Sun Ra 1967 Strange Strings (2007 Edition)

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Sun Ra 1967 Strange Strings (2007 Edition) (Size: 261.82 MB)
  01 Worlds Approaching.flac 54.37 MB
  02 Strange Strings.flac 71.66 MB
  03 Strange Strange.flac 109.28 MB
  04 Door Squeak.flac 19.93 MB
  art
  Booklet 1.jpg?042148 267.52 KB
  Booklet 2.jpg?042148 561.34 KB
  Booklet 3.jpg?042148 544.51 KB
  Booklet 4.jpg?042148 579.08 KB
  Booklet 5.jpg?042148 570.88 KB
  Booklet 6.jpg?042148 634.39 KB
  Disc.jpg?042148 619.77 KB
  Sleeve 1.jpg?042148 1021.56 KB
  Sleeve 2.jpg?042148 829.57 KB
  Tray 1.jpg?042148 505.84 KB
  Tray 2.jpg?042148 603.04 KB
  aucdtect.log 1.29 KB
  i.txt 2.51 KB

Description


Sun Ra & His Astro Infinity Arkestra ~ Strange Strings ~ 1967
2007 Edition. Atavistic Records ALP263CD.

http://i2.imageban.ru/out/2017/03/05/985b3d842ed681f870d2b98bddbb5bdb.jpg?042148

1 Worlds Approaching 10:17
2 Strings Strange 12:47
3 Strange Strange 20:23
4 Door Squeak 10:29

Sun Ra with Pat Patrick, Ronnie Boykins, Robert Cummins, James Jacson, Danny Davis, Marshall Allen, Clifford Jarvis, Carl Nimrod, John Gilmore, Ali Harsan, Thlan Aldridge

Strange Strings is a somewhat legendary album from the mid-'60s. "Worlds Approaching" is a great tune, anchored by a bass ostinato and timpani and featuring several fantastic solos, including Marshall Allen on oboe, Robert Cummings on bass clarinet, John Gilmore on tenor, and Sun Ra on electric piano. Off and on throughout the tune, Bugs Hunter applies near-lethal doses of reverb, giving the piece a very odd but interesting sound. "Strange Strings" is one of those songs that is likely to inspire some sort of "you call that music?" comment from your grandmother, or even from open-minded friends. It sounds like they raided the local pawnshop for anything with strings on it, then passed them out to the bandmembers. It's difficult to tell if some of these instruments have been prepared in some way, or if they're simply being played by untutored hands. There are also lots of drums and some viola playing from Ronnie Boykins that is also treated heavily with reverb. Despite the cacophony, there is a definite ebb and flow to the piece and what seem like different movements or themes. Whatever you think of the music contained, there's no denying that it produced some of the most remarkable sounds of the mid-'60s. If you don't like "out," stay clear of this one. - Sean Westergaard, AMG

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