Roscoe Mitchell - Bells For The South Side (2017)

Roscoe Mitchell
Bells For The South Side
2017 - ECM Records GmbH:
ECM 2494 / 571 2587,
ECM 2495 / 571 2582,
ECM 2494/95 / 571 1952
http://www.ecmrecords.com/catalogue/1486477600/bells-for-the-south-side-roscoe-mitchell
http://www.ecmrecords.com/catalogue/1486477600



* Roscoe Mitchell : sopranino saxophone, soprano saxophone, alto saxophone, bass saxophone, flute, piccolo flute, bass recorder, percussion
* James Fei : sopranino saxophone, alto saxophone, contra alto clarinet, electronics
* William Winant : percussion, tubular bells, glockenspiel, vibraphone, marimba, roto toms, cymbals, bass drum, woodblocks, timpani
* Hugh Ragin : trumpet, piccolo trumpet
* Tyshawn Sorey : trombone, piano, drums, percussion
* Craig Taborn : piano, organ, electronics
* Kikanju Baku : drums, percussion
* Jaribu Shahid : double bass, bass guitar, percussion
* Tani Tabbal : drums, percussion

http://www.aacmchicago.org/
http://en.wikipedia.org/wiki/Roscoe_Mitchell
http://www.allmusic.com/artist/roscoe-mitchell-mn0000015750

Four trios, constrasted and combined at
Museum of Contemporary Art Chicago.
http://www.mcachicago.org/
http://en.wikipedia.org/wiki/Museum_of_Contemporary_Art,_Chicago
http://www.aacmchicago.org/50th-anniversary/

Recorded by David Zuchowski at Museum of Contemporary Art Chicago,
Chicago, Cook County, Illinois, United States, on September 2015,
on the occasion of the AACM’s 50th anniversary.

Bells for the South Side
https://en.wikipedia.org/wiki/Bells_for_the_South_Side
Reviews


By John Fordham
https://www.theguardian.com/music/2017/aug/31/roscoe-mitchell-bells-for-the-south-side-review

Reeds player, composer and Art Ensemble of Chicago co-founder Roscoe Mitchell
recorded this mix of premeditation and improv with four trios in 2015, to mark
the 50th anniversary of the Association for the Advancement of Creative
Musicians. Reportedly, the occasion at Chicago’s Museum of Contemporary Art was
a mixed-media experience. In audio form, extended stretches on disc one need
close focus on quiet bell-chiming, long trumpet tones against multiphonic sax
growls and slow-blooming high-reeds harmonies. The momentum cranks up on the
title track, Dancing in the Canyon, and on the keys-centred EP 7849 (featuring
pianist Craig Taborn). Disc two, however, is a rich testament to Mitchell’s
wide horizons and enabling powers as an improvising player-composer. Here, the
leader’s sinewy alto sax weaves amid turbulent bowed-bass figures. On the
25-minute finale, bagpipe-like circular breathing and free-jazz maelstroms
segue into the grooving Art Ensemble anthem Odwalla.

--

By Martin Schray
http://www.freejazzblog.org/2017/08/roscoe-mitchell-bells-for-south-side.html

By Thom Jurek
http://www.allmusic.com/album/bells-for-the-south-side-mw0003053372

By Derek Taylor
http://dustedmagazine.tumblr.com/post/163368773885/roscoe-mitchell-bells-for-the-south-side-ecm

By Olie Brice
http://www.londonjazznews.com/2017/09/cd-review-roscoe-mitchell-bells-for.html

By S. Victor Aaron
http://somethingelsereviews.com/2017/07/02/roscoe-mitchell-bells-south-side-2017/

Dr. Nagy Sándor (hu)
http://www.jazzma.hu/lemezpolc/kulfoldi-eloadok/mitchell-roscoe/bells-for-the-south-side/kritika/mitchell-roscoe-bells-for-the-south-side/

Tor Hammerø (no)
http://torhammero.blogg.no/1499968664_en_legende_leverer.html

Magnus Nygren (se)
http://orkesterjournalen.com/wordpress/?p=22662

Dionizy Piątkowski (pl)
http://jazz.pl/roscoe-mitchell-bells-for-the-south-side-ecm-records/

Von Reinhard Köchl (de)
http://www.jazzthing.de/review/roscoe-mitchell-bells-for-the-south-side/

Da Giuseppe Segala (it)
http://www.allaboutjazz.com/bells-for-the-south-side-roscoe-mitchell-ecm-records-review-by-giuseppe-segala.php

Par Thierry Giard (fr)
http://www.culturejazz.fr/spip.php?article3144#rm

Por Jesús Gonzalo (es)
https://noiself.com/2017/12/roscoe-mitchell-bells-for-south-side/