB
  booklet_12.jpg?042148 143.47 KB
  cd.jpg?042148 58.96 KB
  front.jpg?042148 159.09 KB
  ▲ 33 total files

Description


I r m i n S c h m i d t ( C a n )
1969 - Kamasutra: Vollendung der Liebe (Soundtrack)


...For although the soundtrack is credited to keyboardist Irmin Schmidt, it’s really the work of a prototypical line-up of Can called Inner Space that was active in 1968. Alongside Can stalwarts bassist Holger Czukay, guitarist Michael Karoli, and drummer Jaki Liebezeit were songbird Margarete Juvan and two Americans, soon-to-depart flutist David Johnson and just-arrived singer Malcolm Mooney. Excepting Juvan, they’d all already worked together on the ripping garage rocker “Father Cannot Yell,” which would turn up on Can’s debut album Monster Movie (although it bears noting that Johnson only operated the tape deck that day). The sextet recorded just one other time, to make the music for Kamasutra.
Some of Can’s signature sounds were already in place. Liebezeit, a disillusioned former free jazz drummer, had already figured out how to play elaborate figures without betraying the groove; Czukay, who was just beginning to get familiar with his electric bass, played simply but melodically. Despite being credited as the leader, Schmidt was as unfamiliar with pop music as Czukay was with his instrument and hadn’t figured out what to do in that context yet; his organ and electric piano keep a pretty low profile. So it’s Karoli’s already distinctive guitar and Johnson’s patchouli-fragrant flute that bring the tunes to balance Liebezeit’s beats. Since the movie has an Indian theme, there’s also a little sitar in the background...

-- Bill Meyer / dustmagazine.com --

complete review at:
http://www.dustedmagazine.com/reviews/5548

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