Led Zeppelin - Physical Graffiti [Mp3 320] TNT Village

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Added 12 years ago by l.diliberto in Music  > MP3

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Led Zeppelin - Physical Graffiti [Mp3 320] TNT Village (Size: 189.43 MB)
  A01 Custard Pie.mp3 9.68 MB
  A02 The Rover.mp3 12.86 MB
  A03 In My Time Of Dying.mp3 25.41 MB
  A04 Houses Of The Holy.mp3 9.25 MB
  A05 Trampled Under Foot.mp3 12.84 MB
  A06 Kashmir.mp3 19.41 MB
  B01 In The Light.mp3 20.1 MB
  B02 Bron-Yr-Aur.mp3 4.84 MB
  B03 Down By The Seaside.mp3 12.06 MB
  B04 Ten Years Gone.mp3 15 MB
  B05 Night Flight.mp3 8.3 MB
  B06 The Wanton Song.mp3 9.54 MB
  B07 Boogie With Stu.mp3 8.9 MB
  B08 Black Country Woman.mp3 10.42 MB
  B09 Sick Again.mp3 10.81 MB

Description


Led Zeppelin - Physical Graffiti [Mp3 320] TNT Village

.: Release Originale :.

http://forum.tntvillage.scambioetico.org/index.php?showtopic=373113

Anno: 1975
Genere: Hard Rock

CD 1
1 - Custard Pie
2 - The Rover
3 - In My Time Of Dying
4 - Houses Of The Holy
5 - Trampled Under Foot
6 - Kashmir

CD 2
1 - In The Light
2 - Bron-Yr-Aur
3 - Down By The Seaside
4 - Ten Years Gone
5 - Night Flight
6 - The Wanton Song
7 - Boogie With Stu
8 - Black Country Woman
9 - Sick Again

.: Locandina :.

http://24.media.tumblr.com/tumblr_mrjsdxVIBG1qcaytu_1376528843_cover.jpg?042148


Led Zeppelin returned from a nearly two-year hiatus in 1975 with Physical Graffiti, a sprawling, ambitious double album. Zeppelin treat many of the songs on Physical Graffiti as forays into individual styles, only occasionally synthesizing sounds, notably on the tense, Eastern-influenced "Kashmir." With John Paul Jones' galloping keyboard, "Trampled Underfoot" ranks as their funkiest metallic grind, while "Houses of the Holy" is as effervescent as pre-Beatles pop and "Down by the Seaside" is the closest they've come to country. Even the heavier blues -- the 11-minute "In My Time of Dying," the tightly wound "Custard Pie," and the monstrous epic "The Rover" -- are subtly shaded, even if they're thunderously loud. Most of these heavy rockers are isolated on the first album, with the second half of Physical Graffiti sounding a little like a scrap heap of experiments, jams, acoustic workouts, and neo-covers. This may not be as consistent as the first platter, but its quirks are entirely welcome, not just because they encompass the mean, decadent "Sick Again," but the heartbreaking "Ten Years Gone" and the utterly charming acoustic rock & roll of "Boogie With Stu" and "Black Country Woman." Yes, some of this could be labeled as filler, but like any great double album, its appeal lies in its great sprawl, since it captures elements of the band's personality rarely showcased elsewhere -- and even at its worst, Physical Graffiti towers above its hard rock peers of the mid-'70s.

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