Joe Harriott - Swings High [1967]

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Joe Harriott - Swings High [1967] (Size: 99.59 MB)
  01 - Tuesday Morning Swing.mp3 11.07 MB
  02 - A Time For Love.mp3 11.16 MB
  03 - The Rake.mp3 14.78 MB
  04 - Blues In C.mp3 8.77 MB
  05 - Shepherd's Serenade.mp3 8.9 MB
  06 - Polka Dots And Moonbeams.mp3 12.56 MB
  07 - Strollin' South.mp3 10.27 MB
  08 - Just Goofin'.mp3 10.79 MB
  folder.jpg?042148 134.71 KB
  scans
  01.jpg?042148 2.72 MB
  02.jpg?042148 2.44 MB
  03.jpg?042148 2.26 MB
  04.jpg?042148 2.35 MB
  front.jpg?042148 1.41 MB

Description


mp3 320



The Jamaica-born alto saxophonist Joe Harriott is one the greatest legends of British modern jazz's first wave. There weren't many, but Harriott's searing sound would have stood out anywhere - and did, even on New York's 52nd Street in Charlie Parker's day.

The Parker connection is particularly pertinent to this set, which has the tinny recording qualities of a 1940s Dial or Savoy Bird classic, with the same fierce attack - as if the player were about to burst out of your speakers.

Harriott had already made his pioneering free-form recordings years before this 1967 date, and it represented an odd throwback to the standard- and song-based repertoire the saxophonist's hard-bop group was playing a decade before. An alert and sympathetic band - including pianist Pat Smythe, bassist Coleridge Goode and a scalding Phil Seamen on drums - holds the line, while an obscure trumpet player, Stu Hamer, delivers some taut and telling bop solos.

The compositions are striking, too, in a deviously extended way. But Harriott himself is absolutely enthralling: delicate as teardrops on A Time for Love, almost as wilful and raw-nerved as Parker on Blues in C, razor-sharp and urgent on the uptempo Shepherd's Serenade. A real gem.

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