Ken Watson - A Little Chin Music - 2000, FLAC (image+.cue) lossless

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Ken Watson / A Little Chin Music

Жанр: Progressive Rock/Canterbury
Страна-производитель диска: USA
Год издания диска: 2000
Издатель (лейбл): privately made
Страна: USA
Аудио кодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 51:04
Источник (релизер): My CD collection
Наличие сканов в содержимом раздачи: да

Треклист:
1. The Genesis Clone Variations
2. Batting Practice
3. Waiting Room
4. Waterloo
5. Lullaby for the Sisters
6. Pre-Teen Beat
7. Hot Dog and a Klondike
8. On the Mound
9. First Dance Recital
10. A French Connection
11. Waltz on a Tide Robe
12. Red Sky
[spoiler="Лог создания рипа"]
Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 11. February 2011, 19:39

Ken Watson / A Little Chin Music

Used drive : ASUS DRW-2014S1T Adapter: 0 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\EAC 1\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "COMMENT=EAC V1.0 beta 1, Secure Mode, Test & Copy, AccurateRip, FLAC -8" %s

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 4:39.25 | 0 | 20949
2 | 4:39.25 | 5:27.09 | 20950 | 45483
3 | 10:06.34 | 4:22.54 | 45484 | 65187
4 | 14:29.13 | 4:11.45 | 65188 | 84057
5 | 18:40.58 | 3:47.20 | 84058 | 101102
6 | 22:28.03 | 4:02.71 | 101103 | 119323
7 | 26:30.74 | 4:01.60 | 119324 | 137458
8 | 30:32.59 | 5:45.59 | 137459 | 163392
9 | 36:18.43 | 1:40.43 | 163393 | 170935
10 | 37:59.11 | 3:39.09 | 170936 | 187369
11 | 41:38.20 | 3:45.05 | 187370 | 204249
12 | 45:23.25 | 4:54.52 | 204250 | 226351

Range status and errors

Selected range

Filename K:\Ken Watson- A Little Chin Music\Ken Watson - A Little Chin Music.wav

Peak level 99.9 %
Extraction speed 0.6 X
Range quality 100.0 %
Test CRC EB2BC6A7
Copy CRC EB2BC6A7
Copy OK

No errors occurred

AccurateRip summary

Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
Track 10 not present in database
Track 11 not present in database
Track 12 not present in database

None of the tracks are present in the AccurateRip database

End of status report

==== Log checksum 6CADCB32C11499083E4CB3D92053A10B2D170D0662262C16A0C26ECF3BC10D4B ====
[/spoiler]
[spoiler="Содержание индексной карты (.CUE)"]
REM GENRE Jazz
REM DISCID 8A0BCA0C
REM COMMENT "ExactAudioCopy v1.0b1"
PERFORMER "Ken Watson"
TITLE "A Little Chin Music"
FILE "Ken Watson - A Little Chin Music.flac" WAVE
TRACK 01 AUDIO
TITLE "The Genesis Clone Variations"
PERFORMER "Ken Watson"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Batting Practice (A Little Chin Music 9)"
PERFORMER "Ken Watson"
INDEX 01 04:39:25
TRACK 03 AUDIO
TITLE "Waiting Room"
PERFORMER "Ken Watson"
INDEX 01 10:06:34
TRACK 04 AUDIO
TITLE "Waterloo"
PERFORMER "Ken Watson"
INDEX 01 14:29:13
TRACK 05 AUDIO
TITLE "Lullaby For The Sisters"
PERFORMER "Ken Watson"
INDEX 01 18:40:58
TRACK 06 AUDIO
TITLE "Pre-Teen Beat"
PERFORMER "Ken Watson"
INDEX 01 22:28:03
TRACK 07 AUDIO
TITLE "Hot Dog And A Klondike (A Little Chin Music 99)"
PERFORMER "Ken Watson"
INDEX 01 26:30:74
TRACK 08 AUDIO
TITLE "On The Mound (A Little Chin Music 999)"
PERFORMER "Ken Watson"
INDEX 01 30:32:59
TRACK 09 AUDIO
TITLE "First Dance Recital"
PERFORMER "Ken Watson"
INDEX 01 36:18:43
TRACK 10 AUDIO
TITLE "A French Confection"
PERFORMER "Ken Watson"
INDEX 01 37:59:11
TRACK 11 AUDIO
TITLE "Waltz On A Tight Rope"
PERFORMER "Ken Watson"
INDEX 01 41:38:20
TRACK 12 AUDIO
TITLE "Red Sky"
PERFORMER "Ken Watson"
INDEX 01 45:23:25
[/spoiler]
Доп. информация: http://gnosis2000.net/reviews/kenwatson.htm
[spoiler="Об исполнителе (группе)"]
Ken Watson is a multi-instrument preformer and composer. His his music is inspired by such notables as Happy the Man, Zappa, Gentle Giant, and is noted for it's complexity, depth and melody.

