Jack White - Boarding House Reach (2018) [24 96 FLAC]

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Jack White - Boarding House Reach (2018) [24 96 FLAC] (Size: 966.01 MB)
  01. Connected by Love.flac 102.54 MB
  02. Why Walk a Dog.flac 55.27 MB
  03. Corporation.flac 126.15 MB
  04. Abulia and Akrasia.flac 31.97 MB
  05. Hypermisophoniac.flac 76.49 MB
  06. Ice Station Zebra.flac 84.94 MB
  07. Over and Over and Over.flac 85.8 MB
  08. Everything You've Ever Learned.flac 48.14 MB
  09. Respect Commander.flac 100.27 MB
  10. Ezmerelda Steals the Show.flac 32.28 MB
  11. Get in the Mind Shaft.flac 92.45 MB
  12. What's Done Is Done.flac 59.7 MB
  13. Humoresque.flac 69.78 MB
  cover.jpg?042148 253 KB

Description


Jack White - Boarding House Reach (2018) [24.96 FLAC]

Genre: Rock
Style: Indie Rock
Source: WEB
Codec: FLAC
Bit Rate: ~ 3,000 kbps
Bit Depth: 24
Sample Rate: 96 kHz

01 Connected by Love
02 Why Walk a Dog?
03 Corporation
04 Abulia and Akrasia
05 Hypermisophoniac
06 Ice Station Zebra
07 Over and Over and Over
08 Everything You've Ever Learned
09 Respect Commander
10 Ezmerelda Steals the Show
11 Get in the Mind Shaft
12 What's Done Is Done
13 Humoresque

Due to his affection for prewar music and myths, Jack White often gets pigeonholed as a blues-rock revivalist -- an assessment that isn't so much wrong as it is incomplete. Even in the earliest days of the White Stripes, White limited his aural palette with deliberate zeal, a practice he sustained through the Stripes as well as his first two solo albums. Boarding House Reach is where he expands his horizons and that discipline begins to fracture, and quite intentionally so. "Connected by Love" -- the album's opening track and first single -- is a rousing bit of arena rock and the only cut that could truly have appeared on either Blunderbuss or Lazaretto. Once that song draws to a close, White dives into a moody electronic meditation called "Why Walk a Dog?" -- an oddity that's quickly eclipsed by the hard funk of "Corporation," a song that marks the third different sound in as many tracks. Things get progressively stranger from this point forward. Recitations commingle with raps, gurgling synthesizers tangle with blues piano, operatic overdubs are paired with fuzz guitars, sci-fi send-ups meet their match with short stories. Every moment suggests that White is kicking against the pricks, desperate to be seen as a modern rock artist, not a fusty throwback

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