Noah Howard Quartet - Live At The Unity Temple (2000)

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Noah Howard Quartet - Live At The Unity Temple (2000) (Size: 417.68 MB)
  01 - Introduction by Scott Black. The Blessing.flac 79.22 MB
  02 - In Transition.flac 29.37 MB
  03 - Lovers - Schizophrenic Blues.flac 113.21 MB
  04 - Lightning Rod. Part 1.flac 138.37 MB
  05 - Lightning Rod. Part 2.flac 40.95 MB
  Live At The Unity Temple.m3u 501 B
  Torrent downloaded from Demonoid.com.txt 47 B
  cover.jpg?042148 35.52 KB
  info.txt 16.37 KB
  inside.png 6.94 MB
  outside.png 9.58 MB

Description


* Noah Howard: alto saxophone, tenor saxophone
* Bobby Few: piano
* Wilber Morris: bass
* Calyer Duncan: drums

1. The Blessing
2. In Transition
3. Lovers / Schizophrenic Blues
4. Lightning Rod. Part 1
5. Lightning Rod. Part 2

Total time: 65:39

Recorded in concert at the Unity Temple,
Chicago, Illinois, September 9, 1997.
Cover painting (Hommage à Albert Ayler) by Åke Bjurhamn.

Homepage:
http://www.noahhoward.com/noah.html

Review
~~~~~~
by Steven Loewy
http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:dzfexqu0ldse

A strong live set recorded at the Unity Temple near Chicago, this performance
was released on the adventurous Swedish label Ayler Records as a precursor to
saxophonist Noah Howard\'s first tour of Sweden. Working with pianist Bobby Few,
bassist Wilber Morris, and drummer Calyer Duncan, Howard leads his tight and
exciting quartet through five original compositions, some, such as \"The
Blessing\" and \"Schizophrenic Blues,\" are very much identified with the
saxophonist. Howard\'s playing is crisp, melodic, and clear, a tad less intense
than decades past, but nonetheless compelling. His alto retains the mournful
wail of Ornette, but with a distinct identity. In an interesting twist, Howard
blows on tenor sax on \"Lightning Rod, Pt. 1\" with the same power and
forcefulness, but with a naturally deeper and more gutsy tone. Somehow, he seems
less restrained on tenor, perhaps not as concerned with tone and more with pure
energy. Bobby Few and Wilber Morris are two of the best accompanists in the
business, and neither disappoints, although the bassist is a bit weak in the
mix. Few, in particular, takes numerous solos, his vision and individual style
etched in the sand. Duncan, too, is a lesser known, but equally worthy sidekick,
spurring Howard forward like a race driver in the midst of heated
competition. Howard has made a few recordings through the years, and most are
worth hearing. This may not be his best, but it nonetheless clearly reflects his
stature as a giant in the genre of free improvisation.

More reviews:
http://www.ayler.com/_catalogue_cd.htm

Video (24 Mb):
http://www.ayler.com/images/ayvi/001970909/aylcd-001_noah_howard.wmv

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