Ken Watson Biography
(from www.kinesiscd.com)

It wasn’t until the late 1970’s that Ken began specifically to listen to progressive rock. Someone turned him onto the Washington DC progressive band Happy the Man (still one of his favorites) and after that, he was hooked. He began to devour any music he could find with the progressive label tagged to it. He also discovered 20th century composers such as Ravel, Bartok, Stravinsky, Messian, etc.

In 1979, Ken assembled a band called Black Market with a guitarist from Iceland named Gulli Faulk, bassist Buddy Stewart, and drummer David Webb. They played all-original instrumental progressive jazz-rock. The band stayed together for about one year and played around the Jacksonville, Florida area. It was in Black Market that Ken first began to write music and where some of the first seeds of Assembly were planted.

Ken later moved to Montgomery, Alabama to attend school at a small college. While there, he met Terry and Jerry Morgan, two brothers who owned a recording studio in town. They offered him a very inexpensive rate to record an LP of music. With the help of David Webb on drums, Ken began to write and record Assembly during 1985. Buddy Stewart (another Black Market alumnus and a fine bassist) was enlisted to play on one track (Skeleton in Armor). Long distance travel and a busy schedule prevented Buddy from contributing further to the project. Ken released the album on LP himself in early 1986. Roughly 500 copies were manufactured and all were sold. By breaking even, he was encouraged to attempt a second LP project which he negotiated with the studio in 1987.

Ken began work on the second project in late 1987 and recorded the basic tracks for 20 minutes worth of material with drummer Craig Riches. (David had moved away and was no longer available.) Craig was an old school friend from Jacksonville who then lived in the nearby city of Birmingham, Alabama. In later months, personal issues (marriage, children, job) began to demand more of his time, and Ken slowly lost interest in the project. On rare occasions he would venture into the studio to record a part or two. Also, he decided to move to the Atlanta, Georgia area, about three hours from the studio.

In late 1992, Ken decided to finish the second project. The studio was loathe to let him return to finish the entire album project after so much time had passed. They did, however, allow him to finish the 20 minutes of material he had begun. In 1993, Larry Kolota of Kinesis contacted Ken about rereleasing Assembly on CD and happily agreed to include the recently finished material from the aborted second album.

Ken Watson’s aim as a musician is simply to write and present good music with an original voice - simple to state, but difficult to achieve. He likes a piece of music to contain a lot of surprises, but for its development to make logical sense in retrospect. Influences are too numerous to list all, but some notable ones are Dave Stewart (National Health, Bruford, etc.), Scott Johnson, Frank Zappa, Trey Anastasio (Phish), Frenchmen Albert Marcouer and Francois Breant, Chick Corea, Happy the Man, Steve Reich, Kenso (from Japan), Zamla Mammaz Manna (from Sweden), and PFM (from Italy).

In 1999, Ken released his second album The Twinkle Factor. This is a totally solo project using MIDI gear (sequencers and synths) and guitar to realize it. While he states a dislike for music produced this way, due to the resulting inhuman, antiseptic sound and feel, he welcomes the challenge to create a warm, interactive sound. The advantages of the new technology far outweigh the disadvantages! Because of other priorities and lack of time, Ken regrets he will likely never again assemble a band to perform his music live.
[/spoiler]
[spoiler="Об альбоме (сборнике)"]
Ken Watson followed in 2000 with A Little Chin Music, a CD-R with homemade artwork, but musically it has wider appeal than The Twinkle Factor . You could say that A Little Chin Music is the perfect halfway point between his classic first album Assembly and The Twinkle Factor, combining the melodic aspects of the former with the detail and precision of the latter.

Musically, Ken Watson has a strong emphasis on radical keyboard arrangements, with some of the most perplexing layering you can imagine, he also is an excellent guitarist, and apparently a fantastic producer/engineer. Of course working alone means he is using digital drums, but on this cd you wouldn't even notice, as you will be immersed in the songs depth and details, and he is using a very nice sounding drum programmer. One could easily listen to this and hear strong echoes of Happy the Man, Zappa, UK, & Shawn Lane.

It's sad that todays demands can take a major talent like Ken Watson, and keep him from persuing his calling as a musician, and fronting a band, but the silver lining is that todays technology and homestudio gear has allowed people like KW the opportunity to be creative and get heard. In summary, Ken has delivered three solid recordings thus far, and he remains dedicated and faithful to his progressive calling on each of these. The lovers of highly sophisticated, complex, and deep music will find Ken Watsons' music a great addition to their collections.
[/spoiler]
[spoiler="Состав"]
Ken Watson - Everything
[/spoiler]