Pulp Fiction Soundtrack

Music from the Motion Picture Pulp Fiction is the soundtrack to Quentin Tarantino's 1994 film Pulp Fiction. No traditional film score was commissioned for Pulp Fiction. The film contains a mix of American rock and roll, surf music, pop and soul. The soundtrack is equally untraditional, consisting of nine songs from the movie, four tracks of dialogue snippets followed by a song, and three tracks of dialogue alone. Seven songs featured in the movie were not included in the original 41-minute soundtrack.
The album reached No. 21 on the Billboard 200 and the single, Urge Overkill's cover of the Neil Diamond song "Girl, You'll Be a Woman Soon" peaked at No. 59.[4]

Pulp Fiction is a 1994 American crime film directed by Quentin Tarantino, who co-wrote its screenplay with Roger Avary. The film is known for its eclectic dialogue, ironic mix of humor and violence, nonlinear storyline, and a host of cinematic allusions and pop culture references. The film was nominated for seven Oscars, including Best Picture; Tarantino and Avary won for Best Original Screenplay. It was also awarded the Palme d'Or at the 1994 Cannes Film Festival. A major critical and commercial success, it revitalized the career of its leading man, John Travolta, who received an Academy Award nomination, as did costars Samuel L. Jackson and Uma Thurman.
Directed in a highly stylized manner, Pulp Fiction connects the intersecting storylines of Los Angeles mobsters, fringe players, small-time criminals, and a mysterious briefcase. Considerable screen time is devoted to conversations and monologues that reveal the characters' senses of humor and perspectives on life. The film's title refers to the pulp magazines and hardboiled crime novels popular during the mid-20th century, known for their graphic violence and punchy dialogue. Pulp Fiction is self-referential from its opening moments, beginning with a title card that gives two dictionary definitions of "pulp." The plot, as in many of Tarantino's other works, is presented out of chronological sequence.
The picture's self-reflexivity, unconventional structure, and extensive use of homage and pastiche have led critics to describe it as a prime example of postmodern film. Considered by some critics a black comedy,[4] the film is also frequently labeled a "neo-noir."[5] Critic Geoffrey O'Brien argues otherwise: "The old-time noir passions, the brooding melancholy and operatic death scenes, would be altogether out of place in the crisp and brightly lit wonderland that Tarantino conjures up. [It is] neither neo-noir nor a parody of noir."[6] Similarly, Nicholas Christopher calls it "more gangland camp than neo-noir,"[7] and Foster Hirsch suggests that its "trippy fantasy landscape" characterizes it more definitively than any genre label.[8] Pulp Fiction is viewed as the inspiration for many later movies that adopted various elements of its style. The nature of its development, marketing, and distribution and its consequent profitability had a sweeping effect on the field of independent cinema. Considered a cultural watershed, Pulp Fiction's influence has been felt in several other media, and it is widely regarded as one of the greatest films of all time.[citation needed]