Tim Finn - Conversation [2008][EAC,log,cue FLAC]

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Tim Finn - Conversation [2008][EAC,log,cue FLAC] (Size: 247.46 MB)
  01 - Straw to Gold.flac 23 MB
  02 - Out of This World.flac 16.37 MB
  03 - The Saw and the Tree.flac 24.12 MB
  04 - Slow Mystery.flac 21.51 MB
  05 - Rear View Mirror.flac 20.55 MB
  06 - Only a Dream.flac 13.48 MB
  07 - Fall from Grace.flac 14.73 MB
  08 - Invisible.flac 21.18 MB
  09 - Snowbound.flac 16.07 MB
  10 - Great Return.flac 17.47 MB
  11 - Imaginary Kingdom.flac 18.32 MB
  12 - Forever Thursday.flac 19.3 MB
  13 - More Fool Me.flac 21.28 MB
  The Conversation.cue 2.01 KB
  Tim Finn - The Conversation.log 5.41 KB
  Tim Finn - The Conversation.m3u 850 B
  folder.jpg?042148 57.75 KB
  ▲ 17 total files

Description


Artist: Tim Finn
Release: Conversation
Released: 2008
Label: EMI Music Distribution / Virgin
Catalog#: 26530
Format: FLAC / Lossless / Log (100%) / Cue
Country: NZ
Style: folk rock


1 Straw To Gold
2 Out Of This World
3 The Saw And The Tree
4 Slow Mystery
5 Rear View Mirror
6 Only A Dream
7 Fall From Grace
8 Invisible
9 Snowbound
10 Great Return
11 Imaginary Kingdom
12 Forever Thursday
13 More Fool Me

The Conversation is an appropriate name for Tim Finn's eighth solo album: the music has a hushed, intimate quality that evokes the feeling of a conversation with a close friend. Old friends surface throughout The Conversation, either in their presence -- Eddie Rayner, Finn's old Split Enz cohort plays piano throughout -- or their absence, as in the case of Phil Judd, whose absence haunts "More Fool Me," a song that contains a direct quote from an early Enz song, "Matinee Idyll (129)." All of The Conversation feels as if it were built on this kind of reflective introspection or, failing that, a bit of subdued relaxation, as on the lighter "Snowbound," but it's all tied together by its quietness. Nothing about The Conversation is loud: there are no crashing drums -- there's barely any percussion -- and the arrangements are so spare they sometimes seem like nothing more than an acoustic guitar and piano graced by another vocal harmony, although closer inspection reveals some subtle, crucial texture and shading, usually derived from woodwinds or violins. Finn has never quite had an album this gentle or delicate before -- there are echoes of his melancholy 2004 collaboration with brother Neil, Everyone Is Here -- and the effect is striking: this is as naked and emotional as Tim has been on record, and its coziness feels like a secret shared between two close friends.

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