Waylon Jennings Willie Nelson Jessi Colter Tompall Glaser - Want

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Waylon Jennings Willie Nelson Jessi Colter Tompall Glaser - Want (Size: 351.07 MB)
  01 Waylon Jennings - My Heroes Have Always Been Cowboys.flac 15.23 MB
  02 Waylon Jennings - Honky Tonk Heroes (Like Me).flac 20.67 MB
  03 Jessi Colter - I'm Looking For Blue Eyes.flac 12 MB
  04 Jessi Colter - You Mean To Say.flac 13.41 MB
  05 Waylon Jennings & Jessi Colter - Suspicious Minds.flac 23.8 MB
  06 Waylon Jennings & Willie Nelson - A Good Hearted Woman.flac 17.43 MB
  07 Waylon Jennings & Willie Nelson - Heaven And Hell.flac 8.47 MB
  08 Willie Nelson - Me And Paul.flac 22.14 MB
  09 Willie Nelson - Yesterday's Wine.flac 16.76 MB
  10 Tompall Glaser - T For Texas.flac 25.98 MB
  11 Tompall Glaser - Put Another Log On The Fire.flac 13.69 MB
  12 Waylon Jennings - Slow Movin' Outlaws.flac 21.28 MB
  13 Waylon Jennings - (I'm A) Ramblin' Man.flac 14.42 MB
  14 Jessi Colter - If She's Where You Like Livin' (You Won't Feel At.flac 17.39 MB
  15 Jessi Colter - It's Not Easy.flac 15.71 MB
  16 Jessi Colter - Why You Been Gone So Long.flac 18.11 MB
  17 Waylon Jennings & Jessi Colter - Under Your Spell Again.flac 17.15 MB
  18 Waylon Jennings & Jessi Colter - I Ain't The One.flac 11.4 MB
  19 Willie Nelson - You Left A Long, Long Time Ago.flac 15.6 MB
  20 Willie Nelson - Healing Hands Of Time.flac 10.8 MB
  21 Waylon Jennings & Willie Nelson - Nowhere Road.flac 19.54 MB
  Want'd!.log 7.24 KB
  Waylon Jennings Willie Nelson Jessi Colter Tompall Glaser - Wanted!.cuetools.flac.cue 2.21 KB
  folder.jpg?042148 69.31 KB
  review.txt 746 B
  ▲ 25 total files

Description


Review by Kurt Wolff

The term "outlaw" had been bandied about after Waylon Jennings' 1972 hit "Ladies Love Outlaws," but it didn't permanently gel until the release of the album Wanted! The Outlaws in 1976. The songs in this packaged product weren't new -- the album contained previously released material by Jennings, Willie Nelson, Tompall Glaser, and Jennings' wife Jessi Colter (who had hit the charts a year earlier with "I'm Not Lisa"). But it marked the industry's recognition of the changing times, and as the center point of a campaign to publicize Nashville's new "progressive" breed, it worked like a charm. It quickly became the first country album to sell more than a million copies, and it boosted the careers of all involved.

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