Ryan Adams - Prisoner (2017) [24 96 FLAC]

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Ryan Adams - Prisoner (2017) [24 96 FLAC] (Size: 887.54 MB)
  01-01 Do You Still Love Me (FLAC 96.0 kHz 24-bit).flac 85.99 MB
  01-02 Prisoner (FLAC 96.0 kHz 24-bit).flac 68.11 MB
  01-03 Doomsday (FLAC 96.0 kHz 24-bit).flac 67.01 MB
  01-04 Haunted House (FLAC 96.0 kHz 24-bit).flac 59.75 MB
  01-05 Shiver And Shake (FLAC 96.0 kHz 24-bit).flac 55.52 MB
  01-06 To Be Without You (FLAC 96.0 kHz 24-bit).flac 72.79 MB
  01-07 Anything I Say To You Now (FLAC 96.0 kHz 24-bit).flac 98.87 MB
  01-08 Breakdown (FLAC 96.0 kHz 24-bit).flac 79.72 MB
  01-09 Outbound Train (FLAC 96.0 kHz 24-bit).flac 90.75 MB
  01-10 Broken Anyway (FLAC 96.0 kHz 24-bit).flac 61.03 MB
  01-11 Tightrope (FLAC 96.0 kHz 24-bit).flac 78.49 MB
  01-12 We Disappear (FLAC 96.0 kHz 24-bit).flac 69.16 MB
  cover.jpg?042148 375.65 KB

Description



Ryan Adams - Prisoner (2017) [24.96 FLAC]

Genre: Rock
Styles: Indie, Alternative
Source: WEB
Codec: FLAC
Bit rate: ~ 2,900 kbps
Bit depth: 24
Sample rate: 96 kHz

01 Do You Still Love Me
02 Prisoner
03 Doomsday
04 Haunted House
05 Shiver and Shake
06 To Be Without You
07 Anything I Say to You Now
08 Breakdown
09 Outbound Train
10 Broken Anyway
11 Tightrope
12 We Disappear

Picking up the thread left hanging from 2014's eponymous album -- in retrospect, his 2015 cover of Taylor Swift's 1989 seems even more of a detour -- Ryan Adams winds up diving ever deeper into early-'80s sounds and sensibilities on Prisoner. Such supple sounds are carefully constructed with producer Don Was, a professional who helps Adams articulate the AOR ideals he initially essayed in 2014. Prisoner sounds warm, open, and inviting, its welcoming vibes contradicting how it's an album born out of pain, a record written in the aftermath of Adams' divorce from Mandy Moore. Sadness haunts the corners of Prisoner -- it's there in the very song titles, beginning with the opener "Do You Still Love Me" and running through its aching closer, "We Disappear" -- but it's not a sorrowful record, not with its smooth edges and warm center. All of this is an outgrowth of the aesthetic Adams pioneered in 2014, one that he lent to Jenny Lewis' The Voyager, and the reconstituted soft rock suits him well: it’s a salute to the past and Adams always respected tradition. If the songs on Prisoner follow a conventional path of heartbreak -- a man sorting through the remnants of a broken romance -- the sound helps give the album an identity. Adams largely relies on cinematic classic rock tricks, a move underscored by how "Outbound Train" seems like an answer to Bruce Springsteen's "Downbound Train" -- toward the end of the record he starts to thread in a few spare acoustic confessionals, songs that play like subdued nods to his Americana past -- and that's the charm of Prisoner: it's not a record that wallows in hurt, it's an album that functions as balm for bad times

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