Stevan Kovacs Tickmayer 2012 Gaps, Absences

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Stevan Kovacs Tickmayer 2012 Gaps, Absences (Size: 240.35 MB)
  01 - Gardon Music II.flac 37.27 MB
  02 - In The Enchanted Garden Of Geza Csath.flac 22.15 MB
  03 - Erdgeist, Deine Zeit Ist Um.flac 19.74 MB
  04 - Gesang Der Toten.flac 30.59 MB
  05 - Il Ritornello Nuovo.flac 20.67 MB
  06 - Historical Supplement.flac 28.46 MB
  07 - Gardon Music III.flac 13.73 MB
  08 - Stimmbildung.flac 16.05 MB
  09 - Fekete Csond _ Black Silence.flac 15.66 MB
  10 - Eastern Prelude - Passamezzo Ongaro.flac 33.62 MB
  Stevan Kovacs Tickmayer - Gaps, Absences.accurip 1.11 KB
  Stevan Kovacs Tickmayer - Gaps, Absences.cue 2.23 KB
  Stevan Kovacs Tickmayer - Gaps, Absences.log 4.02 KB
  Stevan Kovacs Tickmayer - Gaps, Absences.m3u 346 B
  art
  Scan.jpg?042148 1.35 MB
  Scan0001.jpg?042148 370.22 KB
  Scan0002.jpg?042148 553.37 KB
  Scan0003.jpg?042148 134.66 KB
  aucdtect.log 2.67 KB
  foo_dr.txt 1.42 KB
  i.txt 5.09 KB
  ▲ 21 total files

Description


Stevan Kovacs Tickmayer ~ Gaps, Absences ~ 2012
ReR Megacorp ReR ST4.

http://i4.imageban.ru/out/2017/08/19/e5a9844318f5c0414fab4a830658bdb9.jpg?042148

1. Gardon Music II
2. In The Enchanted Garden Of Geza Csath
3. Erdgeist, Deine Zeit Ist Um
4. Gesang Der Toten
5. Il Ritornello Nuovo
6. Historical Supplement
7. Gardon Music III
8. Stimmbildung
9. Fekete Csond / Black Silence
10. Eastern Prelude - Passamezzo Ongaro

A beautifully recorded and produced cycle of pieces that combine complexity and precision with rich and unfamiliar timbres. The ensemble pieces amplify and enrich a core piano with various combinations of harmonium, double bass, violin, percussion, Hungarian zither, citara bassa, bowed cymbals, alto clarinet, melodica, sampler and field recordings, all sparsely but powerfully deployed. This is a deep and powerful music with both crystalline clarity and cinematic low frequency power. And no fat or redundancy. By combining the edgy presence of acoustic instrumental performance with the width and depth of electroacoustic processing, it confounds all genre typing; it’s fiendishly complex but it grips like a thriller as it unfolds and twists, in ten dense chapters. It’s that rare thing today, a living music. Born and schooled in Novy Sad, in the former Jugoslavia, Tickmayer can safely be counted amongst the best of that late generation of east block composers who combined a fearsome education with an aesthetic that drew even-handedly on the most austere contemporary music, free jazz, rock and ’60s electronics. Above all this, a CD of prodigious performances and great imagination. - ReR Megacorp

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