Opera Explained - Debussy - Pelleas et Melisande - Thomson Smillie

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Opera Explained - Debussy - Pelleas et Melisande - Thomson Smillie (Size: 38.55 MB)
  01 An Introduction to... DEBUSSY Pelleas et Melisande_ Introduction to Claude Debussy.mp3 2.04 MB
  02 An Introduction to... DEBUSSY Pelleas et Melisande_ The influence of Wagner and atonality.mp3 1.63 MB
  03 An Introduction to... DEBUSSY Pelleas et Melisande_ Debussy's childhood and development.mp3 2.79 MB
  04 An Introduction to... DEBUSSY Pelleas et Melisande_ Maurice Maeterlinck.mp3 2.36 MB
  05 An Introduction to... DEBUSSY Pelleas et Melisande_ The story and opening.mp3 2.65 MB
  06 An Introduction to... DEBUSSY Pelleas et Melisande_ Golaud encounters Melisande.mp3 2.49 MB
  07 An Introduction to... DEBUSSY Pelleas et Melisande_ King Arkel's acceptance and the entrance of Pelleas.mp3 2.77 MB
  08 An Introduction to... DEBUSSY Pelleas et Melisande_ Pelleas and Melisande together.mp3 2.29 MB
  09 An Introduction to... DEBUSSY Pelleas et Melisande_ Golaud lies ill.mp3 2.53 MB
  10 An Introduction to... DEBUSSY Pelleas et Melisande_ Melisande at the window and Golaud's suspicion.mp3 3.01 MB
  11 An Introduction to... DEBUSSY Pelleas et Melisande_ Golaud uses Yniold.mp3 2.33 MB
  12 An Introduction to... DEBUSSY Pelleas et Melisande_ Act IV_ Pelleas to depart; Arkel and Melisande; Golaud's anger.mp3 2.83 MB
  13 An Introduction to... DEBUSSY Pelleas et Melisande_ Yniold's scene; the love duet.mp3 2.33 MB
  14 An Introduction to... DEBUSSY Pelleas et Melisande_ Pelleas_ 'We have broken the ice with red hot irons'.mp3 2.95 MB
  15 An Introduction to... DEBUSSY Pelleas et Melisande_ Act V.mp3 3.26 MB
  BK_NAXO_000805.pdf 285.28 KB
  ▲ 16 total files

Description




Category: Art, Misc. Non-fiction
Language: English
Keywords: Art Culture History Music

Written by Thomson Smillie
Read by David Timson
Format: MP3
Bitrate: 64 Kbps
Unabridged

Length: 1 hr and 18 mins
Release date: 10-26-12

Publisher’s Summary

Dating from the last decade of the 19th century, Pelléas et Mélisande points the way into the 20th century. The score is hauntingly beautiful, but there is more to the work than shifting panels of elusive, impressionistic sound. Debussy retains the text of Maeterlinck’s play, and the linguistic subtleties of the French text are matched perfectly by the musical detail. Taking a little time to explore the romantic, elusive world of this opera is particularly rewarding.

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