Rancid - Honor Is All We Know (Japan) (2014) [FLAC]

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Added 11 years ago by politux in Music  > Lossless

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Rancid - Honor Is All We Know (Japan) (2014) [FLAC] (Size: 297.16 MB)
  01 - Back Where I Belong.flac 16.27 MB
  02 - Raise Your Fist.flac 23.11 MB
  03 - Collision Course.flac 15.09 MB
  04 - Evil's My Friend.flac 15.21 MB
  05 - Honor Is All We Know.flac 16.32 MB
  06 - A Power Inside.flac 15.8 MB
  07 - In The Streets.flac 17.92 MB
  08 - Face Up.flac 11.97 MB
  09 - Already Dead.flac 17.85 MB
  10 - Diabolical.flac 24.13 MB
  11 - Malfunction.flac 18.95 MB
  12 - Now We're Through With You.flac 14.27 MB
  13 - Everybody's Sufferin'.flac 18.38 MB
  14 - Grave Digger.flac 17.15 MB
  15 - Breakdown.flac 16.23 MB
  16 - Something To Believe In A World Gone Mad.flac 18.85 MB
  17 - Turn In Your Badge.flac 9.71 MB
  18 - Rancid's Barmy Army.flac 9.82 MB
  Honor Is All We Know (Japan Edition).cue 2.93 KB
  Rancid - Honor Is All We Know (Japan Edition).log 17.35 KB
  cover.jpg?042148 113.13 KB
  ▲ 21 total files

Description



Rancid - ...Honor Is All We Know (Japan) (2014) [FLAC]

Genre: Rock
Style: Punk
Source: Japanese Edition CD (log + cue)
Codec: FLAC
Bit rate: ~ 1,000 kbps
Bit depth: 16
Sample rate: 44.1 kHz

01 Back Where I Belong
02 Raise Your Fist
03 Collision Course
04 Evil's My Friend
05 Honor Is All We Know
06 A Power Inside
07 In the Streets
08 Face Up
09 Already Dead
10 Diabolical
11 Malfunction
12 Now We're Through with You
13 Everybody's Sufferin'
14 Grave Digger

Bonus

15 Breakdown
16 Turn in Your Badge
17 Something to Believe in a World Gone Mad
18 Rancid's Barmy Army

One of the cornerstone bands of the '90s punk revival, Rancid's unabashedly classicist sound drew heavily from the Clash's early records, echoing their left-leaning politics and fascination with ska, while adding a bit of post-hardcore crunch. While some critics dismissed Rancid as derivative, others praised their political commitment, surging energy, and undeniable way with a hook. And, regardless of critical debate over their significance, the band's strengths made them perhaps the most popular neo-punk band after Green Day and the Offspring. Their third album, 1995's ...And Out Come the Wolves, made them a platinum-selling sensation and an inescapable presence on MTV and modern rock radio. While they never translated that success into an enormous blockbuster record (like the aforementioned bands who hit the mainstream first), that wasn't necessarily their ambition, choosing to stay with the independent punk label Epitaph and the creative freedom it allowed them. That decision helped them retain a large, devoted core audience as revivalist punk-pop began to slip off the mainstream's musical radar

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