Snatch 2000 Hybrid 2160p UHD BluRay REMUX HDR10Plus HEVC TrueHD 7 1 Atmos-WiLDCAT
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Files
| Snatch.2000.Hybrid.2160p.UHD.BluRay.REMUX.HDR10Plus.HEVC.TrueHD.7.1.Atmos-WiLDCAT.mkv | 64.3 GB |
Description
RELEASE NOTES:
Source #1: EUR UHD BD [Thanks BeyondHD] | (Video, Atmos Remix, Original 5.1, Subs)
Source #2: AMZN VOD [Personal Source] | (Retail HDR10+ Layer)
Source #3: 2001 Special Edition NTSC DVD [Personal Source] | (35mm Dolby SR, Surround Encoded Commentary, Original 5.1 and UK Audio Verification, Named Chapters)
Source #4: Various Sony Pictures BDs [Thanks Peterlol]
Source #5: iTunes VOD [Additional Subs, Thanks Peterlol]
Guy Ritchie films are one of our guilty pleasures and Snatch is an asbolute classic and high on that list. Snatch got a fantastic 4K scan by Sony on this catalog Screen Gems release, one of the crisper and more generous bitrates we've seen thanks in part to the shorter runtime of the flick. Snatch received a tasteful but mellower HDR grade compared to the usual light cannon stuff from Sony, surely Guy Ritchie's creative intent played a role here.
This is a hybrid release including the retail VOD dynamic HDR10+ layer.
We carefully identified and verified it being from the identical 4K service master of the film portion, but merely with a Colombia Sony Pictures intro logo replacing the Screen Gems one present on the UHD and our 2001 SE DVD.
The VOD HDR10+ layer's first "scene" was 1140 frames in, already slightly into the film portion after a fade in from black in the dark intro scene. But since it included the Colombia logo info, it wouldn't be a proper 1:1 match -- so we inserted a new scene at frame 344, the first black frame cut after the Screen Gems logo and recalculated the updated intro for the logo and the updated transition sequence after it (thru frame 1140) without the Colombia logo affected averages with an official up-to-date HDR10+ Profile B content mapper in an enterprise toolset certified by the LLC.
The corrected/updated layer was also adjusted and sync'd before hand (using a convenient CLI tool written by a friend) to the UHD BD asset and the entirety of the HDR10+ presentation is 100% untouched retail just with the intro logo difference corrected for posterity and a perfect match.
In viewing/QC afterwards on our calibrated flagship Panasonic MZ series OLEDs we noted an improvement in darker shots' shadow detail and shots w/ brighter highlights bringing out more contrast and better depth to the image.
Definitely one of the better examples we've encountered of dynamic tonemapping enhancement of an otherwise static HDR Blu-ray release.
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On the audio front Snatch had 2 different cuts of audio recorded at the time of its production 25 years ago. An "International" or "US" version and a "UK" version.
The difference being in the accent and inflection of Jason Statham's narration, which in the film, his character's inner-monologue doubles as background context for the audience.
Being a British film we went with the original
UK Version
which we personally preferred anyway and since the commentary, originally recorded for the DVD 24 years ago, also used the UK version audio as well for a seamless match.
In addition to the Atmos remix of the film, we went to great lengths to include, verify and preserve the original 2000, 35mm digital/optical audio as exhibited at the time of the film's release.
Sony included the original theatrical 5,1 on the UHD Blu-ray in 16-bit 48kHz fidelity w/ untamed DR and was an identical match to the one on the 2001 NTSC "Special Edition" DVD. First edition DVDs are the best for this type of stuff.
We did however discover a disc mastering error between 41:07 and 41:34 where the original 5,1 goes out of sync by exactly 3 full NTSC frames! Likely a stitching error between 24fps and NTSC tempo assets.
We were able to correct the error and discover the exact timecode where the shift occurred ensuring it remained "on-time" with the new UHD BD Atmos mix, which checked out compared to previous BD and DVD releases.
Lastly for the analog Dolby Stereo SR surround mix and the superior surround encoded (non dual-mono) commentary, we also had to painstakingly correct them to undo all points where video conversion telecine drift occurred.
