Natasha Bedingfield - Unwritten (2004) [16 44 FLAC]

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Added 7 years ago by contrail in Music  > Lossless

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Natasha Bedingfield - Unwritten (2004) [16 44 FLAC] (Size: 361.36 MB)
  01 - These Words ( I Love You, I Love You).flac 24.92 MB
  02 - Single.flac 26.74 MB
  03 - Unwritten.flac 29.24 MB
  04 - Silent Movie.flac 25.09 MB
  05 - Stumble.flac 22.26 MB
  06 - Peace Of Me.flac 24.19 MB
  07 - If You're Gonna....flac 25.28 MB
  08 - Drop Me In The Middle.flac 23.9 MB
  09 - We're All Mad.flac 32.92 MB
  10 - I Bruise Easily.flac 29.85 MB
  11 - The One That Got Away.flac 27.45 MB
  12 - Size Matters.flac 24.16 MB
  13 - Wild Horses.flac 45.21 MB
  Unwritten.cue 3.8 KB
  Unwritten.log 10.72 KB
  cover.jpg?042148 133.61 KB
  ▲ 16 total files

Description


Natasha Bedingfield - Unwritten (2004) [16.44 FLAC]

Genre: Pop
Style: Dance Pop
Source: CD (log + cue)
Codec: FLAC
Bit Rate: ~ 900 kbps
Bit Depth: 16
Sample Rate: 44.1 kHz

01 These Words
02 Single
03 I'm a Bomb
04 Unwritten
05 I Bruise Easily
06 If You're Gonna...
07 Silent Movie
08 We're All Mad
09 Frogs & Princes
10 Drop Me in the Middle
11 Wild Horses
12 Size Matters
13 Wild Horses

In September 2004 Natasha Bedingfield debuted smashingly in the United Kingdom. Her first record, Unwritten, went to number one almost immediately and the glowing response established her as an instant pop star. Her ascent mirrored the sudden popularity of brother Daniel Bedingfield in 2001, when his bedroom production "Gotta Get Through This" rocketed similarly up the charts. For Natasha, it's "Single" and the near-perfect "These Words (I Love You, I Love You)" -- tracks that merge the rhythms and flavors of hip-hop and R&B with unique melodies and Bedingfield's vocal confidence -- "Single," for example, suggests Kelly Clarkson's 2003 single "Miss Independent." Bedingfield co-writes all but one song on Unwritten, working with songwriters like Guy Chambers (Robbie Williams), Andrew Frampton (S Club 7), and Danielle Brisebois. And she stays remarkably poised throughout, selling some of the album's weaker arrangements with the dusky grain at the top end of her vocal

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