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Mark Applebaum 2003 Intellectual Property

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Mark Applebaum 2003 Intellectual Property (Size: 308.21 MB)
  01 intellectual property i.flac 35.73 MB
  02 plundergraphic.flac 25.34 MB
  03 ferneyhough remix (affection aphorism 1).flac 12.98 MB
  04 private & consensual activity i.flac 28.46 MB
  05 private & consensual activity ii.flac 29.82 MB
  06 private & consensual activity iii.flac 24.75 MB
  07 private & consensual activity iv.flac 34.21 MB
  08 scipio wakes up (and smells the coffee).flac 63.07 MB
  09 pre-composition.flac 53.43 MB
  1.jpg?042148 178.2 KB
  2.jpg?042148 207.78 KB
  aucdtect.log 2.58 KB
  i.txt 40.65 KB

Description


Mark Applebaum ~ Intellectual Property ~ 2003
Innova Recordings Innova 602.

http://i5.imageban.ru/out/2017/05/28/dcc47d1332c15390942485d7cfa6a58d.jpg?042148

1 Intellectual Property I
2 Plundergraphic
3 Ferneyhough Remix (Affection Aphorism 1)
4 Mouseketier Praxis (Private & Consensual Activity I)
5 Mouseketier Praxis (Private & Consensual Activity II)
6 Mouseketier Praxis (Private & Consensual Activity III)
7 Mouseketier Praxis (Private & Consensual Activity IV)
8 Scipio Wakes Up (And Smells The Coffee)
9 Pre-Composition

Intellectual Property is a mischievous album by a mischievous composer. Each track brings its load of surprises, the album as a whole portraying Mark Applebaum's many interests: sound sculpture, electronics, acoustic instrumentation, and "composer humor," so to speak. This very diversity can be seen as the disc's flaw, but it actually makes for a more enjoyable listen than the more single-minded Mousetrap Music or Janus Remixes. "Intellectual Property I" is a dry choice for a beginning. A piece for two improvising pianists, one recorded and one playing live, both on the same Disklavier, it combines conflicting nonidiomatic (but actually contemporary classical-oriented) and jazz passages in a rather predictable way. "Plundergraphic" is much more substantial. The piece calls for eight-channel tape (consisting of two stereo acoustic quartets and their digitally processed counterparts) mixed live with a live acoustic quartet and its processed counterpart. Rich and dizzying, the piece provides the first highlight of the set... - Francois Couture, AMG

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