In total, we id'd 8 different instances, which afterwards remained perfectly on-time given it being clocked at an identical tempo as any NTSC progressive scan Blu-ray, merely 0.1% slower vs. 24fps cinema.
We used a proper NTSC timecode clock w/ video overlay to verify the corrections and "surgical" cuts. All in all it required an exhausting check of every 5 to 30 seconds with 100s of cue points to make sure we got it right.
The fixed Dolby SVA and Commentary tracks were first decompressed to 24-bit PCM, undoing dialog norm, pre-conditioned and lastly slightly enhanced using an Aphex Aural Exciter (similar to the Dolby A "trick") to completely offset any lossy coding loss which also inadvertently emulates the theatrical X-Curve compensation rather nicely. They were then encoded back to Dolby Surround 2.0 with 64kbp/s of AC-3 padding and the corrected original 5.1 (doubling as a full-rate compatibility track) using a licensed Dolby encoder, the superior one used by post production facilities.
Our new 5.1 track has less compression than the one on the UHD Blu-ray and it was an optimal way to re-integrate it doubling as the TrueHD/Atmos compatibility. The newly clocked and sync'd DVD audios came out with a fidelity and perceived quality exceeding the original 192kbp/s and sounded amazing with intended original DPL 2:4 decoding in our testing. In closing, all 3 surround mixes are unique and have their own character. Placement of background sounds, foley, SFX and ambience also differs as well. The new Atmos and 35mm Dolby SR mix presentations being our personal favorites, having watched the film with all 3 mixes, and the last viewing with the commentary.
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Named chapters are of course included, synced to proper scene change nearest I/P frame and accounting for audio transitions.
As many subs as we could find as well, although moving forward we'll be limiting our releases to a max of 64 subs, as Blu-ray players can only see 32 and many aftermarket players 64.
This will also optimize and speed up load times on networked home playback/server systems and prevent occasional MKV seeking errors with computer software players when there are lots of subtitles.
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General
Unique ID : 282243495980700696918405516950530545392 (0xD4561EBBB69801CA765236B03A5DD6F0)
Complete name : Snatch.2000.Hybrid.2160p.UHD.BluRay.REMUX.HDR10Plus.HEVC.TrueHD.7.1.Atmos-WiLDCAT.mkv
Format : Matroska
Format version : Version 4
File size : 64.3 GiB
Duration : 1 h 42 min
Overall bit rate mode : Variable
Overall bit rate : 89.7 Mb/s
Frame rate : 23.976 FPS
Movie name : Snatch (2000)
Encoded date : 2025-02-18 20:23:18 UTC
Writing application : mkvmerge v90.0 ('Hanging On') 64-bit
Writing library : libebml v1.4.5 + libmatroska v1.7.1
IMDB : tt0208092
TMDB : movie/107
TVDB2 : movie/753
Video
ID : 1
Format : HEVC
Format/Info : High Efficiency Video Coding
Format profile : Main [email protected]@High
HDR format : SMPTE ST 2094 App 4, Version 1, HDR10+ Profile B compatible
Codec ID : V_MPEGH/ISO/HEVC
Duration : 1 h 42 min
Bit rate : 83.1 Mb/s
Width : 3 840 pixels
Height : 2 160 pixels
Display aspect ratio : 16:9
Frame rate mode : Constant
Frame rate : 23.976 (24000/1001) FPS
Color space : YUV
Chroma subsampling : 4:2:0 (Type 2)
Bit depth : 10 bits
Bits/(Pixel*Frame) : 0.418
Stream size : 59.6 GiB (93%)
Title : MPEG-H HEVC Video / 83181 kbps / 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 10 bits / 4000nits / HDR10+ Profile B / BT.2020
