| 01. Approaching Shakespeare - The Scene Begins.mp3 | 34.17 MB | ||
| 02. Shakespeare's Theater and Stagecraft.mp3 | 31.68 MB | ||
| 03. A Midsummer Night's Dream-Comic Tools.mp3 | 35.75 MB | ||
| 04. A Midsummer Night's Dream-Comic Structure.mp3 | 31.87 MB | ||
| 05. Romeo and Juliet-Words, Words, Words.mp3 | 34.51 MB | ||
| 06. Romeo and Juliet-The Tools of Tragedy.mp3 | 33.36 MB | ||
| 07. Appearance versus Reality in Twelfth Night.mp3 | 33.68 MB | ||
| 08. Twelfth Night-More Comic Tools.mp3 | 32.09 MB | ||
| 09. Richard II-History and Kingship.mp3 | 34.46 MB | ||
| 10. Politics as Theater in Henry IV, Part I.mp3 | 32.05 MB | ||
| 11. Henry IV, Part 2-Contrast and Complexity.mp3 | 31.34 MB | ||
| 12. The Drama of Ideas in Henry V.mp3 | 30.37 MB | ||
| 13. Macbeth Foul and Fair.mp3 | 33.53 MB | ||
| 14. The Tragic Woman in Macbeth.mp3 | 30.48 MB | ||
| 15. Staging Hamlet.mp3 | 30.91 MB | ||
| 16. The Religious Drama of Hamlet.mp3 | 31.24 MB | ||
| 17. The Women of Hamlet.mp3 | 32.47 MB | ||
| 18. The Merchant of Venice-Comedy or Tragedy.mp3 | 30.01 MB | ||
| 19. The Arc of Character in The Merchant of Venice.mp3 | 31.86 MB | ||
| 20. Measure for Measure-Is This Comedy.mp3 | 31.08 MB | ||
| 21. Measure for Measure-Overcoming Tragedy.mp3 | 31.97 MB | ||
| 22. Tools of Romance in The Tempest.mp3 | 33.23 MB | ||
| 23. The Tempest-Shakespeare's Farewell to Art.mp3 | 30.5 MB | ||
| 24. The Tools for a Lifetime of Shakespeare.mp3 | 34.42 MB | ||
| ▲ 24 total files | |||
How to Read and Understand Shakespeare
The Teaching Company a.k.a. The Great Courses
Professor Marc C. Conner
24 lectures, 12h hours, 23 minutes total playing time
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Shakespeare—perhaps the greatest literary artist in history—presents a fundamental paradox to his audience. No other Western writer is so celebrated and revered. His plays are seen, read, and studied throughout the world as models of high culture and timeless art. His best-known characters have become mythic symbols in our culture. His poetry and turns of phrase permeate our spoken language. Shakespeare enjoys near-universal agreement among scholars as well as the general public that his works are among the greatest of humanity’s cultural expressions, and that we all should know and understand them.
But appreciating this greatest of writers does not come easily. Simply put, Shakespeare is difficult. His language and culture—those of Elizabethan England, 400 years ago—are greatly different from our own, and his poetry, thick with metaphorical imagery and double meanings, can be hard to penetrate. His theater and the tools of stagecraft available to him can seem quite distant to us. The motives of his characters and the meanings of his philosophical reflections on politics, religion, society, and human relationships are often complex and challenging to reckon with
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