| 181245_00_01_WL30_Welcome.mp4 | 9.14 MB | ||
| 181245_00_02_MM30_ShouldKnow.mp4 | 13.64 MB | ||
| 181245_00_03_MM30_ExerciseFiles.mp4 | 13.98 MB | ||
| 181245_01_01_MM30_BeneftitsOfMulticam.mp4 | 41.58 MB | ||
| 181245_01_02_MM30_MuticamProcess.mp4 | 39.66 MB | ||
| 181245_01_03_MM30_SynchronizationStrategies.mp4 | 50.69 MB | ||
| 181245_02_01_MM30_Preprocessing.mp4 | 23.55 MB | ||
| 181245_02_02_MM30_ImportIntoPremierePro.mp4 | 17.58 MB | ||
| 181245_02_03_MM30_UsingContentAnalysis.mp4 | 20.97 MB | ||
| 181245_02_04_MM30_CustomizingBinAndClipView.mp4 | 22.98 MB | ||
| 181245_02_05_MM30_ModifyingTimecode.mp4 | 27.76 MB | ||
| 181245_02_06_MM30_LabelingClips.mp4 | 22.66 MB | ||
| 181245_02_07_MM30_InitialWhiteBalance.mp4 | 17.91 MB | ||
| 181245_02_08_MM30_AddClipsToMulticamSequence.mp4 | 26.7 MB | ||
| 181245_02_09_MM30_CreateMulticamTargetSequence.mp4 | 24.51 MB | ||
| 181245_03_01_MM30_SyncingWithTimecode.mp4 | 29.57 MB | ||
| 181245_03_02_MM30_SyncingWithAudio.mp4 | 30.9 MB | ||
| 181245_03_03_MM30_SyncingWithVisualSyncPoint.mp4 | 25.03 MB | ||
| 181245_03_04_MM30_SyncingWithMarkers.mp4 | 100.73 MB | ||
| 181245_04_01_MM30_ImportingToPluralEyes.mp4 | 14.83 MB | ||
| 181245_04_02_MM30_AligningClips.mp4 | 14.32 MB | ||
| 181245_04_03_MM30_RefiningAlignment.mp4 | 19.95 MB | ||
| 181245_04_04_MM30_ExportingToPremierePro.mp4 | 23.87 MB | ||
| 181245_04_05_MM30_HandingOffToPremierePro.mp4 | 8.34 MB | ||
| 181245_04_06_MM30_ConnectingToPremierePro.mp4 | 15.2 MB | ||
| 181245_05_01_MM30_EssentialControls.mp4 | 4.63 MB | ||
| 181245_05_02_MM30_CustomizingKeyboardShortcuts.mp4 | 10.83 MB | ||
| 181245_05_03_MM30_CreatingMulticamWorkspace.mp4 | 19.06 MB | ||
| 181245_06_01_MM30_PerformingFirstEdit.mp4 | 63.9 MB | ||
| 181245_06_02_MM30_AdjustAndRefineEdits.mp4 | 30.48 MB | ||
| 181245_06_03_MM30_FlatteningMulticamSequence.mp4 | 10.8 MB | ||
| 181245_06_04_MM30_FinishingTechniques.mp4 | 27.78 MB | ||
| 181245_07_01_MM30_Conclusion.mp4 | 8.82 MB | ||
| Ex_Files_PPG_Multicam_Editing | |||
| Exercise Files | |||
| 3 Determining the Sync Point | |||
| 3_1 Timecode | |||
| 3_1 Timecode.prproj | 34.07 KB | ||
| Angle_1.mov | 177.99 MB | ||
| Angle_2.mov | 174.98 MB | ||
| Angle_3.mov | 180.58 MB | ||
| 3_2 Audio | |||
| 05 That Summer.mp3 | 4.7 MB | ||
| 3_2 Audio Sync.prproj | 33.39 KB | ||
| C1_Master.mp4 | 99.51 MB | ||
| C2_Profile.mp4 | 99.33 MB | ||
| C3_Strings.mp4 | 98.03 MB | ||
| C4_Slider.mp4 | 99.73 MB | ||
| C5_Jib.mp4 | 98.76 MB | ||
| 3_3 Visual | |||
| 3_3 Visual.prproj | 33 KB | ||
| Anita.mp4 | 73.87 MB | ||
| Kim.mp4 | 77.61 MB | ||
| Master.mp4 | 64.59 MB | ||
| 3_4 Markers | |||
| 01 Jan._ Bitter Love.m4a | 6.12 MB | ||
| 3_4 Markers.prproj | 33.45 KB | ||
| Camera 1.mp4 | 148.09 MB | ||
| Camera 2.mp4 | 153.87 MB | ||
| Camera 3.mp4 | 149.58 MB | ||
| Camera 4.mp4 | 154.77 MB | ||
| 5 Multicamera Monitor | |||
| 5 Multicamera Monitor.prproj | 40.78 KB | ||
| Copied_5 Multicamera Monitor | |||
| 01 01 Dust & Bone 1.mp3 | 4.47 MB | ||
| Click_01 01 Dust & Bone 1.mp3 | 4.57 MB | ||
| DSC_7512.mp4 | 219.22 MB | ||
| MVI_4950.mp4 | 207.04 MB | ||
| MVI_8625.mp4 | 218.51 MB | ||
| PAN10349.mp4 | 225.88 MB | ||
| _DSC4039.mp4 | 218.76 MB | ||
| ▲ 62 total files | |||
Lynda - Premiere Pro Guru: Multi-Camera Video Editing
This Course will be good to the Best for DL within 30 days after has been posed, after that it might not be good DL already, please do me favour to continue seeding to keep this torrent alive.
1h 55m Intermediate Sep 16, 2014 | Uploaded in Mar 3, 2016 by 2boweb
Subject: Video
Software: Premiere Pro
Author: Richard Harrington
There are many reasons for shooting with multiple cameras. Perhaps it's to save time or achieve multiple angles. Or it might be to capture what's happening across a large area, like a sports arena or the stage during a concert. Luckily for editors, Adobe Premiere Pro supports editing and syncing footage from multiple cameras in situations like these. The multicamera editing process in Premiere is similar to live switching that occurs in mobile studios and newsrooms, and helps speed up the post-processing workflow. In this course, Rich Harrington reviews that workflow, showing you how to ingest footage and align it properly, as well as finish your video with color-correction and color-matching techniques.
Topics include:
• Importing files into Premiere Pro
• Using content analysis
• Modifying timecode
• Adding clips to a multicamera sequence
• Determining the sync point through timecode, audio, or other methods
• Syncing with PluralEyes
• Creating a multicamera workspace
• Editing and finishing the footage
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[ FreeCourseWeb ] Lynda - Premiere Pro Guru - Multi-Camera Video Editing Posted by
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1.9 GB | freecoursewb | 5 years | 0 | 0 |
| 2.66 GB | tutsnode | 5 years | 3 | 1 | |
| 2.6 GB | freecoursewb | 5 years | 0 | 2 | |
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[ DevCourseWeb ] Lynda - Premiere Pro - Mastering Effects and Transitions Posted by
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