Jurg Wickihalder, Barry Guy, Lucas Niggli 2017 Beyond

seeders: 0
leechers: 1
Added 9 years ago by wwino in Music  > Lossless

Download Fast Safe Anonymous
movies, software, shows...

Files

Jurg Wickihalder, Barry Guy, Lucas Niggli 2017 Beyond (Size: 299.17 MB)
  01. A New One.flac 31.72 MB
  02. Relaxing in The Forest.flac 42.68 MB
  03. The Valley.flac 49.56 MB
  04. Return of Ulysses.flac 37.59 MB
  05. Arts and Crafts.flac 34.08 MB
  06. Sussholz.flac 18.16 MB
  07. Dipper.flac 29.4 MB
  08. Sing!.flac 26.34 MB
  09. The Last Breath.flac 28.71 MB
  aucdtect.log 2.35 KB
  cover.jpg?042148 941.13 KB
  i.txt 2.96 KB

Description


Jürg Wickihalder, Barry Guy, Lucas Niggli ~ Beyond ~ 2017
Intakt Records Intakt CD 277.

http://i2.imageban.ru/out/2017/04/29/2cc72095c5072ef006666e10f43116fa.jpg?042148

1 A New One 5:02
2 Relaxing In The Forest 7:57
3 The Valley 8:18
4 Return Of Ulysses 5:57
5 Arts And Crafts 6:27
6 Süssholz 3:33
7 Dipper 4:44
8 Sing! 5:01
9 The Last Breath 6:19

Barry Guy: bass
Lucas Niggli: drums
Jürg Wickihalder: soprano, alto, tenor saxophones

he birdlike sound, terse eloquence and Thelonious Monk-inspired structural audacity of the late soprano saxophonist Steve Lacy often guide Swiss reeds-player Jürg Wickihalder, a European jazz luminary joined here by the eclectic, light-touch percussionist Lucas Niggli and improv/contemporary-classical bass virtuoso Barry Guy – the latter celebrating his 70th year with the same boundary-busting energy he has displayed for the last 50. Like Lacy, Wickihalder is engagingly fond of airily strutting soprano sax-and-bass unison tunes that dissolve into impetuously-spinning free passages and dead halts, but he also plays more spaciously here – often through distinctive approaches to alto and tenor saxes. Abstract improv passages precede contrastingly dreamy sax meditations or voicelike laments of an Albert Ayler-like fervour; ballad-like pieces gently bloom while the saxophonist’s partners scuttle and skip; the lyrical Sussholz is a delicate dialogue for mellow tenor sax and Guy’s ringing pizzicato; and the springy Dipper is like a periodically derailing calypso. Edgy jazz composing, awesome virtuosity, collective improv and invitingly songlike melody are all very subtly fused together here. - The Guardian