RADIO ETHER PROGRAM 2,133 (SLAUGHTER ON TENTH AVENUE)

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RADIO ETHER
PROGRAM TWO THOUSAND ONE HUNDRED AND THIRTY THREE
(SLAUGHTER ON TENTH AVENUE ETHER)

In short, the whole world being divided about whether the
stream was going slower or faster, became conscious of
something vague but vast that was going against the stream.
Both in fact and figure there is something deeply disturbing
about this, and that for an essential reason. A dead thing can go
with the stream, but only a living thing can go against it. A dead
dog can be lifted on the leaping water with all the swiftness of a
leaping hound; but only a live dog can swim backwards. A
paper boat can ride the rising deluge with all the airy arrogance of a
fairy ship; but if the fairy ship sails upstream it is really rowed
by the fairies. And among the things that merely went with the
tide of apparent progress and enlargement, there was many a
demagogue or sophist whose wild gestures were in truth as
lifeless as the movement of a dead dog’s limbs wavering in the
eddying water; and many a philosophy uncommonly like a paper
boat, of the sort that it is not difficult to knock into a cocked hat.
But even the truly living and even life-giving things that went
with that stream did not thereby prove that they were living or
life-giving. It was this other force that was unquestionably and
unaccountably alive; the mysterious and unmeasured energy
that was thrusting back the river. That was felt to be like the
movement of some great monster; and it was none the less
clearly a living monster because most people thought it a
prehistoric monster. It was none the less an unnatural, an
incongruous, and to some a comic upheaval; as if the Great Sea
Serpent had suddenly risen out of the Round Pond—unless we
consider the Sea Serpent as more likely to live in the Serpentine.
This flippant element in the fantasy must not be missed, for it
was one of the clearest testimonies to the unexpected nature of
the reversal. That age did really feel that a preposterous quality
in prehistoric animals belonged also to historic rituals; that
mitres and tiaras were like the horns or crests of antediluvian
creatures; and that appealing to a Primitive Church was like
dressing up as a Primitive Man.

-G.K. Chesterton, "The Everlasting Man"

REEL 1
1. Intro
2. Reading from The Everlasting Man by G.K. Chesterton - Charles Cicirella
3. After the Gold Rush (Neil Young) - Prelude [After the Gold Rush - Warner Bros. Records - 1974]
4. Slaughter on Tenth Avenue (From On Your Toes) (Rodgers) - Richard Rodgers Conducting The Philharmonic-Symphony Orchestra of New York [Richard Rodgers Conducting The Philharmonic-Symphony Orchestra of New York - Columbia - 1955]
5. talk
6. Wake Up (E. Papathanassiou, R. Francis) - Aphrodite's Child [It's Five O'Clock - Mercury - 1969]
7. Five to One (The Doors) - The Doors [Waiting for the Sun - Elektra - 1968]
8. See My People Come Together (T. Bolin) - Zephyr [Going Back to Colorado - Warner Bros. Records - 1971]
9. talk
10. Nasty Disposition (Buddy Miles) - Buddy Miles [More Miles Per Gallon - Casablanca - 1975]
11. We Gotta Get Out of This Place (Barry Mann/Cynthia Weil) - The Leslie West Band [The Leslie West Band - Phantom Records - 1975]
12. Death of a Dream (Richardson) - Red Dirt [Red Dirt - Fontana - 1970]
13. talk
14. Let's Go Home (R. Staples) - John Hammond [Source Point - Columbia - 1971]
15. Pollution (K. McDaniel) - Bo Diddley [Another Dimension - Chess - 1971]
16. Pick Up the Pizzas (Webb) - James Gang [Jesse Come Home - ATCO Records - 1976]

REEL 2
17. talk
18. Stoned Faces Don't Lie (Doug Sahm) - Sir Douglas Quintet [The Return of Doug Saldaña - Philips - 1971]
19. I and I (Bob Dylan) - Bob Dylan [Infidels - Columbia - 1983] [Ripped from Columbia – QC 38819 - Format: Vinyl, LP, Album - Country: US - Released: 1983]
20. Crying at Daybreak (early version of Smokestack Lightning) (Chester Burnett) (Recorded October 2, 1951 at KWEM Radio Station, West Memphis, AR) - Howlin' Wolf, voc, hca; Ike Turner, p; Willie Johnson, g; b; Willie Steel, drums. [Shellac, 10", 78 RPM - RPM Records - 1951]
21. talk
22. Fever's Got Me Burnin' (Bugs Pemberton, Jackie Lomax) - Jackie Lomax [Three - Warner Bros. Records - 1972]
23. Between Alpha and Omega (C. Lux, R. de Queljoe) - Brainbox [Vinyl, 7", 45 RPM, Single - Imperial - 1970]
24. Wanna Be Free (J. Tex) - Mike Harrison [Smokestack Lightning - Island Records - 1972]
25. talk
26. Yellow Dog (John Nitzinger) - Nitzinger [Live Better Electrically - 20th Century Records - 1976]
27. Animal Speaks (Cat Iron) - 15-60-75 [Jimmy Bell's Still In Town - Warner Bros. Records - 1976]
28. For Mary and Child (Pearse, Povey) - Dogfeet [Dogfeet - Reflection - 1970]
29. Outro
30. I Get Mad (Jim Price, Joe Cocker) - Joe Cocker [ETHER BONUS]
31. Down in the Bottom (Thomas) - Creepy John Thomas [Brother Bat Bone - Telefunken - 1970] [ETHER BONUS]
32. Moon Going Down (Patton) (Recorded either ca. May 28 or August 1930 in Grafton, WI.) - Charley Patton: Voice & Guitar, Willie Brown: Guitar (Uncredited) [Shellac, 10", 78 RPM - Paramount - 1930] [ETHER BONUS]

DJ: Charles Cicirella
Tuesday, February 17, 2026
Cleveland, Ohio

Artwork included
ENJOY!

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