Phish - Big Boat (2016) [FLAC]

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Phish - Big Boat (2016) [FLAC] (Size: 427.97 MB)
  01 Friends.flac 23.83 MB
  02 Breath And Burning.flac 30.78 MB
  03 Home.flac 44.12 MB
  04 Blaze On.flac 28.74 MB
  05 Tide Turns.flac 28.48 MB
  06 Things People Do.flac 7.75 MB
  07 Waking Up Dead.flac 27.92 MB
  08 Running Out of Time.flac 17.22 MB
  09 No Men in No Mans Land.flac 34.51 MB
  10 Miss You.flac 45.93 MB
  11 I Always Wanted It This Way.flac 29.16 MB
  12 More.flac 27.69 MB
  13 Petrichor.flac 81.62 MB
  cover.jpg?042148 214.03 KB

Description



Phish - Big Boat (2016) [FLAC]

Genre: Rock
Syles: Jam Band, Psychedelic, Progressive
Source: WEB
Codec: FLAC
Bit rate: ~ 900 kbps
Bit depth: 16
Sample rate: 44.1 kHz

01 Friends
02 Breath And Burning
03 Home
04 Blaze On
05 Tide Turns
06 Things People Do
07 Waking Up Dead
08 Running Out Of Time
09 No Men In No Man’s Land
10 Miss You
11 I Always Wanted It This Way
12 More
13 Petrichor

Having reclaimed some of their studio mojo on 2014's critically lauded Fuego, jam institution Phish were more than willing to take another chance with studio legend Bob Ezrin at the helm. Instead of the five-year gaps that preceded their last two studio LPs, Big Boat arrives a mere two years after Fuego and rides a similar sonic wave with its focus on streamlined songwriting and more concise lyrics. Like many Phish productions, a number of these songs were honed on-stage during tours in 2015 and early 2016, and the easy buoyancy of tracks like "Blaze On" and the funky horn-laden "No Men in No Man's Land" feel like they could have been in the group's canon for years. These are nicely captured, feel-good staples that will likely have their best moments on-stage, contracting and expanding each night at the whim of the band. Where things get more interesting are on songs like Page McConnell's "Home" and "I Always Wanted It This Way," two tracks where Ezrin's classic rock touch and Phish's progressive tendencies neatly dovetail. As on Fuego, Ezrin has a good handle on the band, knowing how and when to showcase their legendary live prowess, but also how to spin Phish's studio efforts into something distinctive and polished without losing their charm. The warm melancholy of Trey Anastasio's "Miss You" and the thunderous rock of Jon Fishman's opening salvo, "Friends," each play well through the filter of the man who produced 70s titans like Alice Cooper, Kiss, and Pink Floyd

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