Taylor Ho Bynum 9-tette - The Ambiguity Manifesto (2019)

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Taylor Ho Bynum 9-tette - The Ambiguity Manifesto (2019) (Size: 357 MB)
  01 - Neither When Nor Where.flac 31.4 MB
  02 - Enter Ally.flac 15.9 MB
  03 - Real-Unreal (for Ursula K. Le Guin).flac 50.5 MB
  04 - (G)host(aa-ab).flac 92.8 MB
  05 - Enter (g) Neither.flac 85.8 MB
  06 - Ally Enter.flac 31.7 MB
  07 - Unreal-Real (for old music).flac 48.1 MB
  Bill Lowe, Stomu Takeishi, Ken Filiano, Mary Halvorson, Tomeka Reid, Jim Hobbs, Ingrid Laubrock, Tomas Fujiwara & Taylor Ho Bynum (photo by Merve Kayan, Cutting Bird Media).jpg?042148 169.7 KB
  Firehouse 12 Records, FH12-04-01-032.jpg?042148 45.9 KB
  back.jpg?042148 319.2 KB
  cover.jpg?042148 262.1 KB
  info.txt 63.7 KB

Description


Taylor Ho Bynum 9-tette
The Ambiguity Manifesto
2019 - Firehouse 12 Records: FH12-04-01-032
https://firehouse12records.com/
https://taylorhobynum.bandcamp.com/album/the-ambiguity-manifesto
* Bill Lowe : bass trombone, tuba
* Ingrid Laubrock : soprano saxophone, tenor saxophone
* Jim Hobbs : alto saxophone
* Ken Filiano : acoustic bass, electronics
* Mary Halvorson : electric guitar
* Stomu Takeishi : electric bass guitar
* Taylor Ho Bynum : cornet, flugelhorn
* Tomas Fujiwara : drums
* Tomeka Reid : cello

https://de.wikipedia.org/wiki/Bill_Lowe
http://www.ingridlaubrock.com/
https://www.allmusic.com/artist/jim-hobbs-mn0000598507
https://en.wikipedia.org/wiki/Ken_Filiano
http://www.maryhalvorson.com/
https://en.wikipedia.org/wiki/Stomu_Takeishi
http://www.taylorhobynum.com/
https://www.tomasfujiwara.com/
https://www.tomekareid.net/

Recorded by Nick Lloyd at Firehouse 12, New Haven,
Connecticut (CT), USA, on March 3 & 4 2018.
Reviews

By Karl Ackermann
https://www.allaboutjazz.com/the-ambiguity-manifesto-taylor-ho-bynum-firehouse-12-records-review-by-karl-ackermann.php

[...]

Bynum cites Anthony Braxton, Cecil Taylor and Bill Dixon—all of whom he has
worked with—as affecting this music, but those, or any amalgam of influences,
are not as apparent as the composer's own approach. There may not be a formal
narrative holding the material together, but there are linked ideas where the
initial outlines are analyzed and turned inside-out as the album
progresses. Bynum doesn't overload the concept, letting the group distinguish
themselves through their individual and collective interpretations.

[...]

--

By avantscena
https://avantscena.wordpress.com/2019/10/27/taylor-ho-bynum-9-tette-the-ambiguity-manifesto-firehouse-12-records-2019/

By Bill Meyer
https://dustedmagazine.tumblr.com/post/188494782491/taylor-ho-bynum-9-tette-the-ambiguity-manifesto

By Troy Collins
http://pointofdeparture.org/PoD69/PoD69MoreMoments3.html

By Mark Corroto
https://www.allaboutjazz.com/the-ambiguity-manifesto-taylor-ho-bynum-firehouse-12-records-review-by-mark-corroto.php

By Mike Shanley
https://jazztimes.com/reviews/albums/taylor-ho-bynum-9-tette-the-ambiguity-manifesto-firehouse-12/

By Peter Margasak
https://downbeat.com/reviews/detail/the-ambiguity-manifesto

Da Giuseppe Segala (it)
https://www.allaboutjazz.com/the-ambiguity-manifesto-taylor-ho-bynum-firehouse-12-records

Par Franpi Barriaux (fr)
https://www.citizenjazz.com/Taylor-Ho-Bynum-9-tette.html

Por Sergio Piccirilli (es)
https://elintruso.com/taylor-ho-bynum-9-tette-the-ambiguity-manifesto/

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