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Opera Explained - Monteverdi: Orfeo - Thomson Smillie
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Opera Explained - Monteverdi: Orfeo - Thomson Smillie (Size: 37.14 MB)
| 01 Introduction to … MONTEVERDI Orfeo_ Background_ Introduction.mp3 | 3.17 MB | ||
| 02 Introduction to … MONTEVERDI Orfeo_ Background_ Monteverdi's early life and education.mp3 | 3.11 MB | ||
| 03 Introduction to … MONTEVERDI Orfeo_ Background_ Monteverdi's other operas and performance practice.mp3 | 2.51 MB | ||
| 04 Introduction to … MONTEVERDI Orfeo_ Orfeo_ Prologue.mp3 | 2.81 MB | ||
| 05 Introduction to … MONTEVERDI Orfeo_ Orfeo_ A shepherd summons the chorus to sing.mp3 | 1.81 MB | ||
| 06 Introduction to … MONTEVERDI Orfeo_ Orfeo_ Orpheus is told that Eurydice is dead.mp3 | 3.31 MB | ||
| 07 Introduction to … MONTEVERDI Orfeo_ Orfeo_ Expressions of grief from the chorus and shepherds.mp3 | 1.82 MB | ||
| 08 Introduction to … MONTEVERDI Orfeo_ Orfeo_ Orpheus descends into hell.mp3 | 3.4 MB | ||
| 09 Introduction to … MONTEVERDI Orfeo_ Orfeo_ Charon's response to Orpheus.mp3 | 2.82 MB | ||
| 10 Introduction to … MONTEVERDI Orfeo_ Orfeo_ Pluto's pronouncement.mp3 | 2.27 MB | ||
| 11 Introduction to … MONTEVERDI Orfeo_ Orfeo_ Doubts assail Orpheus.mp3 | 3.2 MB | ||
| 12 Introduction to … MONTEVERDI Orfeo_ Orfeo_ Orpheus's long lament and the first ending.mp3 | 2.93 MB | ||
| 13 Introduction to … MONTEVERDI Orfeo_ Orfeo_ The second ending.mp3 | 3.35 MB | ||
| BK_NAXO_000779.pdf | 652.72 KB |
Description
Category: Art, History
Language: English
Keywords: Art Culture History Music
Written by Thomson Smillie
Read by David Timson
Format: MP3
Bitrate: 64 Kbps
Unabridged
Length: 1 hr and 17 mins
Release date: 10-26-12
Publisher’s Summary
Monteverdi’s Orfeo, first performed in 1607, generates a special excitement because it is the first unquestioned masterpiece of opera. Notable for its precise orchestration and powerful drama it was a groundbreaking work. It concerns the legend of Orpheus, the demigod whose music had the power to conquer the forces of Hell and to bring his wife back, briefly, to life. The extracts used in this introduction are from Naxos’ full recording; it uses authentic period instruments, which serve to evoke the early Baroque period of the opera’s composition.
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