The Jazz June - Discography (5 releases) 1997-2002, MP3, 192-320 kbps

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The Jazz June - Discography

Жанр: Midwest Emo/Post-Hardcore ||Страна: USA || Год издания: 1997-2002
Аудиокодек: MP3 || Тип рипа: tracks || Битрейт аудио: 192-320 kbps
Продолжительность: 03:28:00
[spoiler="Albums"]
[spoiler="1997 - They Love Those Who Make The Music (vbr ~213 kbps)"]
Tracklist: 01. Low End Automatic (3:19)
02. Red Light District (4:13)
03. When In Rome (5:26)
04. Rich Kid Shakedown (3:27)
05. Transinstrumentalism (4:32)
06. Le Villanelle (3:43)
07. The Oncoming 2600 (4:29)
08. The Possibilities Are Endless (4:36)
09. Day 7 (3:31)
10. Falling Asleep On Lincoln Drive (3:55)
Total time: 41:11

Label: Choke Records
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[spoiler="1998 - The Boom The Motion And The Music (160kbps cbr)"]
Tracklist: [/URL]
01. When The Drums Kick In (5:25)
02. Burn In Hell (5:25)
03. Bullets In The Backpocket (4:32)
04. Intro (2:59)
05. Drop The Bomb (4:24)
06. His Statue Falls (8:11)
Total time: 31:02

Label: Workshop Records
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[spoiler="2000 - The Medicine (320kbps cbr)"]
Tracklist: [/URL]
01. Viva La Speed Metal (3:47)
02. The Scars To Prove It (4:03)
03. Excerpt (4:47)
04. The Phone Works Both Ways (3:52)
05. The Medicine (5:08)
06. At The Artist's Leisure Part 2 (5:44)
07. Motorhead's Roadie (5:36)
08. Death From Above (3:33)
09. Fight Like Sinatra (4:42)
10. Get On The Bus (5:00)
11. Balance (9:58)
Total time: 56:18

Label: Initial Records – IR36
[spoiler="Credits"]
Bass Guitar – Dan O'Neill
Drums – Justin Max
Guitar – Bryan Gassler
Layout [Layout Was Created By] – Justin Max
Mastered By – Alan Douches
Photography – Dave Kulp
Producer – J. Robbins, Jazz June, The
Recorded By, Engineer – J. Robbins
Vocals, Guitar – Andrew Low
Written-By – Jazz June, The
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[spoiler="2002 - Better Off Without Air (192 kbps cbr)"]
Tracklist: 01. Drugs And Models (3:51)
02. Hate/Bass (2:12)
03. We've Got Your Situation (3:48)
04. Shots Fired (3:15)
05. Uptown Explosion (3:33)
06. Better Off Without Air (3:28)
07. Dual Symmetry (0:48)
08. These Pills Won't Calm Your Nerves (3:20)
09. Stings A Bitch (2:10)
10. Benny Clarks Can (4:40)
11. Red Bank Blues (3:22)
12. Over & Over (4:33)
13. The Submarine Song (3:31)
Total time: 42:35

Label: Initial Records – IR47
[spoiler="Credits"]
Artwork By [Line Drawings Courtesy Of] – Andrew Low And The American Concrete Institute
Layout, Design – Archetype Creative
Mixed By – Ryan Fenical
Performer [The Jazz June Is] – Andrew Low, Bryan Gassler, Dan O'Neill, Justin Max
Photography – Justin Max
Producer – Dub Planet
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[spoiler="Compilations"]
[spoiler="1998 - Breakdance Suburbia (vbr ~218 kbps)"]
Tracklist: 01. Burned Out Bright (3:26)
02. Silver Dollar (4:35)
03. The Teenage Fight Song (5:16)
04. Russians Part 2 (4:13)
05. Antiquated (3:55)
06. Nothing (2:54)
07. Signal (3:10)
08. Bleach In Your Eyes (3:42)
09. At The Artist's Leisure (2:06)
10. D3PO (3:59)
Total time: 37:16

Label: Initial Records – IR32
[spoiler="Information"]
Tracks 1-3 were recorded in the fall of 1998 at WGNS. 1 & 2 were released on the limited edition "Breakdance Suburbia" seven inch on Initial Records. 3 was released on a split seven inch with Peterbuilt on Fiddler Records.

Track 4 was recorded in the fall of 1997 and released on The First Crush Compilation put out by Thick As Thieves / Streetcar Music International.

Tracks 5-8 were recorded in the fall of 1996. 5-7 were released on the "The Necessary Conditions Of Currents And Signals" seven inch on Keystone Ember Records. 8 was released on a split seven inch with Mid Carson July by Da Capo Al Fine Records.

Tracks 9 & 10 were recorded in the summer of 1997 during the "They Love Those Who Make The Music" session at Why Me? 9 was released on the Nothing Left Fanzine compilation. 10 was a bonus track on the vinyl version of "They Love Those Who Make The Music" LP coreleased by Choke and Workshop.
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[spoiler="О группе"]
The Jazz June started their eight year run in 1996 in a small town in Pennsylvania named Kutztown. The 5 of them all met at Kutztown University and started playing shows in basements and garages throughout Kutztown, PA. The band took favorite aspects of indie rock, punk and post hardcore and made it their own. The indie rock sound is evident on “Low End Automatic” then carry over to a pop punk style with “Red Light District” and “The Possibilities Are Endless” to the instrumentals of “Falling Asleep On Lincoln Drive”. Each songs precision seems to be countered by just the opposite - the ever-so-often changeups can throw the new listener off a bit, creating a conglomeration of noise and melody as if 5 different bands were to play at once. The band broke up in 2004.
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