On The Road - Jack Kerouac

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Added 1 year ago by FrankMullerTheLegend in Books  > Audio books

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On The Road - Jack Kerouac (Size: 626.28 MB)
  On The Road 01.mp3 63.15 MB
  On The Road 02.mp3 63.91 MB
  On The Road 03.mp3 66.32 MB
  On The Road 04.mp3 63.7 MB
  On The Road 05.mp3 67.07 MB
  On The Road 06.mp3 59.76 MB
  On The Road 07.mp3 65.85 MB
  On The Road 08.mp3 60.56 MB
  On The Road 09.mp3 61.4 MB
  On The Road 10.mp3 53.45 MB
  folder.jpg?042148 1.1 MB

Description


Category: General Fiction
Language: EnglishKeywords: Frank Muller Jack Kerouac On The Road
Written by Jack Kerouac
Read by Frank Muller
Format: MP3
Bitrate: 128 Kbps
It’s amazing that, with only a small bag of vocal tricks and no particular attention to subtext, Frank Muller can hold one’s attention through a tome as large as this one. His voice is inherently compelling and always expressive. Here he essays the bestselling roman à clef by the author who named and exemplified the Beat Generation. Penniless young Sal Paradise, Kerouac’s alter ego, travels across America to discover himself with the help of a new buddy fresh out of reform school. Here one finds the themes that profoundly influenced the counterculture of the 60s. Muller emphasizes the romance and adventure of Paradise’s escapades, though, if our hero grew spiritually and intellectually from his pilgrimages, we do not hear it.
Digitally Enhanced in order to fix audio recording Speed/Pitch/Tone as much as possible so that the recording sounds like the late legend, Frank Muller himself. He had many variations on his voice depending on what he was reading, so I had to try and fix the recording to match the type he was using for that book, ie fast and upbeat or low and measured, (like the difference between his reading of John Grisham legal thrillers and Stephen King and cop thrillers with mafia voices and Silence of the Lambs or Anne Rice Vampire Chronicles) and the year, as he sounded different in the early 80s than he did in late 80s and 90s and 2000s. Many recordings out there have severe audio issues which stem from the digital source which likely stems from a bad cassette transfer, which I have endeavored to fix so that Frank can be heard as he actually was. Noise, Bass/Treble etc have also been tuned, along with Audio level being normalized to -3db top end max with a maximum boost of +2.5db for lower volume areas. Audio encode frequency is 44.1KHz at 128Kbps Stereo for best quality with no compression artifacts (unless source was low quality to begin with and noise couldnt be completely removed). Many of these were very bad and I have done the best I can over 12 years working on these to restore them once I discovered Frank Muller in 2010, 2 years after he passed away. Long Live THE LEGEND
It’s amazing that, with only a small bag of vocal tricks and no particular attention to subtext, Frank Muller can hold one’s attention through a tome as large as this one. His voice is inherently compelling and always expressive. Here he essays the bestselling roman à clef by the author who named and exemplified the Beat Generation. Penniless young Sal Paradise, Kerouac’s alter ego, travels across America to discover himself with the help of a new buddy fresh out of reform school. Here one finds the themes that profoundly influenced the counterculture of the 60s. Muller emphasizes the romance and adventure of Paradise’s escapades, though, if our hero grew spiritually and intellectually from his pilgrimages, we do not hear it.

Digitally Enhanced in order to fix audio recording Speed/Pitch/Tone as much as possible so that the recording sounds like the late legend, Frank Muller himself. He had many variations on his voice depending on what he was reading, so I had to try and fix the recording to match the type he was using for that book, ie fast and upbeat or low and measured, (like the difference between his reading of John Grisham legal thrillers and Stephen King and cop thrillers with mafia voices and Silence of the Lambs or Anne Rice Vampire Chronicles) and the year, as he sounded different in the early 80s than he did in late 80s and 90s and 2000s. Many recordings out there have severe audio issues which stem from the digital source which likely stems from a bad cassette transfer, which I have endeavored to fix so that Frank can be heard as he actually was. Noise, Bass/Treble etc have also been tuned, along with Audio level being normalized to -3db top end max with a maximum boost of +2.5db for lower volume areas. Audio encode frequency is 44.1KHz at 128Kbps Stereo for best quality with no compression artifacts (unless source was low quality to begin with and noise couldnt be completely removed). Many of these were very bad and I have done the best I can over 12 years working on these to restore them once I discovered Frank Muller in 2010, 2 years after he passed away. Long Live THE LEGEND

Digitally Enhanced in order to fix audio recording Speed/Pitch/Tone as much as possible so that the recording sounds like the late legend, Frank Muller himself. He had many variations on his voice depending on what he was reading, so I had to try and fix the recording to match the type he was using for that book, ie fast and upbeat or low and measured, (like the difference between his reading of John Grisham legal thrillers and Stephen King and cop thrillers with mafia voices and Silence of the Lambs or Anne Rice Vampire Chronicles) and the year, as he sounded different in the early 80s than he did in late 80s and 90s and 2000s. Many recordings out there have severe audio issues which stem from the digital source which likely stems from a bad cassette transfer, which I have endeavored to fix so that Frank can be heard as he actually was. Noise, Bass/Treble etc have also been tuned, along with Audio level being normalized to -3db top end max with a maximum boost of +2.5db for lower volume areas. Audio encode frequency is 44.1KHz at 128Kbps Stereo for best quality with no compression artifacts (unless source was low quality to begin with and noise couldnt be completely removed). Many of these were very bad and I have done the best I can over 12 years working on these to restore them once I discovered Frank Muller in 2010, 2 years after he passed away. Long Live THE LEGEND
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