Ran Blake - All That Is Tied - 2006, FLAC (tracks), lossless

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Ran Blake: All That Is Tied (2006)

Жанр: jazz, third stream, modern creative, piano
Год издания: 2006
Издатель (лейбл): TOMPKINS SQUARE
Номер по каталогу: TSQ1965
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 00:43:16
Источник (релизер): другой трекер, релизёр alkitaab
Наличие сканов в содержимом раздачи: нет
Треклист:

01. All That Is Tied (4:55)
02. Breakthru (6:10)
03. Birmingham, U.S.A. (3:24)
04. Thursday (2:58)
05. How 'Bout That (4:01)
06. Impresario Of Death (3:39)
07. Sontagism (1:07)
08. Epilogue (3:41)
09. Latter Rain Christian Fellowship (2:10)
10. Field Cry (2:04)
11. Wende (4:16)
12. Breakthru (4:51)
[spoiler="Лог создания рипа"]
Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 31. December 2011, 15:09

Ran Blake / All That Is Tied

Used drive : ATAPI iHAS124 A Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 4:55.25 | 0 | 22149
2 | 4:55.25 | 6:10.20 | 22150 | 49919
3 | 11:05.45 | 3:23.65 | 49920 | 65209
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9 | 29:55.62 | 2:09.53 | 134687 | 144414
10 | 32:05.40 | 2:04.07 | 144415 | 153721
11 | 34:09.47 | 4:15.68 | 153722 | 172914
12 | 38:25.40 | 4:50.50 | 172915 | 194714

Track 1

Filename C:\Documents and Settings\USER\My Documents\My Music\What.cd\01 All That Is Tied.wav

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Peak level 97.1 %
Extraction speed 4.0 X
Track quality 100.0 %
Test CRC 60714415
Copy CRC 60714415
Accurately ripped (confidence 9) [75EF6869] (AR v1)
Copy OK

Track 2

Filename C:\Documents and Settings\USER\My Documents\My Music\What.cd\02 Breakthru.wav

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Extraction speed 4.6 X
Track quality 100.0 %
Test CRC 9EA770C1
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Accurately ripped (confidence 8) [A3DE99C4] (AR v1)
Copy OK

Track 3

Filename C:\Documents and Settings\USER\My Documents\My Music\What.cd\03 Birmingham, U.S.A..wav

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Peak level 94.4 %
Extraction speed 3.6 X
Track quality 99.9 %
Test CRC C20561FD
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Accurately ripped (confidence 8) [81605544] (AR v1)
Copy OK

Track 4

Filename C:\Documents and Settings\USER\My Documents\My Music\What.cd\04 Thursday.wav

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Test CRC 97BA641E
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Accurately ripped (confidence 8) [680FB4BC] (AR v1)
Copy OK

Track 5

Filename C:\Documents and Settings\USER\My Documents\My Music\What.cd\05 How 'Bout That.wav

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Test CRC C18BD001
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Accurately ripped (confidence 8) [3DD2AF56] (AR v1)
Copy OK

Track 6

Filename C:\Documents and Settings\USER\My Documents\My Music\What.cd\06 Impresario Of Death.wav

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Track 7

Filename C:\Documents and Settings\USER\My Documents\My Music\What.cd\07 Sontagism.wav

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Test CRC A51648FA
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Accurately ripped (confidence 8) [CA1D83C0] (AR v1)
Copy OK

Track 8

Filename C:\Documents and Settings\USER\My Documents\My Music\What.cd\08 Epilogue.wav

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Accurately ripped (confidence 9) [F5A65F29] (AR v1)
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Track 9

Filename C:\Documents and Settings\USER\My Documents\My Music\What.cd\09 Latter Rain Christian Fellowship.wav

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Accurately ripped (confidence 9) [03344802] (AR v1)
Copy OK

Track 10

Filename C:\Documents and Settings\USER\My Documents\My Music\What.cd\10 Field Cry.wav

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Track quality 100.0 %
Test CRC 700A0F9B
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Accurately ripped (confidence 9) [BAB2D0CC] (AR v1)
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Track 11

Filename C:\Documents and Settings\USER\My Documents\My Music\What.cd\11 Wende.wav

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Track quality 100.0 %
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Accurately ripped (confidence 9) [AE656593] (AR v1)
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Track 12

Filename C:\Documents and Settings\USER\My Documents\My Music\What.cd\12 Breakthru.wav

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Test CRC 95A3FCDA
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Accurately ripped (confidence 9) [D21DE01F] (AR v1)
Copy OK

All tracks accurately ripped

No errors occurred

End of status report

==== Log checksum F0CA005BD672746522DD5A02843D5516865BDB413D002608DDB101C04E51B4A2 ====
[/spoiler]
[spoiler="Содержание индексной карты (.CUE)"]
небыло в релизе.
[/spoiler]
[spoiler="Об альбоме (english)"]
Of the plethora of pianist/composers who have extended the style of Thelonious Monk, none has been as relentlessly exploratory and consistently thoughtful in his experiments as Ran Blake. On this session recorded four decades after his first solo piano album on ESP, Blake revisits material he's recorded in the past, but Blake has never remotely repeated his interpretations routinely. At the age of 70, he will hardly routinize his repetoire now.

Blake performs the twelve numbers with characteristic daring. The Monk influence has grown refined over the deacdes. It began with a foregrounding of Monk's surprising dissonances and a widening of Monk's oddly placed silences. But unlike Monk, Blake brings a kind of European classical sensibility, both melodically and harmonically, to his improvisations. I've always thought he created a unique fusion of Schoenberg and Webern with Monk and black gospel. This disc adds strength to my conviction. It's austere and dramatic as only the twelve-tone row composers could be—but funny and quirky as only Monk could be.

This probably explains why Ran Blake has never remotely received the recognition that he has deserved. His music plays at the margins of what jazz piano has been historically. In a healthier cultural climate for jazz, this would be acclaimed as genius. But in today's rigidly conservative cultural atmosphere, Blake doesn't cause the needle on Wynton's "Swing-o-Meter" to wobble. Blake's music doesn't so much conventionally swing as tell a phantasmagoric tale impressionistically. The twelve compositions on this disc run together in my mind as a series of fantastic dreams flowing timelessly forward. It is a lovely introduction for those unlucky souls who haven't heard Ran Blake before—and an ideal career retrospective for those who have.

My only minor caveat is that I don't like how the recording engineer captured Blake's piano. In fact, the so-so recorded sound brings to mind that Ran Blake's first solo album forty years ago also suffered from sub-par sound quality, although many ESP releases did. I wish ECM had recorded Blake and would do so now.

http://www.allmusic.com/album/all-that-is-tied-r819654

Since the 1950s, Boston-based third stream jazz pianist Ran Blake has made some of the most cerebral piano jazz albums around. Most effective in a solo or duo format (his most famous records were made with the late singer Jeanne Lee), Blake's style is marked by alternating stretches of near-ambient minimalism and choppy, percussive runs that he aptly terms "outbursts." Yet his playing never sounds over-studied or quirky, and unlike many avant-garde jazz hands, he's maintained a connection to the music's roots, as shown on the downright funky boogie-woogie "Latter Rain Christian Fellowship." A solo record recorded in 2005 to celebrate Blake's 70th birthday, All That Is Tied touches on every facet of Blake's unique piano style, summing up this underrated composer and educator's career in the space of 12 brief original compositions.
[/spoiler]