Language : English (GB)
Default : Yes
Forced : No
Color range : Limited
Color primaries : BT.2020
Transfer characteristics : PQ
Matrix coefficients : BT.2020 non-constant
Mastering display color primaries : Display P3
Mastering display luminance : min: 0.0050 cd/m2, max: 4000 cd/m2
Maximum Content Light Level : 1882 cd/m2
Maximum Frame-Average Light Level : 132 cd/m2
Source : Sony Pictures UHD Blu-ray
Audio #1
ID : 2
Format : MLP FBA 16-ch
Format/Info : Meridian Lossless Packing FBA with 16-channel presentation
Commercial name : Dolby TrueHD with Dolby Atmos
Codec ID : A_TRUEHD
Duration : 1 h 42 min
Bit rate mode : Variable
Bit rate : 4 648 kb/s
Maximum bit rate : 7 632 kb/s
Channel(s) : 8 channels
Channel layout : L R C LFE Ls Rs Lb Rb
Sampling rate : 48.0 kHz
Frame rate : 1 200.000 FPS (40 SPF)
Compression mode : Lossless
Stream size : 3.33 GiB (5%)
Title : Dolby TrueHD Audio w/ Dolby Atmos / 7.1 + 11 Objects / 48 kHz / 4648 kbps / 24-bit
Language : English (GB)
Default : Yes
Forced : No
Source : Sony Pictures UHD Blu-ray
Number of dynamic objects : 11
Bed channel count : 1 channel
Bed channel configuration : LFE
Audio #2
ID : 3
Format : AC-3
Format/Info : Audio Coding 3
Commercial name : Dolby Digital
Codec ID : A_AC3
Duration : 1 h 42 min
Bit rate mode : Constant
Bit rate : 640 kb/s
Channel(s) : 6 channels
Channel layout : L R C LFE Ls Rs
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Compression mode : Lossy
Stream size : 470 MiB (1%)
Title : Original 2000 Digital 6-Track Mix / Compatibility Track / Dolby Digital Audio / 5.1 / 48 kHz / 640 kbps / DN -28dB
Language : English (GB)
Service kind : Complete Main
Default : No
Forced : No
Source : Sony Pictures UHD Blu-ray
Dialog Normalization : -28 dB
compr : -0.28 dB
cmixlev : -3.0 dB
surmixlev : -3 dB
dmixmod : Lt/Rt
ltrtcmixlev : -3.0 dB
ltrtsurmixlev : -3.0 dB
lorocmixlev : -3.0 dB
lorosurmixlev : -3.0 dB
dialnorm_Average : -28 dB
dialnorm_Minimum : -28 dB
dialnorm_Maximum : -28 dB
Audio #3
ID : 4
Format : AC-3
Format/Info : Audio Coding 3
Commercial name : Dolby Digital
Format settings : Dolby Surround
Codec ID : A_AC3
Duration : 1 h 42 min
Bit rate mode : Constant
Bit rate : 256 kb/s
Channel(s) : 2 channels
Channel layout : L R
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Compression mode : Lossy
Stream size : 188 MiB (0%)
Title : Original 2000 Analog SVA Mix / Dolby Surround / Lt/Rt / 48 kHz / 256 kbps / DN -29dB
Language : English (GB)
Service kind : Complete Main
Default : No
Forced : No
Source : Columbia/Tri-Star USA NTSC DVD
Dialog Normalization : -29 dB
compr : -0.28 dB
dsurmod : Dolby Surround encoded
ltrtcmixlev : -3.0 dB
ltrtsurmixlev : -3.0 dB
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dialnorm_Average : -29 dB
dialnorm_Minimum : -29 dB
dialnorm_Maximum : -29 dB
Audio #4
ID : 5
Format : AC-3
Format/Info : Audio Coding 3
Commercial name : Dolby Digital
Format settings : Dolby Surround
Codec ID : A_AC3
Duration : 1 h 42 min
Bit rate mode : Constant
Bit rate : 256 kb/s
Channel(s) : 2 channels
Channel layout : L R
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Compression mode : Lossy
Stream size : 188 MiB (0%)
Title : Commentary by writer/director Guy Ritchie and producer Matthew Vaughn
Language : English (GB)
Service kind : Commentary
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compr : -0.28 dB
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dialnorm_Maximum : -30 dB
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Bit rate : 2 714 b/s
