Thomas Pynchon - Collected Works, incl. Gravity's Rainbow (10 books)

* Thomas Pynchon - Collected Works, incl. Gravity's Rainbow (10 books)
THOMAS PYNCHON (b. 1937) is widely regarded as one of the most influential and fiercely private figures in contemporary American literature. His dense, complex works of postmodern fiction blend high erudition with low culture, juxtaposing advanced physics, historical atrocities, and dense conspiracy theories with slapstick humor, comic book tropes, and drug-fueled musical numbers. Pynchon is notoriously reclusive. By consistently avoiding the public eye—leaving no official photographs since his youth—he has allowed his labyrinthine, maximalist texts to speak entirely for themselves, capturing the profound anxieties of the nuclear age and the digital revolution.
His literary debut, V. (1963), follows the aimless wanderings of ex-Navy sailor Benny Profane in 1950s New York and aging adventurer Herbert Stencil’s global quest for a mysterious, shape-shifting entity known only as "V." This was followed by his shortest novel, THE CRYING OF LOT 49 (1966), centered on Oedipa Maas, a young Californian woman who begins to embrace a conspiracy theory as she possibly unearths a centuries-old feud between two mail distribution companies. A collection of five early short stories written between 1959 and 1964 was published as SLOW LEARNER (1984). It is notable for its candid, self-critical introduction and providing a rare window into Pynchon’s youthful development.
In 1973, Pynchon published his masterpiece, GRAVITY'S RAINBOW , a monumental and encyclopedic novel set primarily in Europe during the closing months of World War II. The narrative centers on the design, production and dispatch of V-2 rockets by the German military, mapping a dizzying web of military-industrial conspiracies, behavioral conditioning, and scientific mysticism. It earned the National Book Award and cemented Pynchon's reputation as a visionary mythmaker of the twentieth century. After a seventeen-year silence, he returned with VINELAND (1990), a sharply satirical look at the hangover of 1960s counterculture under the repressive political climate of Reagan's America.
Pynchon's later career proved highly prolific, beginning with MASON & DIXON (1997), a deeply moving and stylistically brilliant historical epic written in 18th-century vernacular that follows the two real-life astronomers as they draw their famous boundary line across America. He expanded his historical scope further with AGAINST THE DAY (2006), a massive, genre-hopping odyssey spanning the period between the 1893 Chicago World's Fair and World War I, featuring anarchist bombers, time-travelers, and mathematical mystics. He then shifted to a lighter, noir-inspired mode with INHERENT VICE (2009), featuring stoner private investigator Doc Sportello in 1970s Los Angeles, before releasing BLEEDING EDGE (2013), which explores the tech-bubble burst of New York City in the shadow of the September 11 attacks.
Breaking a twelve-year silence at the age of 88, Pynchon released his tenth major work, SHADOW TICKET (2025). Set in 1932 during the heights of the Great Depression, this breezy, noirish caper follows a Milwaukee private investigator who is set adrift in Hungary while tracking the heiress to a Wisconsin cheese fortune. There, he gets hopelessly tangled in a web of Nazi agents, Soviet spies, swing musicians, and practitioners of the paranormal. Seamlessly balancing historical farce with an ominous undercurrent of rising fascism, Shadow Ticket serves as a playful yet deeply relevant late-career entry that captures a world rapidly spinning toward catastrophe.
Beyond his book-length publications, Pynchon has authored a fascinating body of uncollected prose consisting of juvenilia, essays, book reviews, liner notes, and journalism that offer a rare, direct glimpse into his intellectual passions and political convictions. These scattered pieces have covered everything from a playful defense of Sloth to book reviews and introductions to novels by writers who have influenced him such as George Orwell, Donald Barthelme, and Richard Fariña. They reveal a deeply compassionate, culturally omnivorous thinker who is as fiercely engaged with contemporary politics and grassroots art as he is with high literary theory.

In addition to a number of uncollected pieces (PDF), the following books are in ePUB format:
== NOVELS ==
* Against the Day (Penguin, 2012)

* Bleeding Edge (Penguin, 2014)

* The Crying of Lot 49 (Penguin, 2012)

* Gravity's Rainbow (Penguin, 2012)

* Inherent Vice (Penguin, 2012)

* Mason & Dixon (Penguin, 2012)

* Shadow Ticket (Penguin, 2025)

* V (Penguin, 2012)

* Vineland (Penguin, 2012)
== SHORT FICTION ==
* Slow Learner: Early Stories (Penguin, 2012)
== UNCOLLECTED WORKS (in Papers folder) ==
* A Journey Into The Mind of Watts (NYT Book Rev, 1966)

* Entropy (Kenyon Review, Spring 1960)

* The Evolution of The Daily Show (2006)

* The Heart's Eternal Vow (NYT Book Rev, 1988)

* Introduction to 'Been Down So Long It Looks Like Up to Me' [Richard Fariña] (1983)

* Introduction to 'Nineteen Eighty-Four' [George Orwell] (2003)

* Introduction to 'Stone Junction [Jim Dodge] (1997)

* Introduction to 'The Teachings of Don B' [Donald Barthelme] (1992)

* Is It O.K. To Be A Luddite? (NYT Book Rev, 1984)

* Letter to Thomas F. Hirsch (1988)

* Liner Notes for 'Nobody’s Cool' [Lotion] (1996)

* Liner Notes to 'Spiked! The Music of Spike Jones' (1994)

* Lunch with Lotion [interview] (Esquire, June 1996)

* Pynchon’s Juvenilia [uncollected stories] (1989)

* Sloth (1993)

* Thomas Pynchon at Twenty-Two: A Recovered Autobiographical Sketch (1990)

* Thomas Pynchon Unmasked [interview] (2020)

* Togetherness (Aerospace Safety, December 1960)

* Uncollected Works (antimist, 2014)

* Words for Salman Rushdie (NYT, 1989)

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