| Stars - The Five Ghosts [FLAC] | |||
| 01 Dead Hearts.flac | 22.32 MB | ||
| 02 Wasted Daylight.flac | 24.39 MB | ||
| 03 I Died So I Could Haunt You.flac | 21.41 MB | ||
| 04 Fixed.flac | 26.82 MB | ||
| 05 We Don't Want Your Body.flac | 25.51 MB | ||
| 06 He Dreams He's Awake.flac | 21.67 MB | ||
| 07 Changes.flac | 26.17 MB | ||
| 08 The Passenger.flac | 27.68 MB | ||
| 09 The Last Song Ever Written.flac | 18.08 MB | ||
| 10 How Much More.flac | 21.3 MB | ||
| 11 Winter Bones.flac | 16.41 MB | ||
| Stars - The Five Ghosts.log | 5.02 KB | ||
| Stars - The Five Ghosts.m3u | 705 B | ||
| The Five Ghosts.cue | 1.26 KB | ||
| cover.jpg?042148 | 388.75 KB | ||
| Stars - The Seance E.P. [FLAC] | |||
| 01 Opinions Versus The Sun.flac | 24.85 MB | ||
| 02 The Five Ghosts.flac | 28.71 MB | ||
| 03 The Black House, The Blue Sky.flac | 27.32 MB | ||
| 04 The Dead Beg For More.flac | 36.32 MB | ||
| Stars - The Seance E.P..log | 2.76 KB | ||
| The Seance E.P..cue | 552 B |
Stars - The Five Ghosts (2010) [FLAC]
Released: 2010
Duration: 57:02
Genre: Pop/Rock
Style: Indie Rock, Indie Pop
Codec: FLAC
Bit Rate: ~ 1,000 kbps
Bits Per Sample: 16
Sample Rate: 44,100 Hz
Cover: Front
CD 1
01 Dead Hearts
02 Wasted Daylight
03 I Died So I Could Haunt You
04 Fixed
05 We Don't Want Your Body
06 He Dreams He's Awake
07 Changes
08 The Passenger
09 The Last Song Ever Written
10 How Much More
11 Winter Bones
CD 2 (The Seance EP)
01 Opinions Versus The Sun
02 The Five Ghosts
03 The Black House, The Blue Sky
04 The Dead Beg For More
Returning to work with Tom McFall, who produced the group’s 2005 album Set Yourself on Fire, Stars recorded their fifth outing in their home city of Montreal, writing together as a unit in the studio. Self-funded, as the first of Stars' releases for their own Soft Revolution Records, The Five Ghosts finds the fivesome mainly playing it safe. As suggested by the title, the album involves a loose concept about ghosts, with songs like “I Died So I Could Haunt You” and “He Dreams He’s Awake,” as it tips back and forth between melancholy yet shiny ballads and saturated, coffeehouse dance music. Beats recall Postal Service's Give Up, with added ‘80s glitter courtesy of some newly acquired synthesizers and drum programs, but unfortunately, their approach feels more retro-dated than retro-cool. It’s possible that, by writing together in the studio, the controlled environment lent itself to a more sterile sound. It’s also likely that Amy Millan used up a lot of ideas while making her solo album a year prior. While a few hooks stand out -- particularly the “fisticuffs” chorus of “Fixed” -- most of the songs are too watered down, lyrically and musically, to be truly enticing.
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