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Richard Betts - Highway Call (1974, 2008, Japan, Polydor)⭐

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Richard Betts - Highway Call (1974, 2008, Japan, Polydor)⭐ (Size: 249.45 MB)
  01 - Long Time Gone.flac 33.3 MB
  02 - Rain.flac 25.97 MB
  03 - Highway Call.flac 28.36 MB
  04 - Let Nature Sing.flac 31.55 MB
  05 - Hank Picked.flac 102.55 MB
  06 - Kissimmee Kid.flac 23.05 MB
  Artwork
  Back.jpg?042148 1.37 MB
  Booklet 01.jpg?042148 216.96 KB
  Booklet 02.jpg?042148 227.73 KB
  Booklet 03.jpg?042148 173.33 KB
  Booklet 04.jpg?042148 135.98 KB
  CD.jpg?042148 126.05 KB
  Cd-matrix.jpg?042148 61.04 KB
  Front-Obi.jpg?042148 916.53 KB
  Front.jpg?042148 1.24 MB
  Obi.jpg?042148 208.38 KB
  Front.jpg?042148 39.39 KB
  Richard Betts - Highway Call.cue 1.03 KB
  Richard Betts - Highway Call.log 2.14 KB
  Richard Betts - Highway Call.m3u 141 B

Description


Artist: Richard Betts
Title Of Album: Highway Call
Year Of Release: 1974/2008
Label: Polydor UICY-93514
Country: US
Genre: Southern rock, blues-rock
Audio codec: FLAC (*.flac)
Rip type: tracks+.cue

Tracklist:
1. Long Time Gone (Betts) - 4:31
2. Rain (Betts) - 3:40
3. Highway Call (Betts) - 4:26
4. Let Nature Sing (Betts) - 5:10
5. Hand Picked (Betts) - 14:20
6. Kissimmee Kid (Vassar Clements) - 3:13

Personnel:
Dickey Betts - Electric, Acoustic Guitar, Dobro, Lead Vocals
Vassar Clements - Fiddle
Chuck Leavell - Piano
Tommy Talton - Acoustic Guitar
John Hughey - Steel Guitar
Walter Poindexter - Banjo, Vocals
Leon Poindexter - Acoustic Guitar, Vocals
Frank Poindexter - Dobro, Vocals
Stray Straton - Bass, Vocals
Johnny Sandlin - Bass
Oscar Underwood Adams - Mandolin
David Walshaw - Drums, Percussion
Reese Wynans - Harmonica
The Rambos - Vocals

After the runaway success of the Allman Brothers' classic Brothers and Sisters LP -- an album on which Dickey Betts virtually architected the open loping country sound with his newly found singing voice and easy, slimmed down guitar style -- the guitarist decided to try his hand at a solo album. Highway Call is, in essence, the second chapter in Betts finding his own voice as not only a singer, but also as a songwriter as well.

At a brief half-hour in length, Highway Call is nonetheless an emotionally powerful slice of small country life offered with a vast emotional landscape. The tone is nostalgic in that each of the songs here reflects memory and the yearning for a simpler, less cluttered life lived in the open spaces, away from the chaotic roil of rock stardom and all of its trappings. The title track reflects an acceptance of Betts' life as an itinerant musician, destined to play out his hand on the road.

There isn't a hint of regret in the ringing, slippery guitars and harmony vocals, but there is a sense that life could have been different. On "Let Nature Sing," Betts calls forth the spirits of America, from its rock and crags, its lakes and panoramic vistas, and from the ghosts of the people who've traipsed through Betts' life, leaving an emotional and indelible impression upon him.

Each song here, such as "Rain," with its sideways pedal steel, or "Long Time Gone," with its runaway slide, or even the aforementioned "Let Nature Sing," with its glorious dobro and fiddle (courtesy of Vassar Clements) underscoring Betts' lead and the ringing pedal steel of Jon Hughey is a testament to the pastoral in American life. And for Betts, the rambler, gambler, and hard living guitar man, there is no contradiction. All of his cards are on the table in "Hand Picked," a nearly 15-minute country swing romp through Bob Wills, Merle Haggard, the Allmans, and bluegrass, Betts creates the ultimate road instrumental.

The listener can hear Clements and Betts roaring down the two-lane blacktop on the back of a flatbed truck, ripping this one out with easy abandon. Highway Call stands as the artist's finest solo moment, one that holds his true voice easily expressing itself far from the madding blues wail of the Allmans, deep in the center of a Georgia holler with the sun beating down on the peach trees or on the incessant babble of a backwoods creek calling his listeners to the mystery inherent in simple living and in playing honest, heartfelt music

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