Frame rate : 0.034 FPS
Count of elements : 146
Stream size : 1.37 MiB (0%)
Title : Forced / Pikey dialogue
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Source : Sony Pictures UHD Blu-ray
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ID : 42
Format : PGS
Muxing mode : zlib
Codec ID : S_HDMV/PGS
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
Duration : 1 h 38 min
Bit rate : 25.6 kb/s
Frame rate : 0.453 FPS
Count of elements : 2678
Stream size : 18.1 MiB (0%)
Language : Japanese
Default : No
Forced : No
Source : Sony Pictures TWN Blu-ray
Text #38
ID : 43
Format : PGS
Muxing mode : zlib
Codec ID : S_HDMV/PGS
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
Duration : 1 h 38 min
Bit rate : 29.3 kb/s
Frame rate : 0.463 FPS
Count of elements : 2746
Stream size : 20.7 MiB (0%)
Language : Korean
Default : No
Forced : No
Source : Sony Pictures UHD Blu-ray
Text #39
ID : 44
Format : UTF-8
Codec ID : S_TEXT/UTF8
Codec ID/Info : UTF-8 Plain Text
Duration : 1 h 38 min
Bit rate : 64 b/s
Frame rate : 0.232 FPS
Count of elements : 1372
Stream size : 46.8 KiB (0%)
Language : Korean
Default : No
Forced : No
Source : iTunes
Text #40
ID : 45
Format : PGS
Muxing mode : zlib
Codec ID : S_HDMV/PGS
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
Duration : 1 h 38 min
Bit rate : 28.7 kb/s
Frame rate : 0.312 FPS
Count of elements : 1846
Stream size : 20.3 MiB (0%)
Language : Norwegian
Default : No
Forced : No
Source : Sony Pictures UHD Blu-ray
Text #41
ID : 46
Format : UTF-8
Codec ID : S_TEXT/UTF8
Codec ID/Info : UTF-8 Plain Text
Duration : 1 h 38 min
Bit rate : 50 b/s
Frame rate : 0.155 FPS
Count of elements : 917
Stream size : 36.7 KiB (0%)
Language : Norwegian
Default : No
Forced : No
Source : iTunes
Text #42
ID : 47
Format : PGS
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Codec ID : S_HDMV/PGS
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
Duration : 1 h 42 min
Bit rate : 26.7 kb/s
Frame rate : 0.445 FPS
Count of elements : 2724
Stream size : 19.5 MiB (0%)
Language : Polish
Default : No
Forced : No
Source : Sony Pictures UHD Blu-ray
Text #43
ID : 48
Format : UTF-8
Codec ID : S_TEXT/UTF8
Codec ID/Info : UTF-8 Plain Text
Duration : 1 h 42 min
Bit rate : 44 b/s
Frame rate : 0.223 FPS
Count of elements : 1368
Stream size : 33.2 KiB (0%)
Language : Polish
Default : No
Forced : No
Source : iTunes
Text #44
ID : 49
Format : PGS
Muxing mode : zlib
Codec ID : S_HDMV/PGS
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
Duration : 1 h 42 min
Bit rate : 35.5 kb/s
Frame rate : 0.446 FPS
Count of elements : 2730
Stream size : 25.9 MiB (0%)
Language : Portuguese (PT)
Default : No
Forced : No
Source : Sony Pictures UHD Blu-ray
Text #45
ID : 50
Format : PGS
Muxing mode : zlib
Codec ID : S_HDMV/PGS
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
Duration : 1 h 38 min
Bit rate : 34.6 kb/s
Frame rate : 0.458 FPS
Count of elements : 2712
Stream size : 24.4 MiB (0%)
Title : Brazilian
Language : Portuguese (BR)
Default : No
Forced : No
Source : Sony Pictures UHD Blu-ray
Text #46
ID : 51
Format : PGS
Muxing mode : zlib
Codec ID : S_HDMV/PGS
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
Duration : 1 h 38 min
Bit rate : 33.5 kb/s
Frame rate : 0.459 FPS
Count of elements : 2722
Stream size : 23.7 MiB (0%)
Language : Romanian
Default : No
Forced : No
Source : Sony Pictures UHD Blu-ray
Text #47
ID : 52
Format : PGS
Muxing mode : zlib
Codec ID : S_HDMV/PGS
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
Duration
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