LinkedIn - Advanced Cinematic Video Lighting

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Added 2 years ago by xHOBBiTx in Other

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LinkedIn - Advanced Cinematic Video Lighting (Size: 960.2 MB)
  01. Next steps.mp4 15.7 MB
  01. Overview of commercial project.mp4 20.2 MB
  01. Overview of corporate project.mp4 31.1 MB
  01. Overview of the narrative scene.mp4 25.2 MB
  01. Welcome.mp4 22.6 MB
  02. Introducing the location.mp4 59.2 MB
  02. Lighting with professional and natural lights.mp4 81.3 MB
  02. Unconventional two-camera Interview.mp4 62.8 MB
  03. Lighting for the over-the-shoulder OTS shot.mp4 51.7 MB
  03. Lighting setup for the second interview.mp4 57.5 MB
  03. Overview of lighting Master shot.mp4 201.3 MB
  04. B-roll and cutaway lighting for a specific project.mp4 37.8 MB
  04. Final looks and lighting changes Master.mp4 18.1 MB
  04. Lighting actors and products together.mp4 34.8 MB
  05. Overview of lighting Hallway shot.mp4 83.7 MB
  05. Shooting actor close-ups.mp4 21.2 MB
  06. Final looks and lighting changes Hallway.mp4 26.4 MB
  06. Lighting in outside environments.mp4 26.7 MB
  07. Overview of lighting Candy shot.mp4 52.9 MB
  08. Final looks and lighting changes.mp4 30 MB
  ▲ 20 total files

Description


Quote:

Course details

Once you have a firm grasp of lighting for different types of video production scenarios, it's time to start concentrating on creating the appropriate mood and atmosphere. While the location and production design play key roles in setting the cinematic mood, lighting—more than almost any other factor—can really create the ambiance called for in the script.

In this project-based course, producer, DP, and educator Jem Schofield of theC47 guides you through three different production scenarios: a narrative scene, a commercial project, and a corporate project. As in his original course, Cinematic Video Lighting, Jem doesn't just talk at you about lighting concepts, he appears on set with a crew, taking you through each project scenario and breaking down the creative decisions that helped accomplish the look and feel of each production. He goes into the equipment, space, and of course, the lighting setups for each